Jean Béliveau, thoroughbreding through centre!
Frank Mahovlich, moosing down the wing past the Montreal blueline!
I don’t what it is about Blades and Brass, but it makes sense. If you’ve screened William Canning’s short film from back in bygone 1967, maybe you know this already. The old technicoloured hockey is fascinating in its own, though without the soundtrack, it just wouldn’t be the classic it is. Don Douglas wrote that, and Ken Campbell orchestrated it. Just what kind of sense the pairing of the hockey and the music makes, the how, and the why of it — that’s a whole other parcel of questions that might be better off left to itself, over there, in the shade, where maybe is it best if we just leave it unopened? The National Film Board’s catalogue copy has an understated charm that surprises even as it fails to convey the near-perfect oddity of what you’re about to watch. “This short documentary showcases the best of the 1967 National Hockey League season, set to music in the Tijuana Brass style.”
Well, why not?
Forgive all the exclaiming, but I’m not sure there’s any other way to translate the footage to the page.
Terry Sawchuk! Eddie Giacomin! Gump Worsley in full flop!
Toronto’s Bob Pulford looking downcast! Béliveau wailing on Reggie Fleming of the New York Rangers! Phil Goyette, not seeing the shot that hits him amidships and drops him to the ice in painful anguish that causes you to shift in your seat, especially if you happen to be male! J.C. Tremblay carried off on a stretcher! One lonesome overshoe on the ice! The rink crew scraping up bloody slush! Toe Blake in a porkpie hat, chewing his chaw! Béliveau pressing a towel to a cut! Great goal, Claude Provost!
Blades And Brass is a masterpiece. Is there any doubting this? Watch it, the whole thing. It’s not long. Me, now — watching these 50-year-old scenes, I’m just not sure how I’m going to be able to endure the plain old modern non-mariachi NHL.