It was October when I started talking to Ken Dryden about his new Bowman biography, Scotty: A Hockey Life Like No Other. We talked again, on the phone, in November and December, but for that first interview we met in person, one early gleaming fall morning, at an espresso bar not far from his home in midtown Toronto. I got there early and was ensconced in a window seat when Dryden strolled into view a block-and-a-half to the north. He was waiting for a light to cross the last of the distance between us when a man walking with his small son accosted the former goaltender and thrust out a hand for the shaking. It was a quick exchange, and friendly-looking. As Dryden continued on, I watched his admirer explaining who he was to his boy. As I mention in the feature I ended up writing for the Globe and Mail’s Books pages, Dryden, who’s 72, looks like he could slip back into the Montreal Canadiens’ net without a flinch, summoning up no problem the puck-preventative instincts and reactions that served him so well through the 1970s. He was wearing a white t-shirt white a light blue fleece pulled over it. I got a cortado, Dryden a Morning Glory muffin. In the more than 40 years have passed since Dryden stopped playing NHL hockey, he’s worked on TV and served in government, helmed the Toronto Maple Leafs, and written some of the most penetrating and insightful books known to hockey. For people like me who continue to ask him about how the diverse projects that command his attention might connect, the answer he’s assembled is this: “I’m not a hockey player, I’m somebody who played hockey. I’m not a writer, I’m somebody who writes. I’m not a politician, I’m somebody involved in politics. I’m not a teacher, I’m somebody teaches. And it depends on what the subject is and the purpose of doing it as to whether the best approach is by teaching or by writing or by administering or by … whatever.”
My feature on Ken Dryden and Scotty is up online at the Globe today, where it’s available to subscribers here. It appears in the paper proper, on paper, tomorrow.
(Image: Aislin, a.k.a. Terry Mosher, “Ken Dryden and Scotty Bowman,” 1973, ink and felt pen on paper, © McCord Museum)