Born in Markham, Ontario, on a Monday of this date in 1997, Toronto Maple Leafs right winger Mitch Marner is 24 today. Already in his fifth season in the NHL, Marner is a sublime talent and one of the best things that ever happened to Auston Matthews; if you’re new to the area, he is has-a-plush-toy-in-his-image famous in the Greater Leaf Region. (The exemplar above was on sale at Scotiabank Arena circa 2019.)
The portrait below is the work of Toronto editorial designer, illustrator, and endlessly interesting artist Nadine Arseneault. Her work has featured before on Puckstruck: you can find it here and here and here as well as here.
The Philadelphia Flyers visit Boston tonight for a game against the Bruins at TD Garden, so that’s reason enough to revisit the 1974 Stanley Cup finals as seen by the American artist LeRoy Neiman, no? Yes. The piece of the larger Neiman silkscreen that’s depicted here has Boston’s Phil Esposito buzzing Bernie Parent’s net. So: Game 2 at the old Boston Garden, on May 9, when Esposito scored a first-period goal to put the home team up 2-0? Maybe so. The Flyers stormed back to tie that game, then won it in overtime on captain Bobby Clarke’s goal. The series would go to six games before the Flyers claimed the first of successive Stanley Cup championships, with Parent (of course) winning the Conn Smythe Trophy as playoff MVP two years running.
A devout hockey fan — samples of his other views of the game are here and here and here — Neiman, who died in 2012, hailed from Saint Paul, Minnesota. It was while he was teaching at the Art Institute of Chicago that pucks and sticks and their artistic possibilities first caught his attention.
“The thing about painting hockey as opposed to other sports is the ice,” he said in 1977. “It’s a hard sheet of cold white-blue, and there’s something nice about that: hard and cold.” Of his style, he said, “The idea is not to be unclear, but to make clarity seem accidental.”
Still Life With Background Flyers: LeRoy Neiman and his sketchbook rinkside in 1974..
Net Gain: The current edition of the New York Rangers ran up a 9-0 romp last night at Madison Square Garden at the expense of the visiting the Philadelphia Flyers, but this isn’t that: from 1967, here’s LeRoy Neiman’s impression of Ranger Rod Gilbert (#7) buzzing Glenn Hall’s Chicago net, with Vic Hadfield (#11) and Jean Ratelle (#19) in attendance. Not a Black Hawk defenceman in sight, shamefully, though Bobby Hull (#9) is on hand to witness the goal.
If you follow @CP0031 on Twitter, you’ve seen that he lists his location as “Top of the paint.” His bio there is plain and simple: “Minder of nets — Thwarter of goals — Swatter of pucks.” Born in 1987 on a Sunday of this date in Vancouver, B.C., Price is 33 today. After registering a shutout in Friday’s 5-0 Montreal win over the Philadelphia Flyers, Price is back at it tonight, in Toronto — the minding, the thwarting, the swatting — as his Canadiens reconvene with Philadelphia. Their first-round Eastern Conference series is tied at a win apiece. The painting here is by Victoria, B.C. artist Timothy Wilson Hoey. You can browse more of his radiant takes on Canadian scenery, objets, foodstuffs, monarchs, incidents, and icons at ocanadaart.com.
First Star: Carey Price takes a bow on Bell Centre ice following a shutout in December of 2017, back when the NHL operated in wintertime, with fans, in cities other than Toronto and Edmonton.
Toronto digital artist Stephen Cribbin is the man behind a suite of one-inch buttons that accessorize some beloved old-time goalie masks for our 2020 times. “Original Sicks” is what he’s calling the series of six buttons, which feature masks made famous shielding the faces of Mike Palmateer, Ken Dryden, Terry Sawchuk, and Bernie Parent. For information on acquiring a set of your own, you can send an e-mail to email@example.com, or contact him via Instagram, @cribbin13.
Flowery Power: A flaying Rick MacLeish features in “Hockey Fight Flower,” a work by the Toronto editorial designer, artist, and all-round inspiration Nadine Arseneault. Some of her other hockey-minded work features here and over here. You can find her on Instagram over this way.
Off Duty: The game goes on in “Military Moscow,” by Soviet painter Aleksandr Deyneka, which he completed in the span of wartime years 1941-46. The question is … which game is it? As I wrote in a book of mine, the story of how Russians came to the hockey we know involves a bit of a tangled provenance, a layer of mist, and a Chekhovian touch of men quarrelling offstage. Before 1946, Russians tended to play soccer in the summer and bandy — russki hokkei — when winter came. They’d been doing it, in one form or another, going back to Peter The Great’s time. Canatsky hokkei (ours) wasn’t unknown, especially in the Baltics, but mostly they bandyed, chasing a ball, with 11-man teams skating on a rink the size of a soccer field. Sticks were short and curled and wrapped in cord. Lawrence Martin says that there was a Canadian-sized hockey rink in a central Moscow soccer stadium going back to 1938, and that puck-hockey was introduced to phys-ed curricula starting in 1939. It was in ’46 that the first hockey league got going in a serious way. And so, here, under the barrage balloon? The sticks look fairly hockey-shaped, to me. There seems just to be the one goal, so it could be that they’re just taking shots. Either way, there’s no mistaking, or oppressing, the pure shinny spirit of the moment.