maurice richard vous parle

Maurice Richard

Rocket To Pocket: Maurice Richard, in his basement, circa … the late 1960s, or early ’70s? Looking on are sons Jean and Paul. (Image: Antoine Desilets, BAnQ Vieux-Montréal)

Is Rocket restless?

Vern DeGeer of the Montreal Gazette was someone who was wondering that in 1965; Maurice Richard himself seems to have been another.

He was 43 that year; he’d been retired from the glare and the glory of NHL ice for five years by then. He’d been a force to behold as a right winger for the Canadiens, a phenomenon unto himself, and he was working for the team still … as an assistant to president J. Davidson Molson, out and about as a team ambassador and sports-supper speechmaker, in the business now of gladhanding fans rather than goalscoring.

“When I retired five years ago,” Richard told DeGeer, “I was all wound up inside. I wanted to get away from it all. I seemed to be all worn out mentally and physically. The pressure had been great. I’d been going at top speed for 18 seasons. That’s a long time.”

Had the pressure let off since he’d stowed his skates? Not so much.

“Now I seem to be building new tensions,” Richard said. “I’ve found the calls for public appearances, travelling all across the country, even tougher than playing. The same old questions have to be answered, the same routines.

Would he coach? Maybe. “I haven’t given it much thought until now, but I think I might consider trying my hand as a coach,” said Richard. “I’m not sure. I’ve never had any offers. If they did come, I’d feel more like considering them than I did when I quit in 1960.”

I don’t know if the offers were extended in ’65, or in the years that followed; the Rocket never did, we know, end up coaching in the NHL. He took a brief turn behind the bench when the Quebec Nordiques launched with the WHA in 1972 — only to resign after just two games due to what the newspapers called “severe nervous strain.”

It wasn’t long after that exchange with Vern DeGeer that Richard quit his job with the Canadiens. This time, he announced his departure in the column he wrote for Dimanche-Matin, “Maurice Richard Vous Parle.”

It wasn’t, let’s say, a fond farewell.

“The title of vice-president or assistant to the president — take your choice — was never more than honorary,” he wrote. “I never had time to do it justice, though I would so much have liked to contribute constructively to the cause of the Canadiens. But I was never more than a good-will ambassador.”

As vice-president, he said, “I was never invited to a meeting behind closed doors, never asked for an opinion on anything whatsoever. I kept pace with the news the same way you did, by reading the sports pages.”

The image above comes undated. Could be … late ’60s, early ’70s, maybe? It was taken in the basement of the Richard family home, on Péloquin Avenue in north-end Montreal. The spectators in the background are (I’m pretty sure) Richard’s sons Jean and Paul.

I’ve been visiting the house by way of a couple of old magazine features and so can offer some more basement views. First up is June Callwood, writing for Maclean’s in May of 1959, when Richard was still in the NHL. His wife Lucille figures prominently in this piece, as does the couple’s domestic set-up in their “thirteen-room stone house.”

There were six Richard children at this point: Jean was still to come. “Their living-room windows overlook a strip of park,” Callwood wrote, “beyond which is the river where in summer the Richard boat is in constant use. towing the older children or their father on water skis.”

Indoors, Callwood found the house to be “warm, sparkling clean and bright with sunlight” — and teeming with the spoils of superstardom:

Lucille has stored literally dozens of cups, statues and plaques in a glass-doored case in the recreation room, along with boxes of pucks — all identical in appearance — labeled to indicate that this one won a Stanley Cup playoff game and that one broke a scoring record. The scrapbook situation is almost out of hand and so is the number of paintings of Maurice that fans have made from photographs and sent to him. Several are hung in the living room, others in the recreation room. One, a real trial, is over six feet high and leans against a basement wall.

Many gifts have been of great value, among them a colour television set, a freezer, a stove, a marble-statue floor lamp and four refrigerators. Lucille dispersed the abundance of refrigerators by putting the biggest one in the kitchen, another in the bar in the recreation room and two others in the back entrance vestibule. One of these is packed to the doors with beer, a reflection of an affiliation Maurice has with Dow Breweries, rather than of his drinking habits, which are only a notch above teetotaling.

Callwood found Mrs. Richard gracious and charming. Her first impression of the Rocket: “A thickbodied, not tall, man, Richard normally has an expression of remote sadness and his black eyes are fathomless.”

One of her questions, about dealing with fame, made him uncomfortable. “Sometimes I get fed up, but I can’t let it show,” he admitted. “It’s not nice for kids to hear about me being sore at people.”

Twelve years later, it was Alan Walker from The Canadian Magazine who dropped by to size up Richard and his household. He wrote it up in a feature published in May of 1971.

Richard was 49. “His hair is grey now,” Walker wrote, “and slicked down with Vitalis. His face is scarred by the crunch of sticks and pucks. His false top teeth are expensive, and so look real. His eyes, which used to be piercing enough to terrorize opposition goaltenders into helpless rigidity, now look smaller because his face has fattened.”

Richard was a vice-president again, but of S. Albert & Co. Ltd., a fuel company rather than a famous hockey team. He’d started as a salesman; now he oversaw a sales team of 20. He was still making public appearances and giving speeches, on behalf of breweries, Dow, O’Keefe, and Labatts, though there’s no mention in the piece of how refrigerators remained in the house.

Richard was working from home, too, running General Fishing Lines, a business he’d bought four years earlier.

Here’s Walker describing the Rocket’s set-up:

Richard’s cellar is so crowded that it is difficult for a big man to manoeuvre between the crates of fishing line and the billiard table that dominates the room.

In the adjoining laundry room, sharing scant space with Mrs. Richard’s automatic washer and dryer, Richard has a typewriter, a green filing cabinet, and a red telephone on a neat desk. Unpainted plywood cupboards around the walls hold miles of fishing line ready for labelling.

Back in ’59, talking to June Callwood, Richard did briefly talk about his extra-hockey interests.

“Every year I think I ought to get interested in another business,” he said then, “start a restaurant or something. But when the hockey starts, I forget about everything else. Maybe if I had other interests, I wouldn’t have lasted so long in hockey.”

“Are you afraid of anything?” Callwood wondered.

Richard was quiet a long time. “Yes, I am afraid of the future. I am afraid to grow older. I never used to think of it, now it’s on my mind every day. I will be so lonely when hockey is over for me.”

“Can you coach, maybe?”

“No, I can’t change the way a man plays hockey. Either he can play it or he can’t. I can’t help him.”

It was in May of 2000 that Richard died, at the age of 78. As far as I know, he lived in the house on Péloquin Avenue until the end. That October, Richard’s children put the house on the market, asking $649,000. I’m not sure what it sold for, finally, but by the time the deal went through the following May, the asking price had dropped to $399,000.

That same month, on the anniversary of Richard’s death, the strip of riverside greensward across the street from the Rocket’s house was officially renamed Parc Maurice Richard.

Rocketman: Jacques Doyon’s of Richard adorned the cover of Le Sport Illustre in 1952 and also, apparently, the Montreal legend’s rec room wall. You can see it in the background of the image at the top here.

a manly knit

fergie collection

John Ferguson was 32 in 1970 when he decided the time had come to hang up his skates after seven hard-fought NHL seasons. His Montreal Canadiens had finished out of the playoffs that spring and he’d gone through the summer wondering whether it was time to go. Things had changed in the league, and Fergie was troubled.

He writes about this in Thunder and Lightning, the memoir he published with Stan and Shirley Fischler in 1989. “Expansion and the new breed of hockey player had combined to slowly, but surely, change the game’s values for the worse, I thought. More and more, the accent was on big bucks and selfishness. Agents were becoming as important in the lives of young players as their coaches. Respect for older players, team loyalty, toughness and discipline were values that gradually were being eroded.”

Maybe he’d play one more year. Would he? He went to training camp in the fall of 1970, played some exhibition games, hurt his arm. That was it. His mind was made up.

“At a press conference in Montreal,” he writes, “I told the media that I had decided to retire from hockey. … Naturally, the reporters grilled me. They wanted to know about specifics. Was it [GM Sam] Pollock? Who? I told them I had no beef with hockey or the Canadiens or Pollock or the club owners. I told them that, when I decided I couldn’t give one hundred per cent to hockey, it was time to give up.”

Knitwear played its part, along with horses. When he wasn’t playing hockey, Ferguson was in business with both. He was already president of Butternut Enterprises, a company owned by friends, that not only manufactured fine shirts, dresses, pants, and sweaters, but owned a bevy of racehorses: two trotters and seven thoroughbreds.

“Horses were in my blood,” Ferguson writes. But the threads meant something, too. He writes about that, too. “Some of my hockey friends thought it was paradoxical for a tough guy like me to be making a fashion statement with knitwear, but nobody ever teased me about it. I matched my colours and was never outlandish with my colour schemes.”

No, you wouldn’t tease John Ferguson about his fashion choices, would you? Above, he shows his stuff in ad from a November, 1970 Canadiens’ game program. Earlier that year, posing for another campaign in Montreal’s Gazette, the John Ferguson Collection promised “brave designs … masculine and bold. Styled with clean lines … powerful stripes … decisive trims. A manly knit in textured Cel-Cil Fortel®.”

The knitly man made a return to the ice the following year, of course. Habs’ captain Jean Béliveau called him up the following season, invited him to supper. They went to Ruby Foo’s, and Béliveau told him: “The Canadiens need you. Think about coming back.”

Ferguson was out of knitwear by then — so to speak: he’d sold his interest. After meeting Sam Pollock to talk contract, he rejoined the team for one final season. It was a good one, too, the last one also of Béliveau’s illustrious career, and the first for a young goaltender named Ken Dryden. The Canadiens won the Stanley Cup.

the three fs of tt

A home away from hockey: this 1955 oil painting by Jacques Plante himself hung in his home in Sierre, Switzerland, where he moved after his second retirement in 1975 and lived until his death in 1986. (Photo: Classic Auctions)

He was 36 that June when he decided he needed a break from defending a hockey net. He’d seen enough pucks go by him, felt too many of the ones that didn’t. His face was scarred, his body bruised. He was tired of the travel. He told his team’s general manager that he wanted to spend more time with his family.

No, not Boston goaltender Tim Thomas, though he did decide much the same thing in the last few days. This was Jacques Plante, in 1965, a New York Ranger by that point. Here’s The New York Times, the day after Plante gave Rangers’ GM Emile Francis the news:

Throughout his career, Plante has suffered real and imagined injuries. He had asthma attacks, many of them in Toronto (he insisted he was allergic to the city) that he freely admitted were psychosomatic. Last season, he was hobbled with leg injuries. He recently underwent surgery on his right knee in New York.

Said a Rangers spokesman: “Jacques is a funny guy. He could turn around and change his mind. Emile hopes he does.” Continue reading