The building was in a bedlam the moment the red light flashed. The crowd stood up, clapping hands and roaring acclaim. Programs were showered don on the ice. The Rocket’s teammates on the bench dropped sticks and gloves and stood up an applauded. The organ played “Il A Gagne Ses Epaulettes.” The Rocket himself leaped high in the air and landed on Jean Béliveau, who had fed him the pass that set up the goal.
* Dink Carroll, The Gazette, October 21, 1957
It was on a Saturday of this date in 1957 that Maurice Richard became the first player in NHL history to score 500 goals. The Chicago Black Hawks were in at the Montreal Forum that night, and the rink was packed with 14, 405 fans, as the biggest — and most expectant — crowd of the young season awaited the Rocket’s record-breaking goal.
Fifteen minutes and 52 seconds into the first period was when Dickie Moore passed to Béliveau’s at the side of the Chicago net and he found Richard in the slot, about 15 feet out. The Rocket beat Chicago goaltender Glenn Hall with a slapshot; Carroll said it whizzed. Once the bedlam subsided, Montreal went on to beat Chicago 3-1.
“That mark of 500 threatens to stand up as long as the Babe’s record of 60 home runs in a single season,” Carroll would venture in his Gazettedispatch. Ruth’s monument was, by then, 30 years old, and had another four years to run before Roger Maris got around to hitting his 61. Carroll was just a little off: Gordie Howe scored his 500th NHL in March of 1962, just over six months after Maris did his record-breaking deed.
Still, Richard was first, and for that — and because he was the Rocket, and this was Montreal — one of his rewards was to be immortalized in wax. This was later, 1965, when Tussaud’s Ville Marie Wax Museum opened at the downtown corner of Ste. Catherine West and Drummond, 12 blocks or so from the Forum. Glenn Hall was rewarded, too, as a supporting actor, though for him it may have felt more like penance, all the more so if he ever saw the display, above, as it would later appear to paying customers.
Richard himself dropped by the Museum before it opened to check himself out. He’d donated the uniform and skates his doppelganger; I don’t know where Hall’s gear came from. Fashioned in London from photographs by Josephine Tussaud, a descendant of the original Madame, waxy Richard got some final adjustments before meeting the public. Joining him and Hall in the museum were scenes featuring an array of the faux and famous, including Abraham Lincoln (at his assassination), Jesus (partaking of the Last Supper), Joan of Arc (at the stake), and Brigitte Bardot (just out of the shower).