“The odds will be in our favour,” Pete Muldoon declared this week, a long 101 years ago, “and we’ll use them to good advantage. We are due to win and I am as confident as I am of standing here that the Mets will give the Frenchmen a licking.”
As coach of the Seattle Metropolitans in the spring of 1919, Muldoon had watched his charges, the powerful PCHA champions, battle the NHL’s Montreal Canadiens for the Stanley Cup through five gruelling games. Each team had won a pair of games, while another had ended, goalless, with no decision. Though the Canadiens had prevailed in the fifth game, taking a Saturday-night game on March 29 by a score of 4-3, the hometown Mets were presumed to have the upper hand going into the deciding game on Tuesday, April 1, given that it would be played under west-coast rules.
The game, of course, was never played. With members of both teams suffering from symptoms of Spanish flu, Muldoon announced that the game was off: the series would remain undecided. From Seattle’s Ice Arena, the focus now shifted to the city’s Providence Hospital, to which several of the local Mets were transferred. As for the Canadiens, five players were ill, along with manager George Kennedy. While Habs’ coach and captain Newsy Lalonde, Bert Corbeau, and Louis Berlinguette were under medical care in their rooms at the Georgian Hotel, the team’s two worst cases, Joe Hall and Jack McDonald, were admitted to the Columbus Sanitarium. As has been much discussed in this strange, unsettling we’re living through a century later, all the hockey patients but one survived the 1919 virus. On Saturday, April 5, a week after he’d skated in his last hockey game, Joe Hall died of pneumonia. He was 37. He was buried three days later in Vancouver.
Commemorating the grim anniversary of those incomplete Stanley Cup finals, illustrator Robert Ullman has a graphic feature, Skating On Thin Ice, up this week at The Nib, the online journal of political and non-fictional comics out of Portland, Oregon: you can find it here. A hockey fan ever since the day, as an 8-year-old, he watched the U.S. Olympic team overthrow the mighty Soviets in 1980, Ullman lives and draws in Richmond, Virginia. His ongoing series of puckish history books, Old-Timey Hockey Tales, is worth tracking down.
(Images courtesy of Robert Ullman)
“We thought it was a joke,” Andy Bathgate said, later, recalling the mask that Jacques Plante donned for the first time in an NHL game 60 years ago today. It was Bathgate’s spiteful backhand, of course, that did the damage to Plante’s face on that Sunday in New York in 1959. There’s a fuller accounting of the hows and wherefores here; if nothing else, it confirms that the puck did not, in fact, decapitate Plante, despite what this graphic 1997 depiction, above, seems to suggest. It’s from The Man Behind the Mask, a 24-page comical retelling of the story of Plante and his mask written and inked by Michael Dixon. Publisher McClelland & Stewart was behind the True North Comics series that spawned it, teaming up with the CRB Foundation in support of the original run of Heritage Minutes, one of which — watch it here — famously dramatized Plante’s bloody night. The True North comics were handed out by the tens-of-thousands at McDonald’s restaurants across Canada. There were four volumes in all, with the others respectively recounting tales of Halifax’s 1917 explosion; Chinese migrant labour and the construction of the CPR; and Joseph Tyrrell’s 1884 discovery of dinosaur fossils in Alberta’s Badlands.
A tale of hockey revenge told in 1955 … what could that possibly look like? Maybe it would resemble the one that played out in Boston in March of that year, when the Bruins’ Hal Laycoe high-sticked and cut Montreal’s Maurice Richard and the Rocket responded in kind, scything his stick at Laycoe’s head. NHL President Clarence Campbell suspended Richard, of course, for his reprisal, and a few days, the city of Montreal exploded into riot.
In “La Revanche de Terry,” published just four months later, Jean Graton opted for a less bloody and more wholesome telling of hockey payback. Published in Paris, with Hergé’s Belgian boy-detective as its starring act, Le Journal de Tintin was a weekly compendium of comics for young readers showcasing the work of some of Europe’s best graphic storytellers, including Albert Uderzo, and René Goscinny. Like them, Graton was French. In the later 1950s, a few years before Uderzo and Goscinny launched Astérix and his adventures, Graton settled into his signature Michel Vaillant motorsport series.
For his hockey fable, Graton settled on a — what else? — Quebecois setting. “Dans cette petite ville Canadienne,” there skates an amateur team, the Lions, and as the story opens, they’re welcoming the famous pros from Montreal to town for a much-anticipated exhibition game. Terry Kern is the local star, and the first thing he learns as the Montreal Giants arrive in town is that their star forward, Bill Thompson, is a bit of a preening idiot.
Out on the ice, the Lions are game, but they just can’t match the skill and technique of their pro rivals, who surge to a 3-1 lead. When Terry scores to make it 3-2, he makes Bill look like a bit of a fool, which leads to Bill hoodwinking the referee (in his white waiter’s jacket and snappy shorts) into sending Terry to the penalty bench on a bogus call: five minutes for interference.
It’s during his extended stay in the box — “le banc d’infamie” — that Terry realizes that he and Montreal’s devious star have met before, fifteen years earlier, when they were boys. By no real surprise, Bill was a preening idiot back then, too.
If you need a spoiler alert, this is it. Released from custody, Terry returns to the ice with vengeance on his mind, which he duly exacts by scoring two quick goals to ensure that the game ends in a 5-5 tie. That’s as good as a win, I guess, insofar as Bill … is humbled? I think that’s the moral here. Montreal management is so impressed by Terry’s performance that they sign him to a contract then and there. That’s the end, pretty much, if not quite: Jean Graton devotes the last three panels of the comic to a finale that in a 1955 Montreal context might qualify as a surprise ending: Bill and Terry share a laugh, make their peace. Revenge, I guess, can be sweet.
Officials at the game charged with breaking up such fights let this one run its course. Showing instincts toward self-preservation, neither linesman chose to step between the pair of 200-pounders as they flailed freely with their fists.
“I never saw one like it,” says goalie Terry Sawchuk, who had a ringside seat when the action exploded behind his net.
• Marshall Dann, The Detroit Free Press, February 2, 1959
Today in concussion history: it was on this day in 1959 that Gordie Howe put his fist into Lou Fontinato’s face, and hard. “The most famous single punch in NHL history,” Peter Gzowksi called it. If that’s true, the fame might not have been spread so far and so wide if Life magazine hadn’t broadcast the news so graphically across the United States and beyond two weeks later.
It’s certainly a tale much (if not always consistently) told. The Detroit Red Wings were in New York to play the Rangers. With the home team out to a 4-1 win near the end of the first period, Fontinato, 27 at the time, skated over to talk to Howe, 30, at a face-off — “warned him about something or the other,” Marshall Dann reported. When the puck dropped, Howe soon ran into his shadow for the evening, Eddie Shack. Howe cross-checked him or just “whacked” him; descriptions differ. (“Shack got his hair parted … from Howe’s stick,” is yet another view.) They, in the hockey parlance, tussled, but didn’t fight. As Howe wrote in several of his memoirs, his history with Fontinato included the high stick with which he’d cut Fontinato’s ear earlier that season, so he wasn’t surprised when Fontinato dropped his stick and came skating at him from 20 feet away.
Howe saw him coming and ducked Fontinato’s first fist. Gzowski didn’t quite get it right: Howe pluralized his punch. Howe: “I hit him with everything I had as hard and as often as possible.” Dann: he “loaded up and started with a steady stream of right uppercuts. He got Fontinato’s uniform by the left hand and pulled it half off, cutting down Lou’s return punches.”
Howe said he changed hands, and then dislocated a finger. That hurt “like a son of a gun,” according to the account in 2014’s My Story, wherein ghostwriter Paul Haavardsrud streamlined and gently updated an earlier effort at autobiography, and … Howe! (1995). Of regrets, the latter admits none: “Did I feel sorry for him? No. We’d gone at one another for years.” Nineteen years later, the official Howe line was slightly softened: “It didn’t make me happy to see Louie in such bad shape, but I can’t say I feel sorry for him. That might make me sound cold-hearted, but to my way of thinking he was just doing his job and I was doing mine.”
Fontinato didn’t leave any memoirs, but he did talk to reporters in the days after the damaging. He shared his opening statement to Howe with the Associated Press: “ ‘Keep your stick to yourself,’ I tells him.” As for his nose: “It’s been broken four times before and there’s hardly any bone there. It’s very easy to push out of place.”
Fontinato also made his case to Tony Saxon of The Guelph Mercury in 2006. “I know one thing,” he said then. “A lot of people thought I lost that fight, but I didn’t. I probably threw ten punches to his one. Then I look up to see what damage I’ve done because I’ve been hammering away for a couple of minutes. I look up and he gets me with one right on the nose.”
The whole affair got a sustained revival in 2016, when Fontinato’s death followed Howe’s by just three weeks. Mentioned in passing in most of the Howe coverage, it was defining anecdote featured in Fontinato’s obituaries. The New York Times included one of Howe’s more uncharitable lines: “That honker of his was right there, and I drilled it.”
“Gordie Howe performed rhinoplasty on Mr. Fontinato’s prominent proboscis with his knuckles,” Tom Hawthorn epitaphed in The Globe and Mail.
Back in 1959, mostly everybody had a go Fontinato’s nose-job. “The bugle was detoured by Gordie Howe” was one of Milt Dunnell’s efforts; “bombed out of commission” was Jimmy Breslin’s contribution on the news-wire.
It’s worth noting just how audible the written record is. Under the headline “Don’t Mess Around With Gordie,” Life’s write-up had an unnamed Red Wing recalling that “Howe’s punches went whop-whop-whop, just like someone chopping wood.”
Frank Udvari was the referee that night, and he either read that and absorbed it into his own experience or thought kindling at the time, too. “Never in my life have I heard anything like it,” he said in 1979, “except maybe the sound of someone chopping wood. Thwack! And all of a sudden Louie’s breathing out of his cheekbone.”
One of the witnesses that Roy MacSkimming canvassed for his 1994 biography Gordie: A Hockey Legend was Red Wings’ trainer Lefty Wilson, who reported what reached him at the bench: “With every blow, you could hear something break — squish, squish.”
Stan Fischler was watching from the Garden press box that night. He’d later describe Howe’s fists moving “like locomotive pistons,” though the sound they made was decidedly equestrian: “Clop! Clop! Clop!”
MacSkimming writes that the portraits Charles Hoff took for Life juxtaposing Fontinato’s face and Howe’s flex may have shocked “gentle American readers by portraying the vicious side of hockey.” Maybe so, but in Canada and the hockey-knowing northeast United States, it mostly went into the books as just another hockey fight.
A brutal one, to be sure — Detroit coach Sid Abel called it “the fiercest I’ve seen since Jack Stewart battled John Mariucci 15 years ago” — but nothing but nothing so especially out of the run of the league’s ordinary brutality. The headlines were almost cheery, even if the photographs weren’t: “Gordie Convinces Lou With Well-Placed Right” readers in Nanaimo learned a few days after the fact; “Gord Howe’s Fists Too Much For Lou,” advised Toronto’s Daily Star. If Fontinato had been (as the AP put it) the NHL’s reigning “bare-knuckle champion,” it was no longer so, according to much of the coverage. “Howe is champ,” declared the AP. “Another smudge on Lou’s escutcheon,” the Star’s Milt Dunnell wrote, while in The Globe and Mail Jim Coleman warned that “even such peace-loving players” as Alex Delvecchio and Ralph Backstrom would now be emboldened to toss “tentative punches at Fontinato’s sore schnozzle.”
Rangers coach Phil Watson had his own historical benchmark. For him, it was “the best fight I’ve seen since Art Coulter and Dit Clapper tried to cripple each other 20 years ago.” He wasn’t what you’d call entirely pleased, however. “Howe gets away with murder,” he railed after the game. “He cross-checked Shack in the head for three stitches. He’s been doing things like this for years, but the referees won’t give penalties to Howe.”
Watson would have more cause for complaint. Holding steady in playoff contention at the start of February, the Rangers would go 6-13-2 post-clout, ceding the last spot for the post-season to the Toronto Maple Leafs. “We never got over Louie’s pasting,” Watson said. “His nose looked like a subway hit it.” Detroit missed out, too, though it’s unclear if that was any solace.
Back on the night itself, 59 years ago, Udvari sent Howe and Fontinato to the penalty to serve out their five-minute majors. Because, well, hockey, both men returned to the ice to play out what ended as a 5-4 Rangers win. “Although he suffered a broken nose and had several heavy bruises on his face,” Marshall Dann reported, “Fontinato finished the game.”
Only afterwards did he check into St. Clare Hospital. “The doctors had to wait until the hemorrhaging stopped before they could operate,” he’d recall. He stayed for two days. Two days after his release, he went with his teammates to Detroit. With the newspapers touting a “rematch,” Fontinato skated in the warm-up but didn’t play. He was back in action a week after that when the teams played again. Wearing a protective mask, he seems to have steered clear of Howe, and Howe of him.
The two men did meet again, in a civilian setting, in April of ’59, when their teams were watching the rest of the NHL partake in the playoffs. Scott Young was there to see Howe offer his hand to Fontinato for shaking. “When Fontinato saw who it was,” Young reported, “he grinned and pulled his own hand back and said, ‘It wasn’t like this the last time!’ and then shook hands with the man who had broken his nose in New York.”