the mothers of hockey players worry about injuries and, sometimes, freeze the living-room carpet for their sons to skate on

Home Ice: Pierrette Lemieux wields her spatula as goaltender to her sons Richard, Alain, and Mario, as seen by illustrator Nick Craine. (Image: HarperCollins Canada)

The fathers of hockey players write books, sometimes, about sons of theirs who’ve made it to the NHL, while mostly the mothers don’t — other than Colleen Howe, who perhaps deserves a bright asterisk for having published in her time books both as a hockey mother and a wife. I wish they’d write more books, hockey’s mothers, share their stories. As it is, in the hockey books, they’re mostly reduced to a few mentions, mostly in the early chapters. If you read all the hockey books, there’s a certain amount you can glean about hockey’s mothers, and a whole lot more you can’t. Herewith, some of the gleanings. Numbers in the text link to the list identifying the various mothers in the endnotes.   

Hockey mothers are descended from Sir Isaac Brock [1], some of them, while others are born and raised in a village six miles from William Shakespeare’s birthplace in Stratford-on-Avon, England [2]. Several of them are born Kathleen Wharnsby [3] and Grace Nelson [4], Rose Pauli [5] and Agnes Mather Bell [6]. The former two have been described, respectively, as “charming” and “demurely pretty.” The third wanted to be a nurse, but found that she fainted whenever she got near a surgery. The latter married a cheesemaker.

Other mothers are described, sometimes, in biographies written about their sons’ lustrous careers as “the soft-spoken daughter of German immigrants [who] worked as a domestic before her marriage.” [7] Sometimes, as the daughters of cattle farmers from Saskatchewan, they’re waitresses who see their future husbands for the first time at a bowling alley. [8] In other cases, the mothers of hockey players meet their husbands in Pristina, in what’s now Kosovo, before they emigrate to Canada without knowing a word of English. [9] Or else they arrive in Canada from Ukraine at the age of 16 and end up in Fort William, Ontario, in 1912 where they soon meet their future husbands, who don’t necessarily tell the truth about how wealthy they are, such that after the wedding the young bride finds that her husband rents a tiny house with six boarders for whom she’s expected to cook and do laundry and, plus, also, he’s abusive, beating her for any reason at all, or none, including when she talks to other men, including when she fails to walk behind this husband on the way to church on Sunday,  causing the son of such parents to write, years later, “My father was a very cruel person.” [10]

The mothers of hockey players have an old six-string Spanish guitar they like to play. In 1928, they’re outside chopping wood when they feel the labour pains coming on. Having already given birth five times, they know what to do: drew water from the well, put it on the wood stove to boil, make themselves comfortable in bed. They’ll deliver their boy themselves, cut the umbilical cord, then suffer a serious hemorrhage that’s almost the end of them, but then they get help, just in time. “The strongest woman I have ever known,” is what the son of a mother like that will say, in time. [11]

You were a mistake, hockey mothers will sometimes tell their sons when the sons are grown and playing defence for the Detroit Red Wings, but you were a wonderful mistake. [12] Another thing they’ll say, to adult sons of theirs who weighed ten pounds at birth: it felt as though you arrived fully grown. [13]

Some hockey mothers will name their son after a character remembered from a favourite movie, Old Yeller. [14] They’ll pass on to their sons an inner strength by way of, when they’re in the country sometimes, they’ll pick up a snake, or play with spiders, while never betraying any fear. [15]

The mothers of hockey players are kind and hardworking, and they feed their kids lots of home-baked breads and macaroni for dinner. [16] They teach their boys to knit. [17] They always seem to be sitting in the parlor sewing somebody’s pair of pants, and go to church every morning at 6.30. [18] They wash floors and make gallons of soup, and have their own version, some mothers, of fish and chips that consist of big slices of potato dipped in batter and deep-friend, served with French fries on the side. “We thought we were having fish and chips,” their sons will write in their autobiographies, “but actually they were potatoes with potatoes.” [19]

In 1922, when their sons are budding 19-year-old hockey stars but haven’t yet made it to the NHL where they’ll blossom into one of the league’s first genuine superstars, the mothers of hockey players will, sometimes, tragically, drown in a basement cistern — “ill for some time and her mind unbalanced,” as a Toronto newspaper reports it. [20]

King Clancy’s father was the original King, and while he was a very good football player, he may have been the only person in Ottawa who couldn’t skate a stroke. Not so Dolly Clancy: no-one, said King Jr., could match her grace on the ice, and he learned his skating from her.

Esther Dye (Essie, they called her) was the one who flooded the backyard rink when her Cecil was a boy, on Boswell Avenue in Toronto, got out the sticks, tied her son’s skates on, taught him the game. This was when skates were tied onto shoes; Cecil, of course, was better known as Babe, ace goalscorer and one-time captain of the Toronto St. Patricks. “My mother could throw a baseball right out of the park,” he said. “Or a hammer, or anything at all. She could run the other women right off their feet, and some of the men as well.”

Jeanne Maki’s boys, Chico and Wayne, were playing for Chicago and Vancouver respectively in 1971 when she was asked about their boyhoods. “Wayne used to imitate Foster Hewitt and got on everybody’s nerves,” she said. “Oh, he used to give me a headache, and even the neighbours threatened to kick his rear end.”

Here’s Edith Plager, mother of St. Louis Blues legends Barclay, Bob, and Bill:

They were never really indoors much, except to be in the basement and play hockey there — or sometimes they shot BB guns. Once Billy went off and broke about 50 jars of my preserves with his BB gun, and then another time, oh my, I was peeling potatoes and I started finding BBs in them. He’d been shooting into the bag, ha ha ha. Anyway, they had an understanding mother.

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and so this is christmas

Happy holidays from the Toronto Maple Leafs of Christmas past, and their seasonally spirited owner, Harold Ballard. What else, really, can you say, faced with the team’s 1987-88 Christmas card? A mention of Leafs’ mascot T.C. Puck might be order, since he shows up in both photo and painting. The latter, painted by Joan Healey, is called “A Gift For The Giver.”

A very Merry Christmas, and a happy new year.  Let’s hope it’s a good one, without any fear.

 

 

mountain heirs

The 1923 Banff Winter Carnival featured — well, where to start? The program for the Alberta mountain festival in February and March included a 100-mile dog-sled race with a purse of $1,000 for the leading musher, along with snowshoeing, trap-shooting, curling, ski-jumping and “ski-running,” tobogganing, and displays of “fancy and art skating.” Also in the cards: a buffalo barbecue and “swimming in the hot sulfur springs of the government baths.”

The buffalo barbecue was competitive, it turns out, with 77-year-old Colonel James Walker, famous Calgary rancher, soldier, and veteran of the North-West Mounted Police, meat-eating his way to victory ahead of 1500-odd participants. Fifteen teams started the dog-sled Grand Prix, though only four finished, in a blizzard. First across the line in a time of 13 hours and 16 minutes: Shorty Russick and his seven “wolfhounds” from The Pas, Manitoba.

And (of course) there was hockey.

The women’s tournament brought together four teams to compete for the Alpine Cup, the winner of which (said Carnival organizers) would be declared women’s world champions. The holders were on hand, the Vancouver Amazons, along with the Edmonton Monarchs and the Calgary Regents. It was the Fernie Swastikas who triumphed — that’s them here, above, in the dark and (and not yet Nazified) swastika’d sweaters. The team went undefeated that entire winter and were, in Banff, the best of the bunch, by all reports, though the tournament there does seem to have ended with a bit of a whimper.

After beating Vancouver, Fernie played Calgary twice. The first encounter ended in a tie, 0-0. The second game was 1-1 after three periods and remained that way through two ten-minute overtimes. In a third overtime, both teams scored, leaving it at 2-2.

This was on a Saturday night, and organizers declared that the deciding game would go on Monday morning. Over the weekend, after two Calgary players went home, the rest of the Regents declared that they had to leave, too. Despite a flurry of negotiations, Fernie, as the only team to take the Monday ice, was presented with the Alpine Cup.

It didn’t end there. Later the same day, the Swastikas agreed to play an exhibition game in Calgary against the Regents to raise money for the home team’s coffers. That was another 0-0.

None of this dampened the pride with which Fernie welcomed its champions. Thursday morning, when the Swastikas rolled into town on Train 67 from Alberta, much of the town was out to greet them. The mayor had asked all business to close up in honour of the victors, and everybody flocked to the station. A correspondent from The Lethbridge Herald saw it all:

The train was met by a crowd numbering up in the thousands and when the girls stepped from the train they were given three hearty cheers to which the girls replied with their club yell.

A parade wound through town, headed by the RCMP on horseback and the Fernie Pipe Band, “who kept things lively.”  The Swastikas were conveyed in a sleigh decorated with their team colours, red and white. They were followed by floats crowded with schoolchildren; Mayor Henderson rode with the Swastika’s mascot, “an effigy dressed in hockey togs, red sweater and Swastika on the end of a hockey stick.”

(Image: National Parks Branch / Library and Archives Canada / PA-058059)

 

the cold of old

Breaking news from NBC Sports this afternoon: “It’s supposed to be pretty cold during tomorrow’s NHL 100 Classic in Ottawa.”

Montreal Canadiens are in town to meet the Senators en plein air at Lansdowne Park, and, yes, looks like the freeze will be on. “It’s supposed to be mainly clear,” NBC’s Joey Alfieri reports. “It’s also going to be 7 degrees Fahrenheit, but it’ll feel more like minus-4 because of the wind-chill factor.”

In Canadian, that’s minus-13 gusting to minus-20. In other words, there will be lots more of this weathery talk ahead of and on through its three periods. Here’s Ottawa winger Bobby Ryan talking to Ian Mendes of TSN Radio to get in the mood:

“I can’t even pronounce the thing that goes over your head. It sounds like a dessert — a balaclava or whatever.”

Bandying extreme temperatures is a frigid staple of hockey literature, of course. Was it really minus-50 all through Gordie Howe’s Saskatchewan childhood as he struggled to become the greatest of all the hockey greats? The tales you come across paging though the past aren’t entirely tall — these warming times notwithstanding, Canadian winters are and have been consistently cold — but at the same time, would we agree that strict scientific rigor isn’t always a guiding feature?

I like Roy MacGregor’s way of putting it. This is in Wayne Gretzky’s Ghost (2011), with MacGregor recounting Bryan Trottier’s childhood in the wintry west:

Bryan, as the verifiable myth goes, would be out even at forty below in the Saskatchewan winters, playing long into the night with the only two opponents he could recruit, his father and the family’s black-and-white border collie, Rowdy.

I had a good time writing about lowly hockey temperatures in my book Puckstruck, but I really only scratched the surface.

Pierre Turgeon has talked about playing 9-to-5 Saturday pond hockey as a boy in Rouyn. “It could be minus-30 outside, and we didn’t have any school. But we would be playing hockey outside. It didn’t make any sense.”

Before he made his coaching name standing in back of NHL benches, Dick Irvin was a star on the ice. Recalling his Manitoba roots in 1917, he advised anyone who hoped to follow in his skates to bundle up and get outdoors. “Corner lot hockey with the thermometer at 40 below zero is the way the Winnipeg youth learns hockey.”

Art Chapman was another Winnipegger, though he had a slightly different trajectory. Chapman, who played centre for Boston and the New York Americans through the 1930s, didn’t dispute the temperature, but instead of the lot, he’d head to the Red River, a block-a-half from his front door. “It used to freeze over in November,” he recalled in 1950, “and I can remember one year when it didn’t thaw until May 24th.”

Johnny Bower has said how, growing up in Saskatchewan, his father thought that hockey was too dangerous a game for him. “He told me to go to school, that’s all,” Bower told Stan Fischler. “But I’d do my homework and then go out in the 45- and 50-degree below zero weather and play goal. It’s way cold in Prince Albert.”

Have we, as Canadians, enjoyed the game of wow-the-non-Canadian-with-proofs-of-our-rugged-Canadianness a little more than we should have over the years? Maybe so.

Harold Parrott of The Brooklyn Daily Eagle played along in 1938 with a profile of Canadiens winger Toe Blake. “Tireless, he loves to barge through defenses the hard way,” Parrott wrote, “jumping the forest of sticks he finds in his way.”

His ceaseless efforts are a hold-over from early hockey days at Coniston, Ontario, where the temperature continually flirted with 20, 30, 40 below. When he says he lived on skates in those high school days, he means it.

“The principal in our high school was a kind-hearted fellow,” Toe explained. “And he saved us lads time changing to and from our skates at recess by allowing us to keep them on during classes. I guess he had done that for years before, too, because the old floors were pretty well sliced up.”

Eric Whitehead’s books about hockey titans of old are filled with amazing accounts of the turbulence of early times. In The Patricks (1980), he recalled a game from the legendary first season of the National Hockey Association when, in February of 1910, the Renfrew Creamery Kings paid a visit to Haileybury. The visitors had Newsy Lalonde, Frank and Lester Patrick, and Cyclone Taylor in the line-up, with Art Ross leading the home team.

To Frank Patrick’s memory, the temperature was minus-25, with a bitter wind blowing much colder.

We had to wear mittens to keep our hands from dropping off, and Art Ross, the Haileybury captain, wore a pair of fur gloves and a woolen toque rolled down over his face with peep-holes cut out for the eyes. He looked like the very devil himself, and he played as mean as he looked.

A “funny” incident:

Art went after Lester with his stick, clubbed him on the jaw and Lester retaliated. Art — I think he was just looing for a good scrap just to keep from freezing to death — backed off, took off his gloves and tossed them onto the ice. He made a few gestures with his fists and then suddenly turned and scrambled to retrieve his gloves and get them back on again. Lester burst out laughing, and the fight was called off. Called on account of cold.

Whitehead notes that three players were treated for frostbite that night, with Haileybury’s Fred Povey suffering so severely that doctors worried he’s lose an ear. (He kept it.) Frank Patrick:

The thing that always amazed me was how the fans stayed through games like this, or that they came in the first place, even though they were bundled in rugs and blankets. It struck me at times that the fans were a hardier breed than the players they watched. At least we could keep moving.

Which leads us back, finally, to Ottawa.

Frank Boucher spins a fine story from the days of icy yore in the memoir he wrote with Trent Frayne, When The Rangers Were Young (1973). Before he got to New York, Boucher made his NHL debut in 1921 with his hometown team, Ottawa’s original Senators.

As a 20-year-old rookie on a powerhouse team — the defending NHL champions, no less — Boucher wasn’t getting a lot of ice-time. Along with 18-year-old King Clancy and a pair of veteran journeymen, Leth Graham and Billy Bell, Boucher was spending much of his inaugural season as a bench-bound freezing spare in old, unheated arenas.

We grew so disenchanted sitting there, shivering, our teeth chattering, and our feet numb, that we asked Tommy Gorman, the club’s manager, to let us stay in the dressing room. He said no, he never knew when he might need one of us. Clancy then suggested that Gorman install a system of bells in the dressing room whereby he could signal a player if he needed him — one ring Clancy, two for me, and so on. This Gorman did. And we sat inside night after night playing a card game called Five Hundred, and the bell never rang.

Until it did. Ottawa coach Pete Green wanted King Clancy. But Clancy didn’t appear. The coach rang again. No answer. So he called Graham instead.

“Where the hell is Clancy?” the coach demanded when Leth appeared.

“He couldn’t come,” Leth said. “He took his skates off and has his feet in the furnace. That room is damn cold tonight, Pete.”

(Top image: Gar Lunney, Library and Archives Canada/National Film Board fonds/ e011176174)

duke keats enraged and other tales: a wandering history of irene castle mclaughlin and the chicago black hawks

Ireman: Duke Keats as a Chicago Black Hawk, circa 1927.

It’s 80 years since Major Frederic McLaughlin schemed to end the tyranny of Canadian hockey domination by turning his Chicago Black Hawks all-American. I wrote about that in The New York Times not long ago. I would have liked to have expanded there on McLaughlin’s background and his marriage to Irene Castle, not to mention her hockey history, but I’m willing to do it here instead.

William F. McLaughlin starts selling coffee in Chicago in the 1860s. This isn’t a beverage history, but if it were, this would be the part that mentions how he helped to revolutionize the way Americans prepare their coffee at home. When W.F. dies in 1905, an elder son, George, takes over as president of McLaughlin’s Manor House Coffee while Frederic, younger, steps up as secretary and treasurer. Frederic is 27. He’s a Harvard graduate who’s already making a name for himself as a crack polo player for the Onwentsia Club in Lake Forest, Illinois. Accounts of his exploits on the turf remark on his supreme horsemanship, his daring, his fearlessness.

He gets married in May of 1907, at noon, to Helen Wylie, in Baltimore. “One of the surprises of the seasons,” The Chicago Tribune calls it. Not even a year later The Washington Post alerts readers: “The supposed domestic trouble of the McLaughlins is a frequent subject of gossip.” The Tribune’s sources suggest that the trouble stems from (i) McLaughlin refusing to give up “old haunts and friendships” and (ii) his wife spending too much on clothes. McLaughlin denies that they’re divorcing — his wife, he says, just spends a lot of time in Baltimore, visiting her mother. In 1910, the couple does divorce. Mrs. McLaughlin isn’t in court when her husband, alleging desertion, files suit, so he’s the one who does the talking.

Judge Lockwood Honore: Are you living together at the present time?
McLaughlin: No, sir.
Judge: How long have you been separated?
McLaughlin: A little over three years.
Judge: Did you leave her or did she leave you?
McLaughlin: She left me.
Judge: Did you know she was going?
McLaughlin: Yes.
Judge: Did you request her to leave?
McLaughlin: No, sir.
Judge: During the time you lived together, how did you treat her?
McLaughlin: All right.

The divorce is granted. Mrs. McLaughlin doesn’t ask for alimony; she just wants her name back.

McLaughlin plays more polo, suiting up for the Midwick Country Club in Los Angeles when the weather’s wintry in his native north.

In 1916, when President Woodrow Wilson sends troops to the restive Mexican frontier, McLaughlin summers there, serving in the Illinois National Guard as a sergeant of artillery.

A year later, the United States joins the war against Germany. McLaughlin secures a commission with the Army’s new 86th “Blackhawk” Division, where he takes command of the 333rd Machine Gun Battalion. The division trains in Chicago and then England before shipping out for the front in France — just in time for the peace that breaks out in 1918.

Post-war, Major McLaughlin goes back to selling coffee and playing polo. In photographs from this time, he wears a tidy moustache, and accessorizes his bowtie, mohair coat, and Homburg hat with an air of privileged impatience. He returns to Chicago society as one of “the prize ‘catches’ among American bachelor-millionaires.” That’s what the newspaper columnists note in 1923 when news of the Major’s secretive wedding begins to leak. He’s 46 now, living in what’s described as a “seven-room deluxe bachelor apartment” on the top floor of a former coffee warehouse on Michigan Avenue in downtown Chicago.

Prizeworthy as he might be, he’s also the least famous member of his new marriage.

The new Mrs. McLaughlin is the old Irene Foote, from New Rochelle, New York. She’s just 18 when she gets married for the first time, in 1911, to the English actor and dancer Vernon Castle, who’s 23. Together they help generate the ballroom-dance craze that sweeps the United States as the First World War starts to quake. The Castles teach America the tango, the maxixe, the hesitation, the turkey trot. In New York, they opened a dance academy and a night club. They taught and toured and lectured. “They ruled completely,” a later review of their regency recalls. “They set America to dancing as a naturally temperate country had never danced before. Weightlessly she moved; without effort he spun her about; smart people adopted and fads bore their name.”

Irene is a movie star, too, and revered as America’s best-dressed woman. The bob haircut is an innovation of hers, along with the ankle-length skirt and the velvet headache band.

Frederic McLaughlin isn’t the only one duty calls: Vernon Castle, too, joins up in 1916. There will come a time for romanticizing this later, with passages in The New York Herald telling how he’s “led by a glorious discontent to lay down his life for his country.” In the meantime, he returns to his home and native land, where he volunteers for the Royal Flying Corps, is commissioned as a lieutenant, ends up commanding a squadron at the front. Serves with distinction — wins a French Croix de Guerre — before he’s transferred to instructional duty in Canada in 1917.

He nearly dies there, in a crash near Deseronto, Ontario, before he’s killed in a training accident near Forth Worth, Texas, in 1918.

His widow marries Captain Robert Tremain, an American aviator, three months later, though the match isn’t announced for a year after the fact.

In 1923, amid rumours that she’s angling to divorce her second husband, Mrs. Tremain insists that no, she’s not. Captain Tremain rushes to France, just in case, to woo her back, which he succeeds in doing, the papers report, with Al Jolson’s help. “If I ever get a divorce,” Irene says when she arrives (alone), Stateside, “it will be because I want to be single and not because I want to get married.”

That turns out to be not entirely true: she has a Paris divorce in hand when she says this, and in November, she and Major McLaughlin celebrate a quiet wedding at his Michigan Avenue apartment.

In December they sail away as honeymooners, from Seattle, on the President Grant. It’s supposed to be a six-month trip, but they’re back within two. Gossip, inevitably, attends their return. Some of the honeymooners’ shipmates are talking, and the newspapers are happy to take it all down. They report on Mrs. McLaughlin’s charm and poise, and how popular she is, along with her Belgian Griffon, Joy. The Major they find cold and aloof. Two weeks out, during a storm, in the middle of a round of mahjong, he’s reported to take offense at a stray comment by a New York silk salesman, whom he then knocks under a table with one punch.

There’s more trouble, supposedly, when they land in Japan, and Mrs. McLaughlin draws more attention than her new husband would like. Report on this run long, with plenty of detail, though not a lot of direct quotation. The couple cuts short their journey, returning home on the ship they’d come out on.

Canadian reporters rush to the deck for a comment when the ship docks at Victoria, B.C. In vain, as the Vancouver Daily World reports it:

While the ship’s orchestra played “Yes, We Have No Bananas,” Major McLaughlin answered three questions with the terse “No, we will give no interviews.” Irene herself refused to speak at all.

Take that, if you want, as the first public evidence that she’s giving up her old life, retreating from the limelight, effacing Irene Castle in favour of Mrs. McLaughlin.

 

A New York columnist confides that the marriage is “a surprise, a shock, and a disappointment to Chicago society.” The feeling there, it’s said, is that the Major should have married further up the social ladder. His mother is reported to have opposed the match.

Happier Days: The McLaughlins head for Canada in the late 1920s.

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