On National Indigenous Peoples Day, here’s “Hockey Player,” a 2006 sculpture in caribou antler and stone by Chesley Nibgoarsi (Arviat, Nunavut) that’s in the collection of the Winnipeg Art Gallery.
Born in Markham, Ontario, on a Monday of this date in 1997, Toronto Maple Leafs right winger Mitch Marner is 24 today. Already in his fifth season in the NHL, Marner is a sublime talent and one of the best things that ever happened to Auston Matthews; if you’re new to the area, he is has-a-plush-toy-in-his-image famous in the Greater Leaf Region. (The exemplar above was on sale at Scotiabank Arena circa 2019.)
The portrait below is the work of Toronto editorial designer, illustrator, and endlessly interesting artist Nadine Arseneault. Her work has featured before on Puckstruck: you can find it here and here and here as well as here.
It was on a Saturday of this date in 1951 that Toronto Maple Leaf defenceman Bill Barilko scored that famous goal of his — the one that’s celebrated in song and on west-end Toronto underpasses (below), whereby he beat Montreal Canadiens goaltender Gerry McNeil in overtime to win Toronto its fourth Stanley Cup in five years. When he wasn’t patrolling the Leafs, Barilko and his older brother Alex owned an east-side business on Toronto’s Danforth, endorsed (above) by some of his teammates in the early 1950s. In ’51, Barilko Bros. would sell you a 17-inch Admiral TV console with built-in (and I quote) Dynamagic radio and triple-play automatic phonograph for $750 (installation extra). They also were ready to fill all your live bait needs: $1.25 would get you 100 dew worms or 25 frogs. Leeches? 85 cents a dozen. The Barilko’s would ship them to you, province-wide, too, worms and frogs and leeches; I don’t know about TVs.
The Philadelphia Flyers visit Boston tonight for a game against the Bruins at TD Garden, so that’s reason enough to revisit the 1974 Stanley Cup finals as seen by the American artist LeRoy Neiman, no? Yes. The piece of the larger Neiman silkscreen that’s depicted here has Boston’s Phil Esposito buzzing Bernie Parent’s net. So: Game 2 at the old Boston Garden, on May 9, when Esposito scored a first-period goal to put the home team up 2-0? Maybe so. The Flyers stormed back to tie that game, then won it in overtime on captain Bobby Clarke’s goal. The series would go to six games before the Flyers claimed the first of successive Stanley Cup championships, with Parent (of course) winning the Conn Smythe Trophy as playoff MVP two years running.
A devout hockey fan — samples of his other views of the game are here and here and here — Neiman, who died in 2012, hailed from Saint Paul, Minnesota. It was while he was teaching at the Art Institute of Chicago that pucks and sticks and their artistic possibilities first caught his attention.
“The thing about painting hockey as opposed to other sports is the ice,” he said in 1977. “It’s a hard sheet of cold white-blue, and there’s something nice about that: hard and cold.” Of his style, he said, “The idea is not to be unclear, but to make clarity seem accidental.”
Born in Toronto on a Wednesday of this date in 1903, Hooley Smith grew up the city’s east-end Beaches. He won Olympic gold playing for Canada in 1924, then joined the Ottawa Senators, where he learned to hook check at Frank Nighbor’s knee. (The hook, of course, is not to be confused or conflated with the poke, though it often is, here included, I think — though Smith was, no doubt, a formidable poker, too.) His time in Ottawa ended in suspension: he was suspended for a full month in 1927 after swinging his stick at the head of Harry Oliver of the Boston Bruins in the Stanley Cup finals that year. He played nine seasons for the Montreal Maroons after that, captaining the team to a Cup in 1935, whereupon, for efforts, he was also rewarded with a horse. The depiction here dates to 1930; Tim Slattery is the cartoonist. Smith also skated for Boston and the New York Americans before calling it quits in 1941. He was inducted into the Hockey Hall of Fame in 1972.