“He was hardness itself,” Hanford Woods wrote of John Ferguson the elder, in a 1975 short story about a famous fearful fight, “The Drubbing of Nesterenko.” Born in Vancouver in 1938 on a Friday of this date, Ferguson was a left winger who was, yes, renowned through his eight-year career with Montreal’s Canadiens for his rugged, fist-first, penalty-incurring brand of play. He had some goals in him, too, scoring 20 one season and 29 in another. In 1963-64, he finished runner-up to teammate Jacques Laperriere in voting for the Calder Trophy, recognizing the NHL’s best rookie. Before he retired, Ferguson helped Montreal win five Stanley Cups; afterwards, he served stints as coach and GM of the New York Rangers, as well as GM of the Winnipeg Jets. He died in 2007 at the age of 68.
It was 1972, of course, that Ferguson was blooded as a coach, answering Harry Sinden’s call to aid in steering Team Canada through its epic eight-game showdown with the Soviet national team that played out 48 years ago this month. In the cover story for the early-August edition of The Canadian Magazine pictured above, Ferguson was front and centred as Sinden explained how he’d gone about building his team for the series that everybody was talking about “as if it’s as important as the Second Coming.”
“I got this job June 7,” Sinden wrote, “and the very next day I hired John Ferguson as my assistant. … The main reason I chose him is that my personal record against the Canadiens, when he was playing for them and I was coach of the Bruins, was not good. The Canadiens kept beating us all the time. When I analyzed it, I figured it was Fergie who was blame as much as anyone. If anyone’s a born leader on the ice, it’s Fergie.”
“Henri Richard, the Pocket Rocket, doesn’t want to be a little gale in the wake of a rumbling hurricane. He wants to swirl through the National Hockey League under his own power, creating his own storms, if any, and reaping the respect of his rivals strictly on his own merits.”
That was the opening to a Vince Lunny cover story for Hockey Pictorial in March of 1956, towards the end of the younger Richard’s rookie season in the NHL. It didn’t take long, of course, for Henri, who died on Friday at the age of 84, to skate up a storm of his very own alongside Maurice, 14 years his elder. It was only two years later that Milt Dunnell took to Hockey Pictorial’s columns with Maurice’s take on how Henri was faring in the league. “The Rocket gives the opinion faster than he breaks over a blueline,” Dunnell wrote in April of 1958: ‘Henri is a better skater than I ever was. He’s a better stickhandler, he’s a better puck-carrier. Henri is a better hockey player.”
Rocket’s view wasn’t, perhaps, universal at the time — Canadiens’ coach Toe Blake, for one, wasn’t yet willing to declare Henri supreme among Richards. All these years later, the question of which brother was the more valuable player might well still start a debate that wouldn’t necessarily finish. What we do know is that Henri played 20 seasons with Montreal, amassing 1,175 points in 1,436 games, regular season and playoffs, winning an unmatched 11 Stanley Cups along the way. He captained the Canadiens from 1971 through to his retirement in 1975. The team retired his number, 16, that year; he was voted into the Hall of Fame in 1979.
It’s true that Henri’s literary legacy doesn’t measure up to Maurice’s. A quick check of the bookshelf tells the tale: the elder Richard’s life and riotous times have been the focus of at least 12 books over the years, from Gerry Gosselin’s Monsieur Hockey (1950) to Jean-Marie Pellerin’s Maurice Richard: L’Idole d’un Peuple (1998) to The Rocket: A Cultural History of Maurice Richard (2009) by Benoît Melançon. No-one (to date) has published Henri’s biography or devoted a volume to his place in hockey or Quebec history.
That’s not to say the younger Richard doesn’t figure in more general histories of the game. Stan Fischler’s 1971 Hab history The Flying Frenchmen, for instance, delves into the brothers’ relationship during Henri’s early days in the NHL and offers up this telling anecdote:
The Canadiens were in the midst of a workout when Henri rounded the net at full speed from one side and Maurice approached on the same track from the other direction. They collided violently and both fell to the ice unconscious. When they were finally revived, both were escorted to the first-aid room where Maurice needed 12 stitches to close his wound and his kid brother, six stitches.
Then, in a masterful understatement, Maurice intoned: “You’d better watch yourself. Henri. You might get hurt.”
Henri rates a chapter in Michael Ulmer’s Canadiens Captains (1996). And he’s a voice throughout Dick Irvin the Younger’s 1991 oral history, The Habs. That’s where you’ll find Henri doing his best to explain his infamous 1971 outburst wherein he called Al MacNeil the worst coach he’d ever played for:
“I didn’t really mean it, but it came out because I was mad. Al was a good guy. But I was just mad, and they made a lot of things about that in all the papers. Even Guy Lafleur, in his book. He said I said to MacNeil that he shouldn’t coach the Canadiens because he didn’t speak French, and all that shit. I never said that in my life.”
Trent Frayne’s Henri essay in his 1968 anthology of hockey profiles, It’s Easy, All You Have To Do is Win is worth seeking out. While you’re arranging that, maybe settle in with the inimitable Frayne’s 1958 Maclean’s Henri profile, which is archived here.
So far as odes and obituaries published in the days since Henri’s death, recommended readings would start with this piece by Dave Stubbs at NHL.com, which includes reflections from Lafleur and Yvan Cournoyer.
If you missed Friday’s broadcast of CBC Radio’s As It Happens, you can download the March 6 podcast here (and should) to listen to Carol Off’s conversation with Henri’s Canadiens teammate Ken Dryden. It gets going at the 37.40 mark.
On Saturday night, Hockey Night in Canada opened with Ron MacLean’s conversation with Dick Irvin, which includes his thoughts on the origins of the nickname Pocket Rocket. There’s tape of that here, and worth your attention, if you didn’t catch it on the night.
One more? That would be Michael Farber’s Richard tribute at TSN, which you can find over this way.
(Top image: John Taylor, about 1960, silver salts on film, gelatin silver process, MP-1999.5.5032.4, © McCord Museum)
Jean Béliveau, thoroughbreding through centre!
Frank Mahovlich, moosing down the wing past the Montreal blueline!
I don’t know what it is about Blades and Brass that makes sense where, really, there should be none, but it does make … sense. If you’ve screened William Canning’s short film from back in bygone 1967, maybe you know this already. The old technicoloured hockey is fascinating in its own, though without the soundtrack, it just wouldn’t be the classic it is. Don Douglas wrote that, and Ken Campbell orchestrated it. Just what kind of sense the pairing of the hockey and the music makes, the how, and the why of it — that’s a whole other parcel of questions that might be better off left to itself, over there, in the shade, where maybe is it best if we just leave it unopened? The National Film Board’s catalogue copy has an understated charm that surprises even as it fails to convey the near-perfect oddity of what you’re about to watch. “This short documentary showcases the best of the 1967 National Hockey League season, set to music in the Tijuana Brass style.”
Well, why not?
Forgive all the exclaiming, but I’m not sure there’s any other way to translate the footage to the page.
Terry Sawchuk! Eddie Giacomin! Gump Worsley in full flop!
Toronto’s Bob Pulford looking downcast! Béliveau wailing on Reggie Fleming of the New York Rangers! Phil Goyette, not seeing the shot that hits him amidships and drops him to the ice in painful anguish that causes you to shift in your seat, especially if you happen to be male! J.C. Tremblay carried off on a stretcher! One lonesome overshoe on the ice! The rink crew scraping up bloody slush! Toe Blake in a porkpie hat, chewing his chaw! Béliveau pressing a towel to a cut! Great goal, Claude Provost!
Blades And Brass is a masterpiece. Is there any doubting this? Watch it, the whole thing. It’s not long. Me, now — watching these 50-year-old scenes, I’m just not sure how I’m going to be able to endure the plain old modern non-mariachi NHL.
They’re just a few of them, Canadians we feel we know so well (and maybe even revere) that just the one name will do. Most of them are singers, Drake and Shania, Joni, Neil, Leonard, though we also have a prime minister now, Justin, with whom we’re first-name familiar. Hockey has Gordie, Wayne, Mario, Sid — and now I guess Connor, too.
That one is an older vintage, and maybe doesn’t have the currency it once did. Still, it does retain a certain power, as a byword for the audacity and sheer foolery of old-time NHL goaltenders, one that conveys not only the awkward dignity of the man himself but also the fall-down, scrambling valor of a whole nervy puckstopping generation of maskless men, long before Tom Hanks was cast in the role of a slow-wit hero from Alabama.
Not that the surname isn’t just as good as the first: Worsley is Dickensian in its perfection, up there with Gradgrind, Cheeryble, Pickwick, Pecksniff. Paired, Gump Worsley not only sounds like a character from a story, one from whom you could figure out the gist of the plot just by looking at the man: oh, yes, right, so this is the one about the kind-hearted London orphan, bit of a sad case, all alone in the world, at the behest of his anonymous benefactor, without any training or apparent aptitude, has to take up goaltending in the six-team National Hockey League in order to prove himself and find his destiny.
John K. Samson once told me he carried a glorious old Gump-faced hockey card with him wherever he went. We were talking at the time about Reggie Leach, Riverton’s own Rifle, but then the talk turned as the Winnipeg singer explained that a lot of his admiration for Gump was based, like mine, on just how unlikely a goaltender he seemed, accidental, almost, and how amiably he seemed to bearing up in the situation into which he’d been thrust.
That’s in the song Samson wrote, of course, “Elegy for Gump Worsley,” that he sang with his erstwhile band, The Weakerthans. The words go like this:
He looked more like our fathers, not a goalie, player, athlete period. Smoke, half ash, stuck in that permanent smirk, tugging jersey around the beergut, “I’m strictly a whiskey man” was one of the sticks he taped up and gave to a nation of pudgy boys in beverage rooms. Favourites from Plimpton’s list of objects thrown by Rangers fans: soup cans, a persimmon, eggs, a folding chair and a dead rabbit. The nervous breakdown of ’68-’69 after pant-crap flights from LA, the expansion, “the shrink told me to change occupations. I had to forget it.” He swore he was never afraid of the puck. We believe him. If anyone asks, the inscription should read, “My face was my mask.”
He played 21 years in the NHL, mostly for the New York Rangers, most successfully for Montreal, finally for the Minnesota North Stars. He died at the age of 77 in 2007.
It’s possible that I saw him play, later on in his career, staying up late to watch Hockey Night In Canada in the early ’70s. If so, I don’t remember. I loved his memoir, They Call Me Gump (1975), which he wrote with Tim Moriarty’s aid, and not just because he devotes Chapter 21 to his recipe for pineapple squares. Okay, well, yes, that’s where a lot of the love is centred. Also with his affable way of looking at the world, and that if there’s a joke in his playing NHL goal, then it’s a joke he’s very much in on, and enjoying as much as the rest of us.
If Gump looked helpless, if he seemed hapless, well, of course, he was anything but. You don’t need to go and stand in front of his plaque in the Hockey Hall of Fame (elected in 1980) to know that he was one of the best of his era. Traded to Montreal for Jacques Plante, he went on to play his part in four Stanley Cup championships. He was a First All-Star Team and twice had a share (with Charlie Hodge and Rogie Vachon, respectively) in a Vézina Trophy. Of all the goaltenders to have defended NHL nets, he stands 22nd when it comes to regular-season wins (335). He had 40 more in the playoffs, which is more than Johnny Bower and Bernie Parent and lots of other Brahmins of the crease.
I don’t know where he slots in when it comes to the all-time index of pain and suffering. In his book, he mostly makes light of the wear and tear of being worn and torn. “The main occupational hazard is trying to stay alive while facing up to 40 and 50 shots a game,” he writes. “We’re not well, you know,” he says elsewhere, “or we wouldn’t be playing the position.” And: “It helps to be nuts.” If he were in the business of hiring goaltenders, his prerequisites would include “a hard skull to deflect flying pucks, plus a thick skin to absorb the abuse of coaches and fans.”
Like a lot of hockey memoirs, They Call Me Gump reads like a medical file. It’s longtime Ranger physician Dr. Kazuo Yanagisawa attending, mostly, dropping in every few pages to consult on the tendons in Gump’s hand that Bobby Hull’s skate severed, or to remove cartilage from his knee. Gump pulls hamstrings, tears thigh muscles, sprains knees. He devotes another entire chapter (without going too deep) to the stress and fear of flying that fuelled the nervous breakdown he suffered in 1968.
The injuries would have contributed to that, too, though Gump doesn’t really make much of the connection. For all the damage he chronicles, there’s relatively little mention of concussions. One that features is famous in its way — a “mild” one that knocked him out of a 1967 game at Madison Square Garden when he was back in playing for Montreal. Others he leaves out entirely or tosses in with what passes for trouperly bravado:
[Boom-Boom] Geoffrion hit me right between the eyes with a slapshot in the Forum one night, and the puck ricocheted 40 rows into the stands.
Gump finally put on a mask in 1974, but only for the last six games of his career. “Hated it,” he said in 1984, looking back. “Sure I got knocked out a lot. I got knocked out oftener than Joe Palooka. But there was only one goalie to a team at that time, so they’d revive you and sew you up and you went back on.”
That’s all in keeping, I guess, with hockey’s historical nonchalance when it comes to head injuries. Getting your bell proverbially rung was just part of the game; you shook it off, headed back out on the ice. Knowing what we know now about head trauma and the long-time devastation of CTE casts a grim shade on those old attitudes, even as the modern-day NHL refuses to acknowledge the connections.
7-2 was the score, that night in New York at the Madison Square, high-flying Montreal truncheoning the hometown Rangers. Some of the fans didn’t like that. From The New York Times:
There were no penalties until the final period, and perhaps out of frustration, a fan in a leather jacket grabbed Terry Harper’s stick late in the game. Harper finally wrestled it free, but when [Dick] Duff came along and took a swipe at the spectator, the fan removed his belt and started swinging it. He was hauled away by three guards.
The wire services told a slightly different tale. UPI said the guy was trying to attack another Montreal defenceman, Ted Harris:
The fan became so enraged that he climbed to the ice before being restrained by a half-dozen Garden policemen.
For what it’s worth, the Rangers did score their second goal four seconds after play resumed following the police action. So there’s that.
Above, number 2, that’s yet another Montreal defenceman, Jacques Laperriere, offering his stick to the fan in exchange for a swipe of leather.
(Image: Frank Johnston)