I lost track of the bidding soon after the bidding started, in October, on the Gordie Howe NFTs. If there was bidding. Was there? I wasn’t bidding, but I think people were, if I’m not mistaken, people who saw an opportunity to acquire exclusive works of art depicting one of the greatest hockey players ever to have played, for the purpose of … not hanging them on the wall, or anywhere, due to the non-fungibility of the works in question, as I understand it, which I don’t, entirely.
I’ve been slow on the NFT uptake, I confess. Trying to catch up. Gordie Howe’s token efforts snared my attention because (i) Gordie Howe and (ii) I’m always interested in the artwork that hockey inspires. I didn’t need to be seeking to acquire any of the vaporous masterworks on offer to activate my curiosity in the subject-matter and the history on which they draw. That came naturally.
Howe’s grandson, Travis Howe, is the founder of this feast — Mark Howe’s son. There’s a video you can watch that has Travis explaining the whole concept behind The Gentl9man 2021 NFT Art Collection. The idea, in short, is to be sharing “some really special stories that have true meaning to the Howe family” while raising money for the good causes that the Howe Foundation has long believed in and supported. I can get behind that, even if I’m not bidding: the Howe Foundation does worthy work in aid of both getting kids active and in backing women aspiring to make their way in the world of sports business.
Along with a reproduction of a sketch of Mr. Hockey’s own, there were eight works originally on offer in October, by a Detroit artist, Matt Zelley, a.k.a. just plain Zelley. Among them is a great piece of puck-pointillism, reproduced at the foot of this post; another portrays Gordie Howe as an oncoming locomotive — at least I think that’s the concept. Promised as a premium bonus to the lucky buyer of the poppy Roy Lichtenstein-inspired piece at the top of the post: “a game-used pair of Gordie’s elbow pads” currently on display in the Hockey Hall of Fame.
I’ll leave it to you to decide whether Zelley’s interpretations of some of the landmarks of Howe lore are to your taste or not; all the works are up for viewing at the Howe Foundation site.
It’s not the commerce involved with these NFTs that I’m interested in, particularly, nor Zelley’s decisions as an artist. What I’m here for (sorry if you’re not) is the storytelling that’s behind the project, and the messages it’s sending — and ignoring. While there’s plenty to consider and to discuss in each of these Howe Zelleys, the one that catches my attention in particular is the vivid one we’re looking at above, the one titled “Gordie ‘Pow!’”
Let me just disclaim, up front, any desire to mess with Gordie Howe’s legacy. He remains one of hockey’s undeniable greats — Maurice Richard himself will be testifying to that a little further down. Howe’s talents were mountainous, as was his strength and his durability. I’m not denying any of that. He played the game at such a high level for such a long time, was an idol to so many, worked tirelessly as an ambassador of the game he loved, seems to have been just a great guy, so long as you were meeting him in circumstances in which you weren’t trying to take the puck away from him or otherwise stymie his progress on NHL ice.
But also? There’s no getting away from the fact that, on that ice, he was a clear and present danger to anyone who got in his way. Gordie Howe was violent and he was mean.
You don’t have to take my word for it. “Meanest player in the league,” Andy Bathgate called him in 1959, “uses all the tricks plus.” A sampling of the press Howe got when he first retired in 1971 might include Dave Anderson’s verdict in the New York Times: “Sure, this soft-spoken man was dirty. Some say the dirtiest.” Son Marty has called him (with, I guess, affection) “the toughest, meanest guy I’ve ever seen on a pair of skates.” Howe was often injured, we know; he also did a lot of injuring. I’ve written about both, including here and here.
Hockey, which is to say hockey people, long ago found ways to reconcile itself to and excuse the violence it tolerates within the game. One of them is to insist that assaults that take place on the ice are somehow different from those that occur elsewhere, beyond the confines of arena boards. (That this fiction has taken hold and, mostly, been accepted in the wider world is a magic no-one truly understands.) There’s a rhetorical trick hockey people like, too, the one that seeks to detach hockey players from the anti-social behaviours they sometimes perpetrate by emphasizing what wonderful people they are away from the game. I’ve written about this before — specifically in reference to Gordie Howe, in fact — without ever really understanding the logic at work. The Howe Foundation’s NFT project blithely embraces the contradiction by including the concept of [sic] gentl9manliness in the title of a collection that includes portraits of our hero punching and knocking out opponents.
In those works, Zelley honours and adds to another tradition of hockey’s tendency to downplay its own brutality, whether or not he’s actually aware it. “Gordie ‘Pow!’” is an actual cartoon, so it’s hard to blame it for doing (and doing well) what cartoons are meant to do: brighten, distort, exaggerate, spoof the real world for entertainment’s sake.
Here’re the rubric accompanying the piece in the Howe Foundation’s online gallery:
“It’s better to give than to receive.”
— Gordie Howe
With playful colors and a comic-inspired style, a smiling Gordie Howe uses one of his infamous elbows on Maurice “Rocket” Richard. Contrary to popular belief, there was no bad blood between the two players. That myth began when Howe hit Richard coming across the line, and according to Howe, “he spun like a rocket and fell down.” Howe went on to explain, “He wasn’t hurt that much and I started to laugh. But the laughter stopped when there were eight guys on me.”
Where to begin? Also: how to begin, without sounding like a serious finger-wagging pedant? I guess maybe would I get going by pointing out that elbowing, infamous or otherwise, is a penalty, following up to ask why the act of knocking out an opponent, even rendered with a playful palette, would be one you’d want to spotlight? Yes, I think that’s how I’d do it.
Definitely looks like a headshot, too, that grinning Gordie has delivered here. We’re late to the scene, but I’d say that the Richard we’re seeing is unconscious, even before he’s down — which won’t be good for his head when it does hit the ice in the next (purely notional) panel. I guess if you were aiming to portray both Howe’s cheery nature and his grim record of administering concussions to opponents, this is how you’d do it, but again I’m going to fall back on questioning: why?
I know, I know: it’s comic-inspired, not an accurate portrayal, what’s the big fuss, why do I hate fun?
It just strikes me as stoutly strange that (i) this is the one of the (quote) really special stories that has true meaning to the Howe family and (ii) that no-one involved in the project saw any dissonance in turning hockey head trauma into a cartoon for a Howe-related project.
Mr. Hockey, after all, spent the last years of his life with dementia that, as son Marty talked about in 2012, was surely related to the injuries he suffered in his hockey-playing years. “You play 33 years at that level without a helmet,” the younger Howe told the Toronto Star’s Mark Zwolinski, “and things are going to happen.” Did he have CTE? It’s not clear; as far as I know the family didn’t donate Howe’s brain for study after his death in 2016 at the age of 88. In 2012, Marty Howe said that the Howes had no plans to do so.
Marty and Mark and their two other siblings, Murray and Cathy, did write an afterword to the autobiography that Howe published in 2014. My Story is a bright and entertaining package, written in the confident first-person; only on a back-end acknowledgments page does Howe credit Calgary writer Paul Haavardsrud for helping “to take the thoughts in my head and put them down on paper.” As John Branch wrote in a review of the book for the New York Times, the whole enterprise raises “at least two questions, both unanswered: What kind of damage did hockey do to Howe’s brain? And how does someone with dementia, which severely impacts memory, write a memoir?”
The afterword, which the Howe children presumably penned themselves, does actually attempt to rationalize the punishment and pain that were such prominent parts of their father’s professional brand. It’s almost endearing.
“How can someone who’s so kind and soft-spoken at home become so remorseless once he puts on skates,” they ask. Answer: “It’s a Jekyll-and-Hyde duality that’s not easy to reconcile.”
It comes down to his professionalism. That’s what they believe. His job was to win; he did his job.
“He decided early in his career that to be successful in the NHL he’d need to give the opposition a reason to slow down when they came to get the puck. If that meant throwing an elbow or putting some lumber on a guy, then it seemed like fair game to him. After all, everybody in the NHL was being paid to be there, and the odd cut or bruise was just the cost of doing business.”
Here’s where differ from those earlier (and forthcoming) witness statements. “Ironically,” the Howe siblings propose,
it was the respect he had for other players that made him feel like he had a license to play as ruthlessly as he did. He wasn’t mean-spirited or dirty; he just figured that a few stitches or a knock to the ribs didn’t cause any real harm. If it gave him the extra split second he needed to make a play, then that was justification enough for him. In his mind, playing any other way would be shortchanging the team. Some people might not approve, but his tactics gave him the space he needed to operate for more than 30 years. There was definitely a method to his madness.
I can’t decide if the generosity of this reading outweighs its naïveté, or whether do they just cancel each other out? That the Howe children decided to address their father’s on-ice vehemence at all should be recognized — but then so should the fact that they then so studiously avoid any serious discussion of the head trauma that Gordie Howe suffered and administered even as they’re leading up to their mention of his “cognitive impairment” in the last few pages of the book.
The jolly anecdote that Zelley and company have attached to “Gordie ‘Pow!’” is, if nothing else, of a piece with the reputational reset that Mr. Hockey proposes.
I know, I know: the quote about the supposed bad blood between Detroit’s most famous number 9 and his Montreal counterpart is accurate: it’s something that Gordie Howe did indeed tell Dave Stubbs, then of the Montreal Gazette, in 2007. They were in Montreal, at a gala celebrating the charitable works of a mutual acquaintance Howe knew as “John” — Jean Béliveau. Most of the account Stubbs wrote focussed on the amicable relationship that those latter two enjoyed through the years. Here’s a fuller excerpt:
They fought hard, but within the rules during a time of bitter rivalries, when teams met each other 14 or more times per season. Neither recalls ever dropping the gloves against the other.
It was the late Rocket Richard, a fellow right-winger, that lore has Howe detesting.
“There was no dislike,” Howe said. “I respected him. I’d watch every move he made, if it could benefit my hockey. …
“They always thought there was bad blood because I hit him once coming across the line and he spun like a rocket and fell down. He wasn’t hurt that much and I started to laugh. But the laughter stopped when there were eight guys on me.
“I felt sorry for the Rocket. I never felt he enjoyed the game. If he wasn’t having a good night, he’d just as soon explode. That fellow didn’t know when to stop, did he? But I admired him.”
So much so that Howe named his dog for Richard. Surely the four-legged Rocket is a ferocious, brooding beast?
Howe leans in close.
“A toy poodle,” he whispered, his playfulness worn in a grin.
A great party piece, that last bit, if a little cruel. The pity, just before that, is interesting. As for Howe’s assertion that there was no antipathy between the two superstars — I’ll grant that it’s entirely likely and unsurprising — allowable, even — that at that late date, when Howe was 79, with almost half-a-century gone by since the two men last met on NHL ice, that’s how he chose to remember the way it once was, benevolently, generously, electing to settle back on the comforting chimera that as old rivals they two had engaged in honourable sportive struggle against one another with reverence and esteem as their mutual watchwords.
The historical record isn’t entirely contradictory — let’s just say that it has a finer grain to it.
Howe and Richard were fighting each other on the ice as early as 1949, when Richard was 27 and Howe was 20. Detroit and Montreal had a bad-tempered meeting that January at the Forum wherein Richard engaged in what the local Gazette rated as “determined slugfests” with Howe and Red Wing captain Sid Abel. In both cases, the Gazette decided, he was “on the short end of the punch-throwing.” The Rocket was hurt, too, in one of those melees, tearing a muscle in his hip.
Red Wing defenceman Red Kelly later recalled that the referee on the night, King Clancy, skated in to adjudicate when Howe and Richard first began to scruffle, calling off the players who were trying to separate the two. “Let ’em alone. Let ’em fight. Let’s see who is the best fighter,” Clancy said, by Kelly’s 1970 account. (Before it was all over — accidentally or not — Richard ended up punching Clancy, too.)
That wasn’t the only occasion on which Howe and Richard brawled. There was this time, too, which I don’t have a precise date for, though the details of the respective uniforms would seem to say it’s pre-1956:
However warmly Howe and/or members of his family have spoken of Richard in recent years, both men did see, in their time, see fit to putting some pricklier feelings on the page.
Here’s the Rocket writing about Howe in his 1971 Stan Fischler-mediated autobiography:
He was big and strong and skated with great ease. He could do what no other player in the league could do, shoot the puck from either the left or right side. I noticed Howe when he first joined the Red Wings in the late forties and he impressed me as a good, but not a great, hockey player.
That changed, with the years. “Looking back,” Richard says, “I would say that Howe is the best all-around hockey player I’ve ever seen, and that includes Bobby Hull and Bobby Orr.”
The next paragraph, I guess, counts as … praise?
Another thing about Gordie that I experienced firsthand was that he was a dirty hockey player, not tough, mind you, but dirty — and he would take absolutely nothing from anybody. If you gave him a bad check, you could be sure he’d get even with you, in spades! But he wouldn’t start it. In that sense, Howe and I were the same. I would never hit anybody first if he hadn’t done anything to me before.
In their 2000 book, 9: Maurice Richard, Reluctant Hero, Chris Goyens, Frank Orr, and Jean-Luce Duguay quote Richard near the end of his career. “Howe is a great player, the best I ever played against, but he should hustle more. He doesn’t seem to be trying as hard as he could. He was a better all-round player than I was, maybe the best ever. But I think he should have scored more big goals, like in the playoffs.”
Finally, the 1995 memoir Howe produced with Tom DeLisle’s help is instructive, too, and offers more nuance on the relationship than what we’re getting from the Howe Foundation’s NFT catalogue. Billed as “an authorized autobiography by Gordie and Colleen Howe,” And … Howe! includes a chapter called SETTING THE RECORD STRAIGHT. Here’s the salient sub-head followed by Howe’s reminiscence as it appears on the page:
THE ROCKET AND GORDIE HAVE NEVER BEEN FRIENDS SINCE GORDIE BROKE THE ROCKET’S GOAL RECORD OF 544.
GORDIE: Things have changed but, at the time, I hated the old (bleep). Of course, he hated me too. There were a few guys he hated worse than me, like [Ted] Lindsay and Stan Mikita. But that was then. Now, Rocket and I are pretty good friends. We do a few things together, and he and his now deceased wife, Lucille, were our first choices to be included in a book Colleen produced a few years ago about former players and their families, entitle After The Applause. So I think that shows our respect for him.
Rocket said once in the paper that “Gordie might have more goals, but my goals were more important.” I told somebody, “I don’t want to fight with Rocket, but I’d like to say that his goals meant bugger-all to me.” Essentially he’s such a proud man. He was a goalscorer, I was a goalscorer. I had to take him out, he had to take me out. That was our job from the blueline in. Rocket was such a powerful man. He had one habit I perceived, however, he would come down and cut across the blueline because he liked to get to the center of the ice and shoot. Everything was quick wrist shots. So one time, as he came across the blueline, I really nailed him. We ended up in a fight.
This is the 1949 clash described earlier. As the Detroit Free Press saw it, “Richard and Howe met heavily inside the Detroit blueline and came up fighting. They kept swinging lustily with bare fists and tumbled to the ice.”
Back to Howe’s telling:
There was a flurry of people around. Somebody pushed me from behind and I went down on one knee. And for some reason, Rocket was under my left knee. I waited, and when he looked up, I popped him. I whacked him a pretty good one. Then all hell broke loose, and when they got us apart we were yapping like jaybirds at one another. Then Sid Abel poked his nose in, and said to the Rocket, “Aw, you big frog, you finally got what you were asking for.” And Rocket goes — BAM! — and breaks Sid’s nose. Then I started to laugh, it looked so darn funny. Then Sid went in an did a job on the Rocket, again.
Rocket was talking about that episode a little while ago. He said, “I took on your whole damn team, no wonder I lost.” Even in a loss, he could be so proud. The guy is unbelievable.”
Wayne Gretzky, who turns 56 today, was 14 in 1975. He was a star already on his skates, of course, leading scorer among bantams in his hometown of Brantford, Ontario, and ready for a new stage. In the fall of the year, he joined the Vaughan Nationals of the OHA Metro Junior B league — where he was soon suspended. Not for any on-ice indiscretion: minor-hockey rules decreed that he had to play for the team nearest his home. The Gretzkys went to court to challenge the Canadian Amateur Hockey Association on this, and they won the case, which got Gretzky back into action in time to win recognition as the league’s leading rookie.
It was around that time that this photo of a languidly studious Gretzky was taken. Hard to say exactly when it was, but I’m proposing late ’75 or early ’76 based on nothing more than the fact that the non-academic book young Wayne has at hand here was published in the fall of 1975. My entirely unanchored conjecture is that the book that’s on view here was among the once-and-future-99’s Christmas presents that year.
My Three Hockey Players was Colleen Howe’s account of her 48-year-old husband Gordie’s further hockey adventures in Texas, where he’d taken up with the WHA Aeros in order to play with sons Mark and Marty. “She covers the good and the bitter times,” the book’s own flap blurbage promises, “the long separations, the pressures …. She comments on the cruelty or ice hockey and what should be done about it.”
You can see why it would have been a book to hold Gretzky’s interest. Written with assists from Houston writers Mickey Heskowitz and Kathy Lewis, it’s not exactly a conventional hockey book, focussing in large part on the home life and business of being a superstar as much as the actually hockey-playing of it.
Not long after its fall release, Toronto Star columnist Jim Proudfoot commended My Three Hockey Players for the book’s “clear picture of a warm, strong family relationship, which alone makes it nearly unique in modern literature, and as a bonus it gives you a matchless glimpse of Gordie Howe, a man well worth knowing.”
Proudfoot was also taken by how “delightfully frank” Mrs. Howe was when it came to matters of “romance.” I believe he’s referring here to the chapter that’s focussed on “the hustling females” who plague hockey players while they travel the lonely roads of an NHL season.
“No woman,” Colleen Howe wrote — and I guess teenaged Wayne Gretzky might have read, taking a break from his chemistry assignment, in his basement retreat, under the watchful gaze of Bernie Parent and Chico Resch —
No woman ever made the error of making a pass at Gordie in my presence. But Gordie — and I don’t mean to set him apart — doesn’t have, and never did have, the lover-boy or rounder image. But I’m not naïve. During our marriage he has probably had a good look at someone else. For all I know, he may have had an affair or two. What I do know is how deeply Gordie cares about me. With this I feel secure.
Should I sound more morally indignant or alarmed about the threat that exists out there? I’m sorry. Mary Poppins doesn’t live here any more. This is the real world.
Gordie Howe was quite possibly the nicest man you ever met — supposing you ever met him. Wayne Gretzky did, and has said just that, many times, including recently, during the sad week following Howe’s death on June 10. “A special man,” said Dan Robson, someone else who encountered Howe in person. He met a lot of people, over the years, and their consensus has been clear: he was a softspoken prince of man, funny and friendly, gentle, generous with his time, humble and cheerful.
Except at work. On the job, he was a different man: cruel and nasty, pitiless, a danger to navigation. “Mean as a rattlesnake,” Paul Henderson said in memoriam. “Tougher than a night in jail,” according to Brian Burke. Carl Brewer: “The dirtiest player who ever lived.”
“Everybody,” reminisced Rod Gilbert, “was scared of him.”
You’d think he hated his work. You’d guess he’d been forced into it, made to keep at it, couldn’t wait to escape. But no, of course not, quite the contrary — everybody knows that Gordie Howe loved the game that he was so dominantly (and malevolently) good at.
The meanness was a piece of the goodness, integral. Which is to wonder, also: could he have been quite so very good if he’d maintained his civilian decorum on the ice without turning on the viciousness?
No. Or, well — who knows. We assume not. If we ask the question at all, that is. Mostly, we don’t. Mostly we — Canadians especially — understand that this is a game, hockey, that demands a certain savagery. He did what he had to do. Howe talked about this, in his way. “Hockey,” he used to say, “is a man’s game.”
The second time Howe tried an autobiography, with Paul Haavardsrud’s assistance, he talked about self-preservation. “Not only was it hard to make the NHL, but once you broke in, you also had to fight like hell to stay there,” they wrote in Mr. Hockey: My Story (2014). “When there were only six teams, every player in the league came prepared to claw over his best friend the second the puck dropped.”
“I play tough,” is something else Howe said, in person, in 1974, “but I never hurt somebody.”
Gordie Howe wasn’t the first hockey player to be cast as a peaceable Jekyll who, donning skates, stepping to the ice, transformed into a remorseless Hyde. Not at all: hockey’s narratives note split personalities going back to the beginning of the organized sport. A few years ago, when I was reading all the hockey books, it became a bit of a hobby for me, collecting up variations on the trope. In most cases it’s framed as both an apology for bad on-ice behaviour. It also usually carries an implicit reassurance that a given player’s tranquil off-ice self is the genuine and governing one.
Don Cherry had another theory, which he framed for George Plimpton. Tiger Williams, Bob Kelly, Dave Schultz, Dan Maloney — they were very much alike in their personalities, he explains in Open Net (1981):
“… quiet off the ice, soft-spoken, and semi-shy. I’ve never seen a tough guy off the ice who was a wild man on, nor have I seen a wild man on the ice behave the same way out on the street. It’s one or the other. I guess if you were wild both on and off the ice, they’d park you away in a loony bin somewhere.”
Included in the pages of my book I had a former Leaf hardman, Kris King, talking about how, in his unintimidating time off the ice, he liked to fish and do a bit of charity work. My thick file also features citations of:
• the late Bob Probert, one of the most fearsome fighters in NHL history, “a classic goon,” in one writer’s phrase, who also had enough of a scoring touch to twice record 20-goal season with Detroit. “He was a teddy bear off the ice,” Jeremy Roenick wrote his autobiography, J.R. (2013), “and a fucking animal on the ice.”
When I played against Probert, he seemed like a wild-eyed, vicious thug. But when I played one season with him in Chicago, my attitude about him changed. He seemed like a gentle giant, a pleasant man with a big heart. If you met him in the dressing room, he would strike you as the guy you would want as your neighbour.
• Dave Schultz, one of the heaviest implements in Philadelphia’s toolbox during the bullyish 1970s. Asked for his opinion of Schultz in early 1975, NHL president Clarence Campbell didn’t hesitate: “He denigrates the sport.” An Associated Press feature from that same spring called Schultz “a Teddy Roosevelt type” who “speaks softly and wields a big stick.”
Off the ice, Schultz is a pussycat. He’s not an arguer. As a matter of fact the so-called ‘hammer’ of the Philadelphia Flyers is more of a peacemaker. His blonde wife, Cathy, says so.
If you were introduced to Dave Schultz without knowing he is a hockey player, you’d probably never guess his vocation. He could be a school teacher, an insurance executive. He comes off a low-key guy.
A year earlier, Dick Chapman of Montreal’s Gazette noted that back home in Cherry Hill, New Jersey, Schultz filled the hours “with things like jigsaw puzzles, building model ships and golf.”
• Ron Harris, a teammate of Howe’s and of Paul Henderson’s in Detroit in the 1960s. “By far the toughest guy in the league,” Henderson wrote in The Goal of My Life (2012). And:
… just like a lot of tough guys — guys like John Ferguson, for example — he was one of the nicest people in the world off the ice. But put a pair of skates on him, and he would get that glaze in his eyes. It’s kind of like Jekyll and Hyde — guys like that become crazy!
The toughness Ronnie added to our team made him really valuable.
“There will never be another Gordie Howe,” is what Bobby Orr was saying last week, in the days following Howe’s death on June 10 at the age of 88.
“You couldn’t invent Gordie today,” Orr told Dave Stubbs from NHL.com. “If he was playing with today’s rules he might not be able to do anything at first. But he would adapt to the rules and guys wouldn’t take liberties with him. The way he played, he’d do real well.”
“He was everything to me,” Wayne Gretzky told NHL.com.
Adam Gopnik wrote a Howe tribute for The New Yorker. “Perhaps only Mark Messier, among players bright in our contemporary memory, combined the same qualities of grit, skill, desire, and accuracy,” he mused. “As Gretzky lived on the edge of his skates, Howe lived in his wrists: the accuracy, power, and quickness of his shot are the first things those who saw him up close, in his prime, often reference (after they reference the elbows that rose above those wrists).”
“My best Christmas ever, I was five years old and my dad — I mean Santa Claus — bought me a Gordie Howe sweater, which I wore for the whole year.” That’s Gretzky again, back in 1994. The same article, from Reuters, goes on to say that when young Wayne pleaded with his father, “a barber,” to cut his hair Gordiewise, Walter Gretzky had to explain that Wayne had too much hair and Gordie too little.
“His elbows were the best,” Joe Peacock wrote in 1997.
Gretzky, last week, helped to clarify that old Reuters story: “I was seven or eight years old and I’d go to the barber shop … and I’d say, ‘I want a Gordie Howe haircut.’ I was enamored by him at a young age.”
Eddie McCabe, writing in The Ottawa Citizen, circa 1979, said this: “Gordie is such a decent man, he makes up for the yahoos and the boors.”
Frank Selke said there was no-one better. “Gordie Howe is the greatest all-round hockey player I’ve ever seen,” he opined in 1961 when Selke was managing director of the Montreal Canadiens. “He’s a composite of some mighty fine players through the years, and I’ve been watching them all, amateur and professional, since the 1910s around my old hometown, Kitchener. I’ve never known any player combining so many faculties. He’s the greatest of them all.”
Gordie’s dad didn’t necessarily agree. Gordie wrote about this in his “authorized autobiography,” and … Howe! (1995):
According to my Dad, Vic was always the better player, better than me. He was so funny. And Vern, my oldest brother, was the best of us all, so Dad said. It wasn’t until Dad was old, on his death bed, that he finally gave me more credit. He was kidding me, and said, “Aw, I saw a few gams on television. I guess you were better than your brothers.”
“In street clothes, he looks quite slim, an impression heightened by his long arms, rather long neck and narrow face.” This is Peter Gzowski, from a famous Maclean’s profile of Howe from 1963. “His most outstanding physical characteristic is the slope of his shoulders; his trapezius muscles — the muscle you feel if you stretch your arm out to one side — rise into his neck at an angle not far from 45 degrees, while his deltoids, at the top of the arm, look scarcely better developed than the average dentist’s. The enormous strength he displays in hockey flows from him, rather than exploding, and the easy grace with which he moves on the ice, and which has given so many hockey fans pleasure over the years, is also evident in his loose, almost lazy walk.”
“He’s always at the outer edge of the rulebook,” Eric Nesterenko told Gzowski. “You never know when he’s going to slip over into what’s dirty.”
Howe’s longtime linemate concurred. “Gordie gets away with more than anyone else in hockey,” said Ted Lindsay. Andy Bathgate of the New York Ranger indicted Howe for “deliberately inflicting head cuts, of deliberately cauliflowering at least one ear, and of deliberately raising the puck at other people’s heads.” He did not spear, Bathgate said, nor butt-end. Gzowski: “He is a recognized master of ‘high sticking,’ an action that is almost impossible for the fans or even the referees to separate from an accident, and which has carved his signature on a good many faces around the league.”
Gary Ross wrote about Howe in 1978, the year Number 9 turned 50 playing for the New England Whalers, “If Gordie Howe were a building, he’d be sandblasted and declared an historic site. If he were a forest, he’d be made a national park. In an age of $100,000 flakes he’s the real thing. A hero, a wonder, a natural phenomenon.”
When a 45-year-old Howe came out of retirement in 1973 to play with sons Mark and Marty for the WHA’s Houston Aeros, Dr. Bob Bailey was the Michigan physician who told him to go for it. “I think if you looked at men who do comparable work, like farmers, you’d find similar musculature,” Dr. Bailey said. “It’s a matter of conditioning. What I found really incredible was his pulse rate, which was around 48. That’s almost the heart of a dolphin. A normal 50-year-old man might have one around 80.”
Herbert Warren Wind was first to profile Howe for the pages of Sports Illustrated. “When he appears to be noodling with the puck in the offensive zone,” he wrote in 1955, “doing nothing, he is actually plotting whether to sweep in from the right or cut to the left, preparing to shift his stick according to his move, for, like no other player in the history of hockey, he is truly ambidextrous and is always shooting at you with a forehand shot. Also invisible is Howe’s great relaxed strength which manifests itself principally in wrists as large as the average athlete’s forearm.”
Mark Howe, in his 2013 memoir Gordie Howe’s Son: A Hall of Fame Life in the Shadow of Mr. Hockey: “He always regretted dropping out of school and felt that somebody from the hockey club should have stopped him. I think that’s why he took up crossword puzzles — a big-time passion of his — to improve his vocabulary.”
“His success is due in part to the fact that he has the ‘perfect body for hockey,’” Larry Bortstein was able to disclose in 1970. “His shoulders slope so sharply into his huge biceps, which flare out into huge forearms, wrists, and hands. His legs are very strong. ‘I conserve them by sitting down at places where I don’t have to stand,’ he says.”
“When Howe is on the ice,” Mark Kram wrote in Sports Illustrated in 1964, “Detroit’s Olympia Stadium hums like an overloaded electric cable.”
King Clancy was the one who suggested someone ought to bottle the man’s sweat: “It would make a great liniment for hockey players.” Continue reading
Gordie Howe is writing a book, unless he’s already written it — either way, Penguin Canada will be publishing it, in October, under the Viking imprint. The book will appear in the U.S. under another Penguin banner, G. P. Putnam’s Sons.
The announcement came on Monday. That, as Penguin’s press release noted, was Power’s 86th birthday. That’s one of Howe’s many nicknames, Power, though the release doesn’t mention it, and it isn’t the one that will serve as the book’s title, which is Mr. Hockey. Andrew Podnieks’ indispensable catalogue of hockey biography, Players (2003), lists along with Elbows and Mr. Hockey. gordiehowe.com lengthens the list with The Great Gordie, Mr. Elbows, The King of Hockey, and Number 9. Mr. Hockey is there, too, if only ever in an armoured form that I’m certain makes good solid anti-infringement sense while never failing to annoy the eye and the patience:
His name has been synonymous with the sport since the mid 1940’s. Literally, when fans think of hockey, they think of Gordie Howe®. To millions of fans around the globe, #9 is revered as “Mr. Hockey®”.
As a book, the unadorned Mr. Hockey will be (says Penguin) “the definitive account of the game’s most incredible legacy.” “Big, skilled, mean on the ice, and nearly indestructible” was Howe, but don’t worry, it’s not going to be as intimidating as all that: Penguin associate publisher Nick Garrison promises that the book will deliver an abundance of Howe class, generosity, and rock-solid personal integrity, too.
Number 9 is embracing the project, we learn:
“I got to do something I loved for more than my fair share of years. But no accomplishment is about just one person – no championship, no statistic, and certainly not a whole career. It’s a pleasure to tell my story with this book, and especially to include the people who have meant so much to me along the way.”
For a moment there I wondered whether Howe was going to introduce his writing partner/ghost/editorial consultant but, no, wrong. Which is not unusual. Bobby Orr was Penguin’s last big autobiographer, in the fall, and no-one on the project was copping to who was co-writing ahead of publication, when Vern Stenlund finally revealed himself between hard covers.
Guesses? Elmer Ferguson Awardwinner Jay Greenberg assisted on Mark Howe’s 2013 memoir, the straightforwardly titled Gordie Howe’s Son would have to come first. Kevin Allen from USA Today helped on Mr. & Mrs. Hockey® (2004), a ponderous oral history, privately published. Or what about Tom Delisle? He’s a former Detroit Free Press reporter who joined Howe and his late wife, Colleen, to write an “authorized autobiography” (another private project in need of a cold-eyed editor) called and … Howe! (1995). Continue reading