It was this same July week in 1981 that the inimitable Roger Doucet died at the age of 62, which is as good a reason as any to uplift yourself with three minutes of his anthem-singing artistry and screen “The Performer,” Norma Bailey’s 1978 National Film Board ode to the voice that filled the Montreal Forum in the 1970s and echoes still in Hab-loving hearts no matter where they might be.
Sorry to learn of the death of Dolores Claman, who composed the rousing theme song that used to open broadcasts of CBC’s Hockey Night in Canada back when the world was younger. Born in Vancouver in 1927, she died this week in Spain at the age of 94.
Claman was trained as a concert pianist before she switched keys to dedicate herself to composing. She was working for Maclaren Advertising in Toronto when she was hired in 1968 to craft a fanfare to open the national broadcaster’s Saturday-night flagship. The theme she came up with became a proxy national anthem. It was 2008 that the Hockey Night relationship ended, in acrimony: CTV ended up buying the rights to the song after the CBC and Claman couldn’t settle a financial dispute. While Claman’s iconic theme took an early retirement on broadcasts of regional games on TSN, Hockey Night resorted to replacing it with an imperfect (and perfectly forgettable) facsimile.
From 2008, here’s the Globe and Mail’s Peter Cheney with the musical origin story:
It started on a peaceful afternoon in 1968, when Dolores Claman sat down at her Knabe grand piano and began picking at the keys, searching for a sound. Outside the window was her garden, then the blue expanse of Lake Ontario. Ms. Claman tried B-flat, then the key of C, seeking the musical essence of something she had never seen firsthand: a professional hockey game.
Ms. Claman was a classically trained musician who loved Bach, but she made her living composing jingles. She had written music for everything from toothpaste to its natural enemy, Macintosh toffee. Now she was thinking about Canada’s national sport. She pictured Roman gladiators wearing skates. Suddenly, five notes popped into her head. She tapped them out, stressing the third: “dunt-da-DUNT-da-dunt.”
Ms. Claman had no idea that she just made herself part of Canadian history — and that she had set the stage for an epic battle 40 years in the future.
“I wasn’t thinking about much at the time,” Ms. Claman, 80, said yesterday from her home in London, England. “The song wasn’t hard to do.”
Frank Mahovlich scored a pair of goals on this date in 1968, the day of his 30thbirthday, powering his Toronto Maple Leafs to a 2-1 win over the visiting Detroit Red Wings. But the man they called the Big M wasn’t long for the Leafs at that point: a little more than a month later, after almost 12 years in the blue-and-white, Mahovlich was traded to those very same Wings in a seven-player deal. Heading for Detroit with him were Pete Stemkowski, and Garry Unger (along with Carl Brewer’s rights); the return for the Leafs was Paul Henderson, Floyd Smith, Norm Ullman, and Doug Barrie.
Born in 1938 in Timmins, Ontario, Mahovlich grew up to be a golden boy in Toronto, of course, starting in the mid-1950s with a starring Junior-A role as a St. Michael’s Major. Profiled by Hockey Pictorial’s Margaret Scott after he won the Calder Trophy in 1958 as the NHL’s superlative rookie, Mahovlich divulged his boyhood heroes (Gordie Howe and Ted Lindsay) and discussed what he liked to eat on a game-day (steak at lunch, eggs around four o’clock). In terms of his record collection, well, he admitted a partiality for musicals like Oklahoma! and the “semi-classical” stylings of Mantovani. An “enthusiastic” dancer, Mahovlich acknowledged that no-one had to coax him onto a dancefloor, unless the music playing was rock ’n’ roll. “I guess you could say I like dancing to after-dinner music,” he told Scott. “Something nice and quiet and not too fast.”
The impact that Mahovlich continued to have as a Leaf left winger is hard to overstate. Twice named to the NHL’s First All-Star team, he featured on a very good Toronto team that would win four Stanley Cups in six years through the 1960s. Writing in Maclean’sin ’61, Peter Gzowski thought he could be a defining figure in NHL history, the rightful heir to Rocket Richard and Gordie Howe. At 23, Mahovlich was, Gzowski felt, “making an honest, exciting and, it appears now, worthy bid to claim the new era for his own.” Even if that didn’t quite work out as planned, The Globe and Mail’s Louis Cauz had no trouble deeming him “the most productive goalscorer the Leafs have ever had.”
That was in 1967. Earlier the same year, Leaf legend King Clancy offered this on Mahovlich: “He’s as nice a man as I’ve ever known in this game. Perhaps that is his trouble. He has the talent to be the greatest hockey player who ever lived, if only he was a little meaner. But he isn’t, and there is nothing anyone can do about it.”
For all the goals scored and the Stanley Cups hoisted, it’s true that life as a Leaf came with a cost for Mahovlich, who was twice treated in the 1960s for what the papers variously termed “emotional breakdown,” “tension,” and “nervous depressions.” The second time, in the fall of ’67, Mahovlich missed 11 games. Gordie Howe was one who weighed in with a diagnosis at the time — of the Leaf faithful. “If Toronto fans would appreciate his great talent and give him the cheers he deserves, instead of booing him, maybe the pressure wouldn’t cook the guy.”
Mahovlich had his ups and his downs when he returned to the fold in ’67, dominating one night, lagging some others. The boos continued. Leafs coach and GM Punch Imlach was said to be dissatisfied, too, with Mahovlich’s defensive play, and by time Imlach sent him to Detroit in March of ’68 all the talk of rifts between coach and fans and player meant that the trade didn’t come as a surprise to many.
That’s not to say it didn’t traumatize Toronto. Indignant fans jammed the switchboard at Maple Leaf Gardens with complaining calls the morning the deal was announced, while others out in front of the rink stopped traffic on Carlton Street with their moody milling. In the wake of the trade’s announcement, The Globe and Mail reported that shares in MLG Inc. fell by $1.50 on the Toronto Stock Exchange.
For Mahovlich, the shift to Gordie Howe’s Red Wings was as good (on the ice) as a rest: he would thrive in Detroit, scoring a career-high 49 goals the following season, 1968-69. He eventually went to Montreal, where he enjoyed his best years, statistically, in a three-and-a-half-year stint that saw him help Canadiens to Stanley Cup championships in 1971 and ’73. Mahovlich played three seasons in the WHA after that, returning to Toronto as a Toro in 1975 before following the team when they moved to Birmingham, Alabama, and reconstituted as Bulls.
Lightly interrogated by Norman Brown for the 1965 edition of Canadian Boy, a magazine published by the Boy Scouts of Canada, Mahovlich had said he thought he had another eight years of hockey in him. “I don’t know. I’d say I might quit around 34 or 35.”
As it was, he was 41 in the fall of 1979 when he made a bid to return to the NHL with the Red Wings before deciding that it wasn’t to be. “He gave it everything he had,” said Detroit coach Bobby Kromm. “When the exhibition games were over, he came to us and said he didn’t think he could hack it. I’m glad it happened that way, that we didn’t have to go to him. He was a great player.”
On this night in 1973, the Toronto iced a line-up featuring Dave Keon and Ron Ellis, players who’d actually won a Stanley Cup as Maple Leafs, and they also had a talented rookie Swedish rookie on the defence, Borje Salming. Things didn’t work on the night, I’m afraid to report: the Leafs lost to Boston by a score of 3-2.
Also in the air, all those 45 years ago? A little ditty by Stompin’ Tom Connors that Canadians, like it or not, have hardwired in their heads: 1973 was the year “The Hockey Song” made its debut. Seems like reason enough celebrate it ahead of tonight’s game between the Leafs and Winnipeg’s Jets at the Scotiabank Arena, which they’ll do during a pre-game ceremony inducting the song into the Canadian Songwriters Hall of Fame. The late singer’s son, Tom Connors Jr., will be on hand to receive a plaque on his father’s behalf; country singer Tim Hicks will sing the song, along with everybody else in the house.
(Image: Gary Clement, from Greystone Books’ The Hockey Song, 2016)