Gordon Sparling directed Hockey Stars’ Summer, a 1951 ASN “Canadian Cameo,” with Andy O’Brien contributing the script.
Gordon Sparling directed Hockey Stars’ Summer, a 1951 ASN “Canadian Cameo,” with Andy O’Brien contributing the script.
A hidden gem! A setting said to be distinctive for guests on business and leisure alike! Unparalleled location in the heart of Manhattan! Rates starting at around US$167 per night!
That’s the pitch browsers online can find looking for a booking at New York’s Belvedere Hotel, which I wasn’t, recently. I can’t say one way or the other whether it’s the place for you; what I can report, confidently, is that if you do go, your hopes of emulating these early New York Rangers, above, and getting in a game of handball on the roof is zero.
There is a gym at the Belvedere: indeed, the hotel’s website says it’s “proud” to have one, “encouraging health-conscious guests to maintain their active lifestyle while traveling and dining out.”
I guess handball’s heyday has come and mostly gone, but I had a moment’s reverie in which you could still catch a game on high at the Belvedere.
The woman I talked to there when I phoned seemed worried by my rooftop questions. “No,” she told me, “there’s no tennis court.” Handball. “Nope.” When did it close? Did she know? Did someone know? What’s up there now? Anybody I can talk to who can talk about the history of the hotel? I was panicking her, though. “Honestly,” she said, “nobody that’s here has ever seen anything like that.”
That’s Ching Johnson here, of course, on the left, with Bill Cook leaping high over his fallen brother, Bun. All three had been with the Rangers since their inaugural season, 1926-27. It was 1929 now, springtime, and the team was girding to defend the Stanley Cup title it had won the previous year over the Maroons of Montreal. Bun Cook was 25, his brother (the Ranger captain) and Johnson older, 32 and 30, respectively. The team couldn’t quite pull off the defense, falling in that year’s two-game final to the Boston Bruins.
The Belvedere, at 319 West 48th Street, was new in the late 1920s. “The Outstanding Success of the City,” bragged a newspaper ad from those years, before getting down to details: 450 baths complemented the Belvedere’s 450 rooms, all of which were outside rooms, featuring two large windows. The Moderately Priced Restaurant served a Peerless Cuisine. You could get a large double room for US$6 a day; furnished suites with serving pantries ran anywhere from US$35 to US$150.
Times Square wasn’t far and, more to the point, Tex Rickard’s Madison Square Garden was just a block north up 8th Avenue. Handball was just the start of it — over the years, many hockey players would call the Belvedere home. Following, a few notes on that and other Belvedere/hockey associations.
In early April of 1928, just before the Rangers went into Stanley-Cup battle with the Montreal Maroons, the Belvedere and its inimitable menu played host to a hockey awards dinner. At this time, the NHL proper awarded three individual trophies, the Hart (for league MVP), the Vézina (goaltender allowing the fewest goals), and Lady Byng (high skill and gentlemanly conduct), but these weren’t those.
First among honourees on this night were handballing defenceman Ching Johnson, who took the Paramount Theatre Trophy as MVP of the New York teams, Rangers and Americans. The Broadway director and producer (and native-born Newfoundlander) John Murray Anderson sponsored that one, with the New York Hockey Writers Association taking care of the voting. Out of 26 ballots cast, Johnson’s name was on 12, while the two centreman, the Rangers’ Frank Boucher and the Amerks’ Normie Himes, appeared on seven each.
Boucher was the highest scoring New Yorker that year, finishing third in the NHL chart behind Hart-winner Howie Morenz and his Canadiens teammate, Aurele Joliat, and that was good enough to win him the Belvedere Hotel Trophy. (His Cook wingers, Bun and Bill, were runners-up.) But while Boucher would that same year win the first of his seven Lady Byng Trophies (in 1935, they actually gave him trophy, ordered a new one), on this night Boucher had to concede the Roosevelt Hotel Clean Play Trophy to Harold Darragh of the Pittsburgh Pirates. NHL referee-in-chief Cooper Smeaton seems to have been responsible for deciding this one, drawing on what a Brooklyn Daily Eagle report calls his “private records” to determine that while Boucher had been penalized for 14 minutes of the 1674 he’d skated that season, Darragh, a winger, was sanctioned for just 10 of his 1620 minutes.
Bandleader and hockey fan Paul Whiteman presided over the proceedings — or as the Daily Eagle called him, “corpulent ‘Oom’ Paulie Whitehead,” who made Ching Johnson look like a mere “mite.”
In the late 1930s, the Belvedere played host to an annual dinner given by the NHL for the aforementioned New York Hockey Writers Association. At the 1938 edition, Rangers GM Lester Patrick unveiled his proposal for an all-new playoff format. Harold Parrott wrote it up for The Brooklyn Daily Eagle:
In fact, the Silver Fox of the ice rinks was practically lopsided after expounding his playoff theories to hockey writers last night with the aid of calculus, logarithms, a financial expert he brought along for the purpose — and a lot of patient good humor.
Ahead of the season, Montreal’s troubled Maroons talked of migrating to St. Louis, or maybe Cleveland, but the league turned them down, so they’d suspended operations, leaving seven teams. Patrick wanted the NHL to collapse the remaining teams into one division (previously they’d been divided into American and Canadian halves) with the team that finished on top declared league champion. All seven teams would them compete for the Stanley Cup, with the first-place finisher leaping past the first round with a bye while — importantly — not missing out on its share of ticket profits. Revenue was an important feature of the plan, with teams’ percentages based on (as far as I can discern) a formula accounting both for regular-season and how far they advanced in the playoffs. “The Ranger boss,” Parrott wrote, “figures this will make the teams hustle until the season’s last whistle.”
Interesting that Patrick was sharing with the writers before he took it to the NHL and the teams involved. “Manager Patrick,” noted The New York Times in its report, “is hopeful that his plan will be accepted, although at first blush it seems a most radical and fantastic one, he himself declared.” If the NHL did put this Patrick plan to a vote, it failed to pass. The league did end up rejigging divisions that year, decanting two into one, but when the playoffs came around in the spring of 1939, only the top six teams were in. Last-place Chicago had to watch as Boston went on to beat Toronto in the finals.
The Belvedere is where Stan Fischler got his start to his career in hockey journalism, books, broadcasting and general, all-around mavening. He writes about this in New York Rangers: Greatest Moments and Players (2015). As a Brooklyn College student in the early 1950s he not only joined a Rangers fan club organized by team publicist Herb Goren but launched a club newspaper with a pair of willing friends. “This gave us entrée to interview players,” he recalls, the first being Ed Kullman, “cross-examined in his suite at the Belvedere Hotel.”
Jeff Z. Klein of The New York Times called on Fischler’s formidable Ranger memory when he wrote Don Raleigh’s obituary in 2012. “Bones Raleigh was the quintessential antihero,” Fischler said of the former centreman, Kenora-born, who captained the Rangers and scored back-to-back overtime winners in the team’s losing struggle with Detroit in the 1950 Stanley Cup finals. “He was an intellectual; he would write poetry on the Staten Island Ferry. He would get the puck behind his net and just wend his way up ice on spectacular rushes. Problem was, Bones being so skinny, by the time he got inside the enemy zone, he was usually body checked. But we didn’t mind because he was our guy.”
For much of his ten-year NHL career, he was one of many Rangers to make a hockey-season home at the Belvedere. Klein talked to teammates Harry Howell and Pentti Lund, among others. They both remembered him calling in teammates to his suite for pre-game strategy sessions. He was a book-reader and a bon vivant, loved life in New York, enjoyed the sense of humour:
“Old Bones Raleigh, he used to be our cook in the hotel,” Howell said. “He used to buy the groceries, and we’d pay him. One night, he gave a huge can of peaches to the players, and we thought, Boy, this is really something. So Bones, before we ate the peaches, said, ‘Now you guys realize you each have to give me 12 cents per peach.’ We all knew what he was like and just laughed.”
I’m assuming that Raleigh was on hand at the Belvedere on the last night of 1952 as the Rangers, with wives and girlfriends, heralded the new year. Frank Boucher was there, the Rangers’ GM now, and so was Bill Cook, his coach, who’d almost died twice in the year gone by thanks to irate bulls and exploding tractors. The Leafs and Rangers had played to a 3-3 tie that night but while Toronto’s hockey players had packed up and travelled on to Boston after the game, several of her hockey writers had stayed on to party at the Belvedere. The Globe and Mail’s Gord Walker was one of them, which is how we know that Gladys Gooding was at the piano when the time came to sing Auld Lang Syne, when Rangers captain Allan Stanley wore a plastic fireman’s hat to welcome the midnight. “There was quite a noise for a while,” Walker wrote. “It died down shortly because he wives kissed their husbands, and the girl friends kissed their escorts and the Toronto hockey writers shook hands with each other.”
Kids liked to draw him. I wish I could tell you the name of the artist whose work this is, above, but I can only guess at the signature. Colin Caslow? Corbo Cartat? Whoever he was, the kid, his scrapbook from the later 1940s came to me, which is how I know that the players he didn’t sketch for his cover include Teeder Kennedy and Max Bentley, Harry Watson, Turk Broda, Bill Ezinicki. I can’t tell you why. What was it about Ray Timgren, just 20 in 1948, rawly rookie-ing his way into a team on a run of winning three Stanley Cups in a row?
He looks troubled. It could be that he wasn’t at all, what happened might have been that when Corbo was drawing him, lying on his front on the rug by the fireplace, biting his tongue in concentration, doing his best with his pencils to render a Timgren that was as Timgrenesque as possible — well, expressions on faces are hard to draw, and sometimes no matter how carefully you work a guy with no worries skating around pushing a puck with nothing in particular on his mind ends up looking like someone who’s been told that children are disappointed in him for a whole bunch of different reasons, as a result of which their mothers have been writing to Conn Smythe to complain.
Turofskys liked to take his photo. That is, as a Leaf during the years that brothers Lou and Nat Turofsky were busy pointing their cameras at the team, he’s well represented in The Hockey Hall’s Digital Archives. There’s a good one of him and his teammates admiring radios at the Barilko Bros. Appliance Store, Bashin’ Bill’s there himself, and Turk Broda and Fleming Mackell, too.
Overall, in photos, Timgren looks smallish, sunny, not-troubled. If you had to guess, you’d say his intentions were good. On the ice he cruises in front of the Boston net, or fights for a place by Montreal’s Gerry McNeil. His number was 22. In the photo where he’s holding a telephone to Tim Horton’s ear, his hair does have the shine of treasure. There’s one where he’s laughing about Joe Klukay’s haircut; in another he’s pretending to tape a stick for a fascinated audience.
At Sid Smith’s wedding he poses happily with the groom and Howie Meeker and several miscellaneous buddies. There’s one where he’s drinking pop from a bottle in the dressing room and Broda and Bentley and Cal Gardner are there with him, you can see their street-clothes hanging on hooks in the background, possibly they’ve just won a Stanley Cup, could be, but I think it’s fair to say, without prejudice, that Timgren’s is the fourth-best smile in the bunch.
Posed in a classic tripod stance for his Beehive photo, he looks as serious as you’re going to see him, as though having his picture taken for the St. Lawrence Starch Company is the most serious business in Southern Ontario. A few more clicks, though, and he brightens right up.
I wonder if this is the photo that young Corbo was looking at when he did his drawing. I think probably it is. The expression is thoughtful with a hint of optimism — he looks like he knows where he’s going with that puck. Other than the ice, I prefer the folkloric style of Corbo’s drawing to the shadowy realism of the photo. The maple-sugar ice is hard is pretty great, though.
The potted Timgren biography that’s posted at the Hall of Fame’s catalogue of players wouldn’t on its own send you rushing out to draw him for the cover of your scrapbook. Reliable is one of the adjectives he inspires there, along with solid and defensive and (his offensive talent) decent.
Later, I guess, when he was a public school vice-principal in Toronto, he liked to say, “Do it now!” According to Wikipedia, anyway.
Flashy comes up, adjectivally, when you’re reading in old newspapers about Timgren in his day. Sometimes, too, you see the phrases top line performer all the way and left-wing shotmaker and known more for his back-checking than scoring.
He won two Stanley Cups with the Leafs. In 1949-50, his best scoring year, he had 25 points playing on a line with Joe Klukay and Max Bentley, The Three Feathers Line was its nickname, because they none of them weighed more than 155 pounds, except for Klukay, who did. The following season, when the fall came, Danny Lewicki filled in for Bentley, who was back home in Delisle, Saskatchewan, harvesting his wheat crop for most of training camp.
In 1949, the year Timgren got his start in the NHL, the sportswriters voted Pentti Lund from the New York Rangers as the league’s top rookie. Leafs supremo Conn Smythe couldn’t believe it; he said he wouldn’t trade Timgren for 17 Lunds. True to his word, he never did, though in 1954 he did send him to Chicago for a single Jack Price. Timgren went back to the Leafs, later, but not for long. He was out of the league at 26.
(Parkie courtesy of hockeymedia at flickr.com)
The New York Rangers eventually lost to Chicago in the Stanley Cup semi-finals in 1971, but they had some big wins along the way. One of them included a hattrick by centre Vic Hadfield, the first to be notched in the playoffs by a Ranger since Pentti Lund managed it. “I remember Lund,” Jean Ratelle said after the game, Hadfield’s linemate. “From the bubblegum cards I had as a kid.” Hadfield: not so much. “I never heard of Lund,” he said. “How long ago did he do it?”
It was the spring of 1950, in fact, which is worth recalling, with word today from Thunder Bay today that Lund has died at the age of 87. The second Finnish-born player to make a mark in the NHL, those who do remember him in New York know that he not only won the Calder Trophy as the league’s outstanding rookie in 1949, but Lund’s hattrick the following year almost — it was close — helped the Rangers win a Stanley Cup, too. Continue reading