Start with Andy Blair. Talking hockey moustaches, you had to start with him: for a long time in the early years of the NHL, his Toronto Maple Leaf lip was the only one in the entire loop to be adorned with any growth of hair. Or so we thought. Turns out hockey wasn’t quite so clean-shaven as we were led to believe. In fact, Blair wasn’t even the first Toronto player to skate mustachioed. Puckstruck exclusive: the NHL’s first recognized moustache made its debut as early as the league’s second season.
Jack Adams was the man to wear it. Better known for his later (smooth-faced) exploits as coach and general manager of the Detroit Red Wings, Adams was an accomplished player in his time, too, of course, winning two Stanley Cups in the NHL’s first decade. The first of those came in the spring of 1918 with Toronto.
It was when he returned to the team — now the Arenas — later that year that he changed his look. We have just a single source on this so far, but it’s persuasive: Adams, an astute Toronto reporter took note, boasted
a tooth brush decoration on his upper lip. You’ve gotta get pretty close to Jack to see it, as he is a blonde.
Andy Blair’s moustache was much more distinctive, not to mention very well documented. A Winnipeg-born centreman, Blair made his NHL debut in 1928. As best we can trace, he came into the league smooth-faced. The evidence isn’t conclusive but as far as we know he did get growing until the early 1930s.
When we think of classic Leafian moustaches, it’s Lanny McDonald’s full-frontal hairbrush that comes to mind, or maybe Wendel Clark’s fu manchu. Blair’s was trim. A teammate, Hap Day, described it as “a little Joe College-type.” Trent Frayne preferred “Charlie Chaplin.” It even rates a mention in Blair’s biography in the Hockey Hall of Fame register of players — even though it didn’t survive the end of his NHL career.
After eight seasons with the Leafs, Blair and his laden lip went to Chicago in 1936 for a final fling with the Black Hawks. Blair, at least, lasted the year: “I see the boys got together and made him shave off his Clark Gable moustache,” former Leafs teammate Charlie Conacher noted that year. “That is something more than we could get him to do when he played in Toronto.” The story goes that it disappeared under duress: only after his Chicago teammates repeatedly threatened to do the job forcibly did Blair get around to shaving the moustache away.
Lucky for Blair that it hadn’t happened sooner: like his Canadiens counterpart Pit Lepine, Conacher actually headed up a fervent anti-moustache campaign through the ’30s. Well, maybe that’s a bit strong: Conacher was a paid pitchman through for Palmolive Shave Cream (Giant Size Double Quantity 40 cents!). I don’t doubt that he used the stuff himself. I do wonder whether he actually said, of his own free will, “Palmolive knocks my whiskers for a goal every time I use it.”
It was another Leaf who picked up where Blair left off, though it took a few years. In the fall of 1945, The Globe and Mail introduced rookie defenceman Garth Boesch as the man sporting “the most impressive crop of lip foliage in a major hockey dressing room since Andy Blair.” Columnist Bobbie Rosenfeld was willing to go even further: if you left the Calder Trophy voting for NHL rookie-of-the-year to women, and Boesch would win hands (face?) down. “That Garth moustache,” she wrote, “which is a la Caesar Romero, has the femmes swooning every time the Leafs’ defence star steps on the ice.”
“I started growing it when I was 18 and I still have it,” Boesch told the Globe’s Paul Patton in 1975, when Boesch was 54. Red Dutton was supposed to have watched him as a young prospect, declaring, “With that moustache, he’s got two strikes against him before he starts.”
“I never heard that,” Boesch said. “Nobody ever complained to me.” He was proud to say he never lost a tooth in his five years playing in the NHL. He did acquire an honest share of stitches, though. “Lots on my lower lip, but never on my upper lip. I always had a big nose and I guess it protected my moustache.” Continue reading
A version of this review appeared in the October, 2017 edition of the Literary Review of Canada.
If you’re someone who’s mothered a famous hockey player, chances are that you have not subsequently gone out and written a book about it. Is this because your parental pride is more private than, say, a father’s, your fulfillment so much the quieter? Or that you don’t feel the same urgent need to explain your son? Maybe. In the teeming library devoted to our beloved winter game, the books of hockey-parent lit may only fill a half-shelf, but this we know: almost all of them are written by fathers. There is something charmingly local about the fact that these books are published at all: only in Canada could there be enough oxygen to sustain such a sub-genre.
If hockey fathers (necessarily) antedate the birth of the sport itself, the dads of professional hockey players only started writing books in the early 1970s. First to the font was Murray Dryden, who, if he were a primary character in George R.R. Martin’s Game of Thrones, might be dubbed Father of Goaltenders. Dave and Ken’s dad was suitably satisfied when his sons both made the NHL, with Buffalo and Montreal, respectively—all the more so when they started against one another in a regular-season game in 1971. Dryden’s Playing The Shots At Both Ends (1972) is light and genial, a quick and agreeable excursion. At 156 pages, it set a standard of brevity that subsequent exemplars from the genus Pater librorum glaciem hockey have failed to follow.
The memoir Walter Gretzky published in 2001 was called On Family, Hockey, and Healing. After a stroke threatened Gretzky Senior’s life in 1991, he faced a long and complicated recovery. As a spokesman for the Heart and Stroke Foundation of Canada, he was as focussed on advocacy and promoting awareness as he was on spinning hockey tales about his son Wayne.
Published in both French and English editions, Michel Roy’s Patrick Roy: Winning, Nothing Else (2007) ran to more than 500 pages. It was positively militant in its mission, which was to cast Patrick as a hero and correct the public’s faulty perceptions of his character. People thought the younger Roy was testy, aloof, selfish, and they were wrong. “I wanted to present Patrick as he is,” Michel told an interviewer soon after the book was published. “I wanted to defend the truth.”
The exception to the rule of mothers not writing books is the memoir penned by the late Colleen Howe. Wife to Gordie, and mother to NHLers Mark and Marty, she was a force in her own right, which you will know if you’ve read My Three Hockey Players (1975). To my mind, it remains the most interesting of the parental hockey books: filled with anecdote and incident, it’s candid and bracingly caustic, knotty with grievance and criticism, holding nothing back.
The newest addition to the shelf, Karl Subban’s How We Did It: The Subban Plan For Success In Hockey, School and Life, fits in alongside Dryden and Gretzky, down at what we might call the more generous end of the shelf. With his son P.K. — at? nearing? — the peak of his game, Karl seems to be enjoying the moment as much as he might be hoping to seize an opportunity while his son is at centre-ice to tell his own story and shape it as a platform for his ideas on parenthood and mentoring young people. Writing with an assist from Scott Colby, an editor with the Toronto Star, Karl is in a sharing mood. I suspect that theirs might be the hockey-dad book that finds a wider audience than those that have gone before. This has to do with P.K.’s compelling personality and his philanthropy, both of which transcend the game he plays. More than any other player of recent note he has also managed to unsettle hockey’s sense of itself, and there will be readers from beyond the rink who will come to the book curious about questions of race and racism, the snubs and the insults that Subban has suffered, and how they’re coded, or not.
A quick recap, for those who might have been exiled for a decade, on an atoll, far from Wi-Fi: Pernell Karl Subban is a vividly skilled 28-year-old defenceman who has been one of the NHL’s best since at least 2013, when he won the Norris Trophy. Crosby, Alex Ovechkin, Connor McDavid: all of them can dominate a game and electrify a crowd. But is there a more consistently entertaining hockey player to watch, or one who seems to play with more joy than Subban? “Like Roger Federer, or Kevin Durant, or Yasiel Puig,” Ben McGrath wrote in a persuasive 2014 New Yorker profile, “[Subban] awes less because of the results he achieves than because of the way he achieves them — kinetic charisma, approaching genius.”
He was still a Montreal Canadien back then, beloved to many, infuriatingly flamboyant to others—a polarizing figure, including (the rumours went) within his own dressing room, and with his own coach, Michel Therrien, who was often critical of Subban’s defensive lapses. And as a columnist from USA Today wrote during last season’s playoffs, “Subban has haters.” The adjectives that have crowded into mentions of Subban’s hockey exploits over his eight years in the league include dynamic; freewheeling; passionate; booming (his shot); dazzling (his rushes); jaw-dropping (his creativity), but they also run to the more hostile emotional; individualistic; cocky; arrogant; and bigger than the team.
Debate hasn’t stopped roiling in Montreal since he was traded in the summer of 2016 to Nashville, whose golden-garbed Predators he helped attain a berth in this last spring’s Stanley Cup finals. The fact that they lost there to Sidney Crosby’s Pittsburgh Penguins didn’t do anything to change that: regret weighs heavily to this day with many Montreal fans who can’t — and don’t want to — forget the on-ice skill and exuberance that made him one of most exciting athletes anywhere, in any sport, or his astonishing 2015 pledge to raise $10-million over seven years for the city’s Children’s Hospital.
For all its flashing lights and bold embrace of new markets (hello, Las Vegas), the NHL remains a bastion of staid and conservative attitudes. Because he is anything but, Subban has been accused of arrogance and disrespect, of excessive self-regard, of not knowing his station. As a rookie with the Montreal Canadiens, he was called out by the then-captain of the Philadelphia Flyers. “It’s just frustrating to see a young guy like that come in here,” whined Mike Richards, “and so much as think that’s he’s better than a lot of people.”
Never mind that Subban was better than a lot of people—as he always has and will be. Hockey’s brassiest establishment voice, Don Cherry, would soon be scolding him for daring to play with verve and personality; another, Mike Milbury, called him a clown during the spring’s playoffs, berating him for courting too much attention, and for the mortal sin of overt enthusiasm.
There is no good gauge of which of or how much, if at all, the reproaches directed Subban’s way have to do with the fact that he is a black man in a sport that has been so glaringly white for so long. There are books about that, too, including Herb Carnegie’s instructive 1997 memoir A Fly in a Pail of Milk. A stand-out scorer in the 1930s and ’40s who couldn’t find a way through hockey’s colour barrier, Carnegie never played an NHL game. He had no doubt that it was racism that kept him from cracking the New York Rangers’ line-up in 1948.
Readers who come to How We Did It in hopes of a broader discussion of race and racism in hockey may be left wanting. It’s not that Karl Subban seeks to avoid it, exactly, more that he addresses the issue as he sees fit and moves on. Yes, his son has run into his share of ignorant morons and their abhorrent slurs in his time playing hockey. No, Karl doesn’t think either — the slurs or the morons — is worth engaging; they’re nothing but distractions. “Racism is a fact of life,” he writes. Why give it permission to get in the way of where you’re going? In the book’s final pages, P.K. endorses his dad’s approach. And that’s as far as it goes. Continue reading
Easel Does It: Ottawa artist (and former goaltender) Tony Harris spent the last past year on a commission to paint the NHL’s 100 greatest players. He finished the job last week. This weekend, from Sid Abel to Steve Yzerman, the original oils are all on show together at Montreal’s Windsor Station as part of the NHL’s Centennial celebrations. Visiting hours are today from noon to 7 pm and, tomorrow, noon to 4 pm.
That’s Harris here, in his Ottawa studio, earlier this year. I talked to him for a piece that’s on the page today in The New York Times.