jets propellant

Winnipeg beat the Nashville Predators last night to advance to the Western Conference finals where they’ll meet the Vegas Golden Knights to see which of them of them will play for the Stanley Cup. That seems reason enough to visit with a former (WHA) Jet, Anders Hedberg, seen here in February of 1977. He had reason to revel: having just scored three goals in Winnipeg’s 6-4 win over the long-lost Calgary Cowboys, Hedberg now had 50 in the 49 games his team had played that season. (He’d missed two games, injured). That put him into the annals of hockey history, ahead of Maurice Richard, whose first, famous 50-in-50 came in 1945, as well as own linemate, Bobby Hull, who’d repeated that feat over the course of the 1974-75 WHA season.

There doesn’t seem to have been much disputing Hedberg’s achievement at the time, though it can’t exactly have pleased the rivalrous governors of the NHL. Mike Bossy of the New York Islanders would notch 50 of his own in 50 games in 1980-81, and the very next year after that, Wayne Gretzky would, playful as ever, score 50 in 39. With the demise of the WHA, Hedberg’s feat has been shuffled, along with Bobby Hull’s, into the footnotes: in hockey’s NHL-dominated universe, those goals you scored in that other league only count as a novelty next to an asterisk. The way the NHL sees it, you have to score 50 in your team’s first 50 games. Five different players have done that, including Mario Lemieux and Brett Hull, twice. Gretzky did it three times in his career.

“I can’t explain how it feels,” Hedberg told reporters after the game in ’77. The Swedish Express, they were calling him back then, noting that he did his scoring with one of hockey’s hardest wrist shots and what had to be the best backhand in the business. “I don’t think Anders has taken a slapshot this year,” said his other linemate, Ulf Nilsson.

It wasn’t all good news for Hedberg that night: playing Calgary that record-setting night also strained some of his ligaments, which put him out of the line-up for ten days. He made up for lost time when he got back, finishing the year with 70 goals. As for the Jets, they were the defending Avco Cup champions that year, and did indeed make it to the finals again, only to fall to the Quebec Nordiques. They did roar back to win two further championships in 1978 and 1979, in the WHA’s last two seasons.

(Image: University of Manitoba Archives & Special Collections, PC 18, A 84-49, Box 5)

happy birthday, 1986: fuhrsie was late getting back in the net, and smitty just tried to cut the corner

It was his birthday, of course, happened to be. I can’t say how much that multiplied the misery for the man in question, if at all, or how much of a sting he still feels, 32 years on from that day in 1986 — like yesterday, April’s last — when, as a rookie defenceman for the Edmonton Oilers, he scored what has become hockey’s most famous self-inflicted goal, which I (obviously) don’t have to specify further due to how notorious it is, though maybe I should all the same (just to be clear) by naming the man now synonymous with putting a puck past your own surprised goaltender: Steve Smith.

Calgary was in Edmonton that long-ago day, playing Game 7 of the Smythe Division Final. Smith was 63 games into his career with the Oilers, who were hunting their third Stanley Cup in a row. He’d just turned — was still not finished turning — 23. The score was tied 2-2 when, at 5:14 of the third period, Smith found himself behind his own net, rapping the puck off Grant Fuhr’s leg, into that net, to score the goal that not only won the reviled Flames the game but eliminated the Oilers from the playoffs.

Owning It: Smith sags, Flames celebrate

So, a big mistake. But other defencemen have done what Steve Smith did, in important games, as have lots of forwards. He’s the only one to have had his entire career as a hockey player reduced to a single misdirected pass. As recently as 2016, a writer in a major American magazine referred to Smith as having suffered “perhaps the most devastating embarrassment the NHL has ever seen.”Really — ever? How is it that his goal has become both the exemplar for hockey self-scoring and, for Smith, the act that has come to define an otherwise distinguished 16-year career on NHL bluelines to those of us who were watching the game in the 1980s? And how can that be fair?

I take this all a little personally. Smith is a player I’ve followed with special interest since he first skated into the NHL. At first my attention was almost entirely nominal. He’s not much older than me, and grew up in Cobourg, Ontario, just to the south of where I was in Peterborough. I ended up taller; he managed to win many more Stanley Cups than I ever could. It wasn’t hard to imagine his career as my own. No problem at all: I’ve got way more imagination, in fact, than I do actual hockey skills, so it was easy to fancy myself out there, numbered 5, in William-of-Orange/Oiler colours, alongside the most exciting players of the age, Gretzky and Messier and Kurri and Coffey. Smith wasn’t exciting, but I liked his lanky style, which had just a hint, in those early years, of my own trying-too-hard clumsiness. I felt for him in 1986, and maybe even thought I could help him shoulder the burden. I couldn’t, of course — how could I? For a long time, years, any time I got on the ice for a beer-league game I did think demon thoughts about shooting the puck past my own goaltender midway through the third period. I never did it, though I’m pretty sure some of my teammates expected me to, also — especially the goaltenders.

•••

Smith’s old goal is old news, but it’s also (like everything else) as current and quick-to-the-fore as your Google search window. Search (go on) and the page that beams up with an efficiency that’s easy to mistake for eagerness shows Smith prostrate on the ice after the goal and tearful in the dressing room.

The goal has eternal life, of course, on YouTube. Funny Moments In Sports — Steve Smith Scores On Himself the footage there tends to be titled, and the commentaries run on and on. Some of them do their best to exonerate Smith —

Grant Fuhr should have been hugging the post when Smith attempted his pass

— while others are more interested in forensic dissections:

After about 50 viewings over 20 years, I finally see how it happened… Fuhr’s stick came downwards just as Smith passed the puck, and it went off Fuhr’s stick and in, Smith thought there was a lane there to clear it cause Fuhr’s stick was up at the time… does that sound right?

There’s every degree of pity, and plenty of character-witnessing—

Poor guy

if i didnt know any better it looks almost as if that was purposely done. but still i feel sorry for smith

this isnt funny

i played for steve smith. greatest guy in the world.

People enjoy the goal as entertainment —

lol you know whats funny. next season, when the oilers played the flames in the saddledome, flames fans would yell “SHOOOOT!!” when smith was behind his net looking for a play LOLOLOL. by the way, the 07 stanley cup was won by almost the exact same “anti-play”

and also count it as revenge —

Steve Smith is also the guy who made a dirty play that took Pavel Bure into the boards and hurt his knee. Bure was never the same again. Smith took out the most exciting player in the game at that time, what a jerk.

A conclusion drawn by some online commentators on the Smith goal?

oilers suck.

More formal reviews of what happened were plentiful, of course. Terry Jones was one who described the goal for newspaper readers the next morning with minimal drama:

When Steve Smith passed the puck from behind his net and hit goaltender Grant Fuhr on the back of his left leg, the puck bounced into the net, breaking a 2-2 tie and breaking the backs of the back-to-back Stanley Cup champions.

Jones wrote for The Edmonton Sun, so the headline went for maximum blare:

BIGGEST BLUNDER EVER?

For a lede he went with “one of the biggest bonehead plays in the history of all sport.” There was a lot of that. Infamyis another  word that repeats through subsequent accounts of the goal, almost as abundantly as gaffe. Mentions of mortal woundsand witness protection programsfollow on allusions to the caprice of the hockey gods. The Oilers’ collective overconfidencewas seen early on as a contributing factor to what happened to them via Smith’s own goal, along with their arrogance.

Smith’s birthday featured prominently in the coverage, e.g. Rex MacLeod’s Toronto Star lede asserting that he will never forget the one in which he aged a lifetime.

Often recalled in the aftermath was the fact that Smith only played that night because Lee Fogolin was injured.

Flames’ winger Perry Berezan got the credit for the goal as the last Calgary player to touch the puck. “I think I am the only man in history to score a series-winning goal from the bench,” he said later. “I had dumped the puck into the Edmonton zone when I was front of my own bench, and I didn’t even see it go in. I remember how strange it was on the bench when the goal was scored. It was quiet. We were asking, What just happened?and guys were saying, Steve Smith bounced the puck off of Fuhr. It’s a goal!

That’s a later take, so far as I can determine. On the night, Berezan was quoted as saying, “This is too unbelievable to be true” and “I couldn’t dream it any better.”

There was wide acknowledgement in those contemporary accounts that Berezan was the only native-born Edmontonian on Calgary’s roster, and that his birthday was Christmas Day, following which he grew up as an Oilers’ fan. Also: his uncle was the organist at the Edmonton’s Northlands Coliseum.

Berezan’s sympathy took year’s to emerge into the wild: until 2016, in fact, when Ben Arledge at ESPN The Magazine stirred the grave of Smith’s unmeant goal. This is the piece wherein you’ll see Smith’s mortification rated “the most devastating” the NHL has ever witnessed; other than that, it’s plausible. Berezan, interestingly, tells Arledge that he wanted to say something to Smith back in ’86, but he was 21, and some of the Flames veterans told him never to feel sorry for a beaten opponent, and so he kept quiet, not a word. “But,” he says, “I felt terrible for the guy.”

I doubt that Lanny McDonald was one of those unnamed veterans implicated here — that just doesn’t sound like Lanny. In the moment, right after it was over, McDonald made clear that Smith really had no choice in the matter. “When I saw the goal go in,” McDonald confided in the Calgary dressing room that night, “I couldn’t believe it. Then I felt it was meant to be. We did a lot of praying in this room and God finally answered our prayers.”

Huge, if true.

At the time, the Oilers seemed to have no inkling that He’d forsaken them. Over in their room, they were still focussed on the passion of Steve Smith.

“It’s not his fault,” Wayne Gretzky was saying after the Oilers had failed to tie it up. “One goal did not lose these playoffs.”

Rex MacLeod of The Toronto Star described him and several of his teammates as “red-eyed from weeping. “It was an unfortunate goal,” Gretzky said. “We tried not to let it bother us. We tried to keep our energy at a high level and I think we did. It was a big disappointment, but I’ve had a few before. It hurts when you’re good enough to win and you expect to win. That’s tough, but we lost fair and square to a team with a lot of heart.”

“I don’t think anyone in this room should be pointing a finger at another guy,” Gretzky also said. “I think you should look yourself in the mirror.

That raw-eyed 99 from just now I imagine standing there with his gear only half-off, naked to the shoulderpads, sadly sockfooted. But by the time Robin Finn of The New York Times got to studying him, he was showered and dressed. “His face freshly scrubbed and every burnished hair in place,” Finn wrote, “he stood and faced wave upon wave of microphones and pointed questions. He wore a white shirt and a brown tie flecked with dots of royal colors, and flecked, too, with stray tears. But Gretzky was in control, and the only evidence of his distress was in the fluttering of his eyelids as he politely answered all queries concerning his dethroning.”

Grant Fuhr said, “It was right on the back of my leg. I was trying to get back in the net, but I didn’t expect it to go through the crease.” He told someone else, “I can never recall a goal going in in like that. You never expect something like that. I’m not real big on losing.”

Smith played not another second of the third period following the goal he scored on Berezan’s behalf. That was Edmonton coach Glen Sather’s decision, of course. “I feel sorry for Smith,” he told reporters when it was all over, “but I told him he can’t let it devastate him. He’s gonna be a good hockey player. I still think we’re a great hockey club, but I guess we still have some growing to do.”

Smith was devastated, but that didn’t stop him from facing the press. His eyes were wet and red, according to most accounts; Al Strachan, then of The Globe and Mail, has him “sobbing.” Either way, he would be roundly commended for failing to hide himself away. “Sooner or later I have to face it,” he said. Of course he was expected to explain what had happened. “I was just trying to make a pass out front to two guys circling,” an Associated Press dispatch has him saying. “It was a human error. I got good wood on it, it just didn’t go in the direction I wanted.”

Was there not one of those scribbling correspondents who might have stepped up to give the man a hug?

I guess not. Smith went on talking. “I’ve got to keep on living,” the papers all reported next day. “I don’t know if I’ll ever live this down, but I have to keep on living. The sun will come up tomorrow.”

It did, revealing new newspaper analyses of what Smith had wrought. George Vecsey of The New York Times called it a “true disaster.” Another reporter there tracked down Rangers’ defenceman Larry Melynk. He’d started the season as an Oiler, only to lose Sather’s confidence and have Smith supplant him before a trade took him to New York. “I would have fired it around the boards,” Melnyk opined. “Just stay with my game. Shoot it around the boards.” He wasn’t gloating, though. “What happened to him could have happened to anybody.”

There were examinations of what had gone wrong with the Oilers for every taste, including the worst possible. David Johnston of The Gazette felt sure that once “hockey pathologists” got around to conducting an autopsy, they would discover that the team had been suffering from “cancers” of both the soul and the mind, which would account for their having (“like Ernest Hemingway”) “turned their formidable weapons on themselves and committed suicide.”

•••

After I published my book Puckstruck in 2014, I had several conversations with passersby at bookstore events who saw my name on the cover and lit up under the lightbulb that appeared over their heads.

Them: Hey. You played for the Oilers.
Me: No, no, not me, different guy. Better hockey player in terms of … everything hockey. And I go by Stephen, mostly.
Them: Oh. So you wrote Steve Smith’s biography?

No. That’s a book, so far, that’s still to be published. Smith hasn’t seen fit to/hasn’t had time for/has no interest in autobiographying — maybe one day? Several other frontline Oilers who’ve written memoirs have, of course, revisited that night in ’86.

Start with Kevin Lowe, whose autobiography/history of Edmonton hockey was guided by Stan and Shirley Fischler. Champions (1988) has this to say:

Steve Smith, our big young defenseman who had replaced the injured Fogie, was behind our net in the left corner looking to make our standard fast-break play. That means the puck goes up the ice pretty quick. Unfortunately, Steve kind of bobbled the puck a bit and he never did get good wood or a handle on it. Since he knew that the objective of the play was to do it as quickly as possible, he moved the rubber without having all the control he should. The puck just sprayed off his stick, hit the back of Grant’s left leg and went into the net. Just like that!

Here’s Jari Kurri, from 17 (2001), in an autobiography he authorized himself to write with Ari Mennander and Jim Matheson:

He tried a long cross-ice pass, but it bounced off the leg of Fuhr and into the net. Fuhr wasn’t hugging the post and Smith was a little too adventuresome. When the puck went in, Smith dove to the ice, covering his face, looking like he wanted the ice to open and swallow him up.

Grant Fuhr has published a couple of books of his own, starting with a manual for would-be puckstops, Fuhr On Goaltending, written with Bob Mummery’s aid and published in 1988. The Smith goal might seem like a perfect teaching moment for such a project as this, but there’s no mention of it, not on the page headed Asleep At The Switch, and not in Communication, either. “Be alert, concentrate on the puck, and stay in the game,” Fuhr advises in the former; in the latter, he specifically references teammates handling the puck behind the net. But only, as it turns out, to remind novice goalkeeps that a defenceman back there must be kept informed about incoming opponents. “Keep up the chatter,” he says.

In 2014, with Bruce Dowbiggin lending a hand, the goaltender published a fuller memoir. But Grant Fuhr: The Story of a Hockey Legend doesn’t go into even as much detail when it comes to “the lovely Steve Smith goal” as Fuhr did the night of. The playoffs, Fuhr concedes, ended on “a crushing note,” which marked “kind of a gloomy end to a gloomy month:” his father had died two weeks earlier. Next up: the Oilers were only a few days into their off-season when Sports Illustrated published an exposé alleging cocaine use by sundry Oilers, including Fuhr.

“That month,” he concludes, “kind of turned everything bad.”

Number 99 got his account out in Gretzky: An Autobiography (1990), which he crafted with Rick Reilly’s help. Here’s how they frame the goal:

Steve Smith was this big, good-looking defenseman of ours, only twenty-three years old, a future star, a Kevin Lowe protégé. He is a real smart player, but that night he made a mistake. He took the puck in our own corner and tried to clear it across the crease: the cardinal no-no in hockey. It’s like setting a glass of grape juice on your new white cashmere rug. You could do it, but what’s the percentage in it? Without a single Flame around, the puck hit the back of Grant’s left calf and caromed back into our net. Hardly anybody in the arena saw it but the goal judge did. The Flames suddenly led 3-2. It was a horrible, unlucky, incredible accident, but it happened. Steve came back to the bench and, for a minute, looked like he’d be all right. But then he broke down in tears.

The fact that Gretzky’s most recent book, 99 Stories of the Game (2016, assist to Kirstie McLellan Day), makes only passing mention of Smith, and none of his infamous goal, might seem to signal that the story has been wholly written, nothing more to say. Two books from 2015 undermine that notion.

I briefly held out some hope that Gail Herman’s Who Is Wayne Gretzky? might prove to be an existential tell-all by 99’s rogue therapist, but it’s nothing like that.

It is, instead, a handsome 106-page biography intended for younger readers. It’s abundantly illustrated by Ted Hammond and (if it does say so itself) “fun and exciting!” The young readers it’s intended for, I’d have to say, would non-Canadian and hockey-oblivious. If you are such a youthful person, an 11-year-old, say, living on a far-flung Scotland Hebride that wifi has yet to reach, and yet still, somehow, you’ve developed a curiosity about hockey that so far hasn’t divulged what exactly Brantford, Ontario’s own paragon could do and did, then this is just the book for you, congratulations, and hold on: you are going to learn a lot about Gretzky.

You’re also going to come away with a full understanding of Smith’s renowned goal. Chapter 8 is the where you’ll find what you’re after on that count, the one entitled “Dynasties and Dating.” The latter has to do with what followed after Wayne went to a basketball game in 1987 in Los Angeles and this happened: “American actress and dancer Janet Jones came over to say hello.” More important for our purposes here is what happens two pages earlier, back on the ice as the Oilers battle for the 1986 Cup, and well, guess what.

To Herman, no matter what Steve Smith did, the puck had its own agenda:

Oilers defenseman Steve Smith skated to the net to stop a goal by the Flames. He tried to clear the puck. But the puck hit the Oilers’ goalie, Grant Fuhr, on the leg. Then it bounced into the net.

The graphic generosity Herman pays to Smith is worth noting, too: in Chapter Eight’s six pages, he features in no fewer than three line-drawings, which is as many as Janet Jones gets, just before she becomes Mrs. Gretzky in Chapter Nine.

The Battle of Alberta can’t compete when it comes to illustrations. But what Mark Spector’s 2015 history of the years of Oiler-Flame rivalry lacks in artwork, it makes up with what may be the definitive post mortem, devoting a full 15 pages to what happened that night in a chapter titled “The Right Play The Wrong Way: Oiler Steve Smith’s Unforgettable Goal.”

Spector begins by recounting how, in the immediate aftermath of what he calls “the worst experience of [Smith’s] life,” the wretched defenceman found a grim joke to offer. “I got good wood on it,” Spector has him telling reporters. “I thought the puck went in fast.”

Maybe that’s right. But looking back at the contemporary accounts, only the first phrase seems to have appeared in any of the immediate coverage of the game in the spring of 1986.

Reporters at the scene who took down “I got good wood on it” tend to have heard what came next as “it just didn’t go in the direction I wanted.” (Kevin Paul Dupont of The Boston Globe heard “but not in the direction I hoped.”) The original is self-deprecating rather than actually humorous, and doesn’t so fully support Spector’s framing premise that Smith was “having a laugh at his own misfortune.” It’s no more than a minor mystery, I’ll grant you. But given the descriptions of the mood in the Oiler room, and of Smith’s own demeanor on the night, I’m skeptical that anyone heard him jibing about the speed of the puck that night. From what I can glean, Spector’s amended version doesn’t seem to have shown up before a 2010 article of Jim Matheson’s in The Edmonton Journal.

Otherwise? Spector calls Smith another mobile defenceman who could fight and play. He describes him as gangly. He asserts that he took nothing for granted and (cleverly) not good enough to feel any entitlement.

Spector does provide a valuable service in breaking down just what Smith was attempting to do. As Kevin Lowe tells him, this was the Oilers’ new quick-up play designed to catch an opponent offguard as they dumped the puck in and changed. The centreman and maybe a winger would be waiting high up on the opposite boards, over by the penalty boxes. “You just went back and you almost didn’t look,” Lowe explained. “You just forced it up to the spot.”

But then: “Fuhrsie was a little late getting back in the net, and Smitty just tried to cut the corner a bit.”

“He’s gonna be a good hockey player,” Glen Sather said back on that April night, and so it proved. When the Oilers roared back in 1987 to win another Cup, Smith and his story arc’d to a perfect redemptive close. “A year after Smith’s mistake,” Spector writes,

after the Oilers had regained their place atop the hockey world with a seven-game ouster of Philadelphia in the Final, Gretzky made a classy gesture when he handed the Stanley Cup to Smith and sent him off on a celebratory whirl around the Northlands Coliseum ice.

It didn’t end there, of course. As noted on the Oilers’ own Heritage website,

Smith persevered and became one of the key players of the team’s drive for three more Cups in 1987, 1988, and 1990. Smith best year came in 1987-88, when he scored 12 goals, added 43 assists, and received 286 penalty minutes. Smith proved he was a tough customer, and the disastrous goal was nothing more than a fluke.

Gretzky has gone even further. Diligent, down the years, in making sure Smith’s name stays cleared, Gretzky has even claimed that the Oilers were actually fortunate to lose in ’86. “I know that sounds strange,” he’s reasoned, “but sometimes you lose for a reason. After that season, we made some changes, got hungrier, and stopped thinking we had sole rights to the Stanley Cup. Maybe Smith wonus two more Cups. Who knows?”

Smith himself has said that the whole experience was life-changing. “It taught me humility,” he told Spector. Ben Arledge talked to him about this, too, in the ESPN piece. “I really believe that incident had a lot to do with making me a much humbler person,” Smith said to him. “It probably taught me more about humility than a person could ever learn. From that day forward, I sincerely cheered for people. I didn’t want to see people fail. I didn’t want to ever see people have that type of day.”

Mark Spector’s Battle of Alberta chapter comes with a fairly perfect ending, in which Smith tells of playing a subsequent pre-season game in Calgary. The fact that Spector doesn’t bother to date it could indicate that he (a) preferred to render it as legend as much as a fact or (b) couldn’t be bothered. It did happen, on a Tuesday night, September 25, 1990, in front of a crowd of 20,132 fans who, as usual, called for Smith to “shooooot” every time he touched the puck. Smith was prepared, having warned Oilers’ goaltender Bill Ranford that there might come a point in the game where he actually did just that. “And,” Smith told him, “you’d better fuckin’ stop it.”

And so it happened, in the first period, that Smith lobbed a backhand at Ranford that the goaltender did, indeed, save. Smith raised his stick to the Calgary faithful who, it’s reported, laughed.

“The whole place stood up and gave me a standing ovation,” Smith tells Spector. “It was kinda cool. For the most part, they left me alone after that.”

(Drawings: Ted Hammond, from Gail Herman’s Who Is Wayne Gretzky?)

 

 

 

 

the big, the bad, the once, the always e

“Eric Lindros To Be Immortalized By Flyers On Thursday” might be, but isn’t, a headline on a story filed yesterday by The Philadelphia Inquirer’s cryonics bureau; in fact, what they want you to know is that the local hockey team will tonight be retiring the number 88 that the 44-year-old former centreman wore when he led the Flyers for eight seasons in the 1990s. “He was probably the most dominant player during his time in the NHL,” said an old teammate, Rod Brind’Amour, when Lindros was elevated, and properly so, into the Hockey Hall of Fame last fall. Back in 1997 at this time, when Saturday Night put Lindros’ gaze on the cover, you might have had your doubts that it would ever come to this. Brian Hutchinson, who profiled Lindros in the magazine’s pages, seems to have been all doubt, all the scathing way through. Lindros was 23, then. It was a year-and-a-half since he’d won a Hart Trophy as the league’s MVP, six months since he’d notched 47 goals and 115 points, wrapping up what would end up being the most bountiful scoring season of his 13-year NHL career. Hutchinson’s profile isn’t what you’d call kindly, wandering through the whole sorry history of the Lindros’ refusal to report to the Quebec Nordiques and on into the story of all the Stanley Cups he’d failed to win as captain of the Flyers. “He has come close to fulfilling his destiny,” Hutchinson writes in the course of detailing the injuries and immaturities, the failures of Flyers management that had kept Lindros from it. “He may be the most well-rounded, physically imposing player in hockey history,” he writes. “Surprisingly quick for his size, with a tremendous reach that lets him gobble up loose pucks, he also, according to Flyers goalie Ron Hextall, has one of the hardest shots in hockey, a snap shot that comes out of nowhere, untelegraphed and accurate. But he’s no innovator. Unlike Orr and Gretzky, he doesn’t change the way the game is played, nor does he have a singular talent — like Mario Lemieux’s stickhandling or Guy Lafleur’s skating — that sets him apart.” Ouch.

 

the greatest job in the world: the year tony harris spent painting 100 hockey greats

Standing Pat: Tony Harris’ NHL100 rendition of Pat LaFonatine.

(A version of this post appeared on November 18, 2017, on page D1 of The New York Times under the headline “The Best on Ice, Preserved in Oil.”)

OTTAWA — A hundred years after the National Hockey League was born in Montreal’s grandest hotel, the Windsor, the league went back to where it all began in November.

The hotel is gone, but the adjacent train station is still there, next door to the Montreal Canadiens’ home rink at the Bell Centre.

Gathering there — on paper, at least — are the 100 players deemed to be the best to have played in the NHL.

For the past year, the artist Tony Harris has been at his easel trying to translate the speed and color and glory of hockey through paint and paper.

In mid-November he finished the final two 11-inch-by-14-inch portraits, depicting Montreal Canadiens speedy winger Yvan Cournoyer and the inimitable Wayne Gretzky in the Edmonton Oilers’ blue and orange. Over the weekend of November 18-19, all 100 paintings will be shown together in public for the first time.

A panel of 58 hockey insiders voted on the top 100 list, which was revealed in January. A certain amount of debate ensued. Whither Frank Nighbor? Where have you gone, Joe Thornton? No Evgeni Malkin — really?

But for the most part, the list was not controversial. Gordie Howe is there, and Mario Lemieux, Bobby Orr, Howie Morenz, Ken Dryden and the rest — 76 living and 24 deceased.

Six of the players are skating still, including Sidney Crosby, Alex Ovechkin and the perennial Jaromir Jagr. Most of the players date to the 1970s, ’80s, and ’90s, with just a single representative (goalie Georges Vézina) from that first season in 1917-18.

Commissioner Gary Bettman hatched the idea for the paintings last fall. Harris, 53, has called the assignment “the greatest job I could ever get.”

“I guess it was a shock,” he said, recalling the initial discussion when he realized he would be putting aside all other professional work for the year. “But it was a cool call.”

Since the NHL announced the art project in February, two new paintings have been posted on NHL.com each Monday.

Studious: Tony Harris at work in his Ottawa studio in February of 2017.

The studio at Harris’s Ottawa home claims a basement room that the morning lights through high windows. A wall-filling TV is tuned, always, to wherever in the world there is a golf tournament.

One of the action figurines presiding over Harris’s work space is a six-inch Chicago Blackhawks goaltender from the early 1970s. Harris was in the third grade back then at Lakefield Elementary, about 90 minutes northeast of Toronto. He liked to draw. And like many Canadian 8-year-olds, he also collected hockey cards.

“The only one I could find with my name on it was Tony Esposito’s,” Harris said.

Sketching the Chicago goalie over and over again, he turned himself into a Blackhawks fan. And when the time came to suit up for minor hockey, Harris knew he would follow his namesake to the net.

I was at school with Harris, a couple of years behind him, and I can vouch for his goaltending chops: he was good. Set amid fields and forests, next to a lake called Katchawanooka, Lakefield College School is known by those who are fond of it as the Grove. As the son of a beloved English teacher there, Harris grew up on campus at the private boarding school before he started as a student there in grade nine.

Two of his mentors at the Grove were teachers who meant a lot even to those of us who didn’t end up painting portraits or skating on NHL ice. Bob Armstrong taught History and Economics. A former NHL defenceman for the Boston Bruins, he was also the hockey coach.

Harris’ Mark Messier

When the art teacher, Richard Hayman, wasn’t commanding the school’s busy art room, he could be found ranging soccer fields and cricket pitches as coach of Lakefield’s varsity teams. “To this day I’ve never taken an art lesson from anybody other than Richard,” Harris said, an echo of awe in his voice. “I still don’t think I’m even close to what he could do. He was just so ridiculously talented. But his gift was also in teaching. And thank God that was his calling, because he was so important for me.”

One of Hayman’s imperatives, and Lakefield’s, Harris said, was: “Here was a place you could be an athlete and an artist. It was really the whole point of being able to not pigeonhole yourself into this is what you’re supposed to be, or how it’s supposed to go.”

He admitted he was not a good student, and was happiest outdoors.

“If you were inside, reading was like the worst thing for me, so I would grab a ‘Sports Illustrated’ and draw,” Harris said. “I found something that I could do and I just kept doing it.”

He played quarterback in college, and had a short junior stint in the nets of the Kingston Canadians of the Ontario Hockey League. Then he followed his father into the classroom. There was just one problem: “I just felt like I was back in school again,” Harris said. “I thought why am I doing this? So I left.”

When he took up painting, he said, he did not think of it as a real job.

“The thing that saved me was golf — painting golf courses,” Harris said. “There just wasn’t anybody else doing it in Canada.”

His love of the game and his skill with a club blended well with what he could do on canvas. Lots of people in and around Toronto, as it turned out, were eager to pay for paintings of a favorite hole at a chosen course.

“All of a sudden I went from a struggling artist to having as much work as I wanted,” Harris said.

He is not complaining now, but after almost a decade of that work, he said, “I was really getting tired a painting golf courses.”

The transition to hockey did not happen all at once. It was accelerated around 2006, when Harris painted a portrait of Orr from a photograph he had seen on the cover of Stephen Brunt’s book, Searching For Bobby Orr. To Harris, the picture was remarkable because it looked like a painting; the realism of his painting wowed those who saw it.

Soon Harris was painting less grass and more ice. His commissions for the N.H.L. Players’ Association came to include an annual portrait of the winner of the Ted Lindsay Award, given to the league’s outstanding player as voted by N.H.L.P.A. members.

More and more, he was getting calls to commemorate career milestones for players in Ottawa and around the N.H.L. When the Senators’ Chris Phillips played his 1,000th N.H.L. game in 2012, the team presented him with a Harris portrait that showed the defenceman fending off Ovechkin, Crosby, Lemieux, and Gretzky.

Phillips, who retired in 2016, now has three Harris prints hanging on his walls, and has commissioned paintings of the Canadian prairies where he grew up.

“He really understands the little details that are important to a player,” Phillips said, “and he portrays them with such precision.”

Colourings: A view into Harris’ paint drawer.

If Harris has a guiding principle in his painting of athletes, it might be this: “I’ve got to do something,” he said, “that if I was the guy, if it was me, that’s the painting I’d want to see of myself.”

He laughed when he talked about the call he got in 2016 from the Chicago Blackhawks.

As reigning Stanley Cup champions, they had been invited to visit the White House. The team had prospered during President Barack Obama’s two terms, making two previous White House visits after their 2010 and 2013 championships. President Obama already had plenty of Blackhawks swag; this time he was going to get a painting.

Harris quickly sketched up an idea that February and emailed it to the Blackhawks; he proposed presenting a triptych of the team’s Stanley Cup parades.

“I said, ‘When do you want to do this?’ They said, ‘Well, next Thursday.’ And this was … Thursday,” Harris said.

Working 20-hour days, he got it done — framed, too — by the next Tuesday.

Chicago Coach Joel Quenneville, a friend of Harris’s, reported on what went on in the Oval Office: the president told the Blackhawks that he was going to take down George Washington to put up Harris’s painting.

“I said, ‘No, he didn’t,’” Harris recounted. “Joel said, ‘Hand to God, Tony, he said it.’”

He is wary of tallying up the hours he spent at the easel painting the NHL’s top 100 players. “When I start thinking about it, the math just gives me a headache,” he said. “Twenty hours or 25 hours probably, per?”

He would rather recall the simple pleasures of doing the work, and the distractions he will continue to savour.

Out of the blue he got a call from Tony Esposito, who is among the 100 along with brother Phil. They talked for 15 minutes.

What about? “How goaltending used to hurt,” Harris said. “You had to catch pucks, because if you didn’t, they were going to hit your body, and if they hit your body, you were going to be in pain, because the equipment was so terrible.”

In November, as he approached the last brush stroke, Harris contemplated what it all meant to him, what he had achieved.

He tried out a couple of words — iconic, legacy, “all those buzzwords,” he said — but none of them felt right.

Seeing the exhibition in Montreal, all 100 paintings on the wall together for the first time, he said, “That’s going to be spectacular.

“I just want someone to stand there and say, ‘That’s cool.’ And if it’s Pat LaFontaine and he takes a look at his painting, I’d like him to say, ‘Oh, that’s pretty cool.’”

Namesake: Harris’ portrait of Tony O, his childhood hockey-card hero.

 

(LaFontaine and Esposito images courtesy of Tony Harris. Messier and paintbox photos by Stephen Smith)

my first hockey game: kirstie mclellan day

Hockey She Wrote: Wayne Gretzky and Kirstie McLellan Day.

Hockey squandered its best chance of snaring William Faulkner as a fan in January of 1955. I’m still not entirely sure who’s to blame for failing to catch the Nobel laureate’s imagination. Could have been the fans at New York’s Madison Square Garden, which Faulkner attended on assignment for Sports Illustrated to witness the hometown Rangers take on the all-powerful Montreal Canadiens. They were smoking, I guess, the fans, and maybe altogether too raucous for Faulkner’s placid soul. Or maybe was it the not-very-good Rangers that turned him off? Unless it was hockey itself: “discorded and inconsequent, bizarre and paradoxical,” he called it when he wrote it all up.

In a book I wrote a few years ago about the spells that hockey casts, and the shadows, I spent some time with Faulkner — Ernest Hemingway, too — trying to suss out just how they could have failed to have been enchanted by hockey. I also wrote about Evelyn, Viscountess Byng of Vimy in Puckstruck, and how the first hockey game she saw hooked her for life.

This was in Ottawa in 1921, in the first fall of her husband’s tenure as governor-general. The visiting Toronto St. Patricks beat the Senators 5-4. “It was one of the cleanest games on record,” a local newspaper reported next morning, “not a player decorating the penalty box. The checking was heavy and the ceaseless pace a menace to temper-control, but all turned in a splendid record.” Babe Dye scored a couple of goals for the winning team, and Ken Randall scored a couple of others. Also on the ice were Clint Benedict, Frank Nighbor, Frank Boucher. Ottawa captain Eddie Gerard presented Lady Byng with a bouquet of American Beauty roses.

It may be that this first exposure to hockey, pacey yet peaceable, set the standard by which Lady Byng judged the sport from there on after. When subsequent games didn’t meet the mark, did she see no other alternative than to save the game from itself by donating her trophy for skilled, gentlemanly conduct?

Hard to say. I don’t, in general, know what these initial exposures to hockey reveal about the first-timer in question, or about hockey. Still, I like the idea of someone venturing for the first time into a rink, happening on hockey. What do they see? How does it hit them?

Beyond the book, I’ve continued to collect first-time accounts as I’ve come across them. I’ve written about the Dionne quintuplets, and about Henry Ford sitting in as Larry Aurie and Ebbie Goodfellow Detroit Falcons lost to Bill Cook’s New York Rangers in 1932. Browsing the file I’ve built up, I find clippings about World War I heroes of the Royal Navy attending their first hockey games, and a photograph from the night in 1995 a future king of Spain watched Doug Gilmour’s Toronto Maple Leafs slip past Theo Fleury’s Calgary Flames. I’ve got a notice here from 1936 that tells me that the entire roster of New Zealand’s vaunted rugby team, the All Blacks, saw their first NHL game at the Forum. (Canadiens and Rangers tied 1-1 that time.)

This fall, I’ve been seeking out more stories of first encounters with NHL hockey. None of them, so far, have come in from Nobel laureates or viscountesses; unlike Faulkner and Lady Byng, my correspondents were all familiar with the game, as fans or players or both, before they got to a big-league rink. They are writers and historians, journalists, poets, former players I’ve been soliciting to ask about the first NHL game they attended, who they saw, what made an impression. They’ve been generous in their responses. You’ll be seeing these recollections in this space in the coming weeks, if you keep a watch.

First up, today: Kirstie McLellan Day.

Earlier this year, BookNet Canada released a list of the 150 bestselling Canadian books since 2007. The list of authors implicated in this is an impressive one. Robert Munsch not only tops the chart with Love You Forever, he recurs throughout, with a remarkable 34 other titles. As noted by BookNet, Margaret Atwood has four books on the list, while Alice Munro and Chris Hadfield are some of those writers with three. Not so noticed: five of the bestsellers (including the top-rated hockey book) have Day’s name on the cover.

fleuryThe Calgary writer, journalist, TV host and producer has been prolific for a while. Her hockey streak started in 2009, when she worked with Theo Fleury on his autobiography, Playing With Fire. (Ranked 17th on the BookNet 150, it has outsold Don Cherry’s Hockey Stories and Stuff, The Hockey Sweater by Roch Carrier, and Stephen J. Harper’s A Great Game.)

Day went on to score assists on books by Bob Probert (Tough Guy in 2010) and Ron MacLean (Cornered in 2011 and Hockey Towns in 2015), and on Wayne Gretzky’s 99 Stories of the Game (2016). Still to come is Hellbent, a memoir by Marty McSorley. Kelly Hrudey’s Calling The Shots, out this fall, is her latest collaboration.

Kirstie McLellan Day, then, on the first NHL game she saw for herself.

Growing up in Regina, everybody knew somebody who had something to do with the NHL. My mom grew up across the street from “little Dickie Irvin” who became one of our very best hockey broadcasters for decades. He broke his arm climbing her family fence when he was four years old. Amazing guy. A living encyclopedia of hockey stories. Dick is now a good friend and a source for countless anecdotes in the hockey books I write. One of my dad’s best friends was Billy Hicke, who played for the Canadiens and the California Seals. Gordie Howe who was born in a farmhouse in Floral, just up the highway near Saskatoon, came to town regularly to sign autographs for kids at Simpson’s Department Store. My husband, Larry, was one of those kids. He first met Gordie when he was ten. The hockey card that Gordie signed hangs in his office.

With all those connections, hockey should have been in my blood from the start, but I was a late bloomer. Very late. It wasn’t until the Flames moved from Atlanta to Calgary in the early 80s that I started to take an interest. Don’t judge.

Larry was the anchorman at CFAC TV, the local station that carried the Flames games. He got tickets once in a while and so he dragged me to my first NHL game, April 21, 1988. The Smythe Division Finals against the hated Edmonton Oilers. Standing room only and LOUD.

I remember Wayne skating out and the crowd booing. He seemed to revel in it. And then Messier skated over with that big shit-eating grin of his, and they were laughing. Oooo, that pissed people off. We were on Wayne every time he touched the puck. Anytime he went down or skated near an official, the rink echoed with a chorus of, “Whiner! Whiner! Whiner!” Never fazed him. Just seemed to make him play harder. Wayne scored the OT winner. Damn you, Gretzky. We filed out tired, elated, and dejected.

I never dreamed that someday I’d be sitting around his kitchen table with him writing a book about it. Um, the booing and the whiner part never came up, so I’d appreciate it if you kept that part just between us.

 

(Image: Kirstie McLellan Day)

 

plan like subbans

A version of this review appeared in the October, 2017 edition of the Literary Review of Canada.

If you’re someone who’s mothered a famous hockey player, chances are that you have not subsequently gone out and written a book about it. Is this because your parental pride is more private than, say, a father’s, your fulfillment so much the quieter? Or that you don’t feel the same urgent need to explain your son? Maybe. In the teeming library devoted to our beloved winter game, the books of hockey-parent lit may only fill a half-shelf, but this we know: almost all of them are written by fathers. There is something charmingly local about the fact that these books are published at all: only in Canada could there be enough oxygen to sustain such a sub-genre.

If hockey fathers (necessarily) antedate the birth of the sport itself, the dads of professional hockey players only started writing books in the early 1970s. First to the font was Murray Dryden, who, if he were a primary character in George R.R. Martin’s Game of Thrones, might be dubbed Father of Goaltenders. Dave and Ken’s dad was suitably satisfied when his sons both made the NHL, with Buffalo and Montreal, respectively—all the more so when they started against one another in a regular-season game in 1971. Dryden’s Playing The Shots At Both Ends (1972) is light and genial, a quick and agreeable excursion. At 156 pages, it set a standard of brevity that subsequent exemplars from the genus Pater librorum glaciem hockey have failed to follow.

The memoir Walter Gretzky published in 2001 was called On Family, Hockey, and Healing. After a stroke threatened Gretzky Senior’s life in 1991, he faced a long and complicated recovery. As a spokesman for the Heart and Stroke Foundation of Canada, he was as focussed on advocacy and promoting awareness as he was on spinning hockey tales about his son Wayne.

Published in both French and English editions, Michel Roy’s Patrick Roy: Winning, Nothing Else (2007) ran to more than 500 pages. It was positively militant in its mission, which was to cast Patrick as a hero and correct the public’s faulty perceptions of his character. People thought the younger Roy was testy, aloof, selfish, and they were wrong. “I wanted to present Patrick as he is,” Michel told an interviewer soon after the book was published. “I wanted to defend the truth.”

The exception to the rule of mothers not writing books is the memoir penned by the late Colleen Howe. Wife to Gordie, and mother to NHLers Mark and Marty, she was a force in her own right, which you will know if you’ve read My Three Hockey Players (1975). To my mind, it remains the most interesting of the parental hockey books: filled with anecdote and incident, it’s candid and bracingly caustic, knotty with grievance and criticism, holding nothing back.

The newest addition to the shelf, Karl Subban’s How We Did It: The Subban Plan For Success In Hockey, School and Life, fits in alongside Dryden and Gretzky, down at what we might call the more generous end of the shelf. With his son P.K. — at? nearing? — the peak of his game, Karl seems to be enjoying the moment as much as he might be hoping to seize an opportunity while his son is at centre-ice to tell his own story and shape it as a platform for his ideas on parenthood and mentoring young people. Writing with an assist from Scott Colby, an editor with the Toronto Star, Karl is in a sharing mood. I suspect that theirs might be the hockey-dad book that finds a wider audience than those that have gone before. This has to do with P.K.’s compelling personality and his philanthropy, both of which transcend the game he plays. More than any other player of recent note he has also managed to unsettle hockey’s sense of itself, and there will be readers from beyond the rink who will come to the book curious about questions of race and racism, the snubs and the insults that Subban has suffered, and how they’re coded, or not.

•••

A quick recap, for those who might have been exiled for a decade, on an atoll, far from Wi-Fi: Pernell Karl Subban is a vividly skilled 28-year-old defenceman who has been one of the NHL’s best since at least 2013, when he won the Norris Trophy. Crosby, Alex Ovechkin, Connor McDavid: all of them can dominate a game and electrify a crowd. But is there a more consistently entertaining hockey player to watch, or one who seems to play with more joy than Subban? “Like Roger Federer, or Kevin Durant, or Yasiel Puig,” Ben McGrath wrote in a persuasive 2014 New Yorker profile, “[Subban] awes less because of the results he achieves than because of the way he achieves them — kinetic charisma, approaching genius.”

He was still a Montreal Canadien back then, beloved to many, infuriatingly flamboyant to others—a polarizing figure, including (the rumours went) within his own dressing room, and with his own coach, Michel Therrien, who was often critical of Subban’s defensive lapses. And as a columnist from USA Today wrote during last season’s playoffs, “Subban has haters.” The adjectives that have crowded into mentions of Subban’s hockey exploits over his eight years in the league include dynamic; freewheeling; passionate; booming (his shot); dazzling (his rushes); jaw-dropping (his creativity), but they also run to the more hostile emotional; individualistic; cocky; arrogant; and bigger than the team.

 Debate hasn’t stopped roiling in Montreal since he was traded in the summer of 2016 to Nashville, whose golden-garbed Predators he helped attain a berth in this last spring’s Stanley Cup finals. The fact that they lost there to Sidney Crosby’s Pittsburgh Penguins didn’t do anything to change that: regret weighs heavily to this day with many Montreal fans who can’t — and don’t want to — forget the on-ice skill and exuberance that made him one of most exciting athletes anywhere, in any sport, or his astonishing 2015 pledge to raise $10-million over seven years for the city’s Children’s Hospital.

For all its flashing lights and bold embrace of new markets (hello, Las Vegas), the NHL remains a bastion of staid and conservative attitudes. Because he is anything but, Subban has been accused of arrogance and disrespect, of excessive self-regard, of not knowing his station. As a rookie with the Montreal Canadiens, he was called out by the then-captain of the Philadelphia Flyers. “It’s just frustrating to see a young guy like that come in here,” whined Mike Richards, “and so much as think that’s he’s better than a lot of people.”

Never mind that Subban was better than a lot of people—as he always has and will be. Hockey’s brassiest establishment voice, Don Cherry, would soon be scolding him for daring to play with verve and personality; another, Mike Milbury, called him a clown during the spring’s playoffs, berating him for courting too much attention, and for the mortal sin of overt enthusiasm.

There is no good gauge of which of or how much, if at all, the reproaches directed Subban’s way have to do with the fact that he is a black man in a sport that has been so glaringly white for so long. There are books about that, too, including Herb Carnegie’s instructive 1997 memoir A Fly in a Pail of Milk. A stand-out scorer in the 1930s and ’40s who couldn’t find a way through hockey’s colour barrier, Carnegie never played an NHL game. He had no doubt that it was racism that kept him from cracking the New York Rangers’ line-up in 1948.

Readers who come to How We Did It in hopes of a broader discussion of race and racism in hockey may be left wanting. It’s not that Karl Subban seeks to avoid it, exactly, more that he addresses the issue as he sees fit and moves on. Yes, his son has run into his share of ignorant morons and their abhorrent slurs in his time playing hockey. No, Karl doesn’t think either — the slurs or the morons — is worth engaging; they’re nothing but distractions. “Racism is a fact of life,” he writes. Why give it permission to get in the way of where you’re going? In the book’s final pages, P.K. endorses his dad’s approach. And that’s as far as it goes.   Continue reading