The first NHL All-Star Game played out one pre-seasonal Monday night, October 13, 1947, at Toronto’s Maple Leaf Gardens. The Leafs were winning Stanley Cups in those years, and as champions they took up against a duly constituted team representing the rest of the NHL’s best. Many pundits favoured the home team to win, though not Boston GM Art Ross: he felt that if the All-Stars were to play a full league schedule, nobody would beat them, and offered the Leafs his sympathies. Canadiens’ coach Dick Irvin was in charge of the All-Stars. His line-up featured the Bruins’ Frank Brimsek and Montreal’s Bill Durnan in goal along with front-line arsenal that included Detroit’s Ted Lindsay and Maurice Richard from the Canadiens. He also had at his disposal two of the best lines in hockey in Boston’s Krauts (Milt Schmidt with wingers Woody Dumart and Bobby Bauer) and, from Chicago, the Pony Line: Max Bentley between brother Doug, on the right, and left-winger Bill Mosienko. Not that Irvin felt any duty to keep teammates together. After the first period, he shifted Max Bentley in between Dumart and Bauer and slotted Schmidt in with Richard and Doug Bentley. The latter ended up creating the winning goal, early in the third, when Doug Bentley beat the Leafs’ Turk Broda to seal the All-Stars’ 4-2 win. It was all fun and games but for an unfortunate Bill Mosienko, who broke his left ankle when he went down under a check from Toronto defenceman Jim Thomson. NHL president Clarence Campbell, a former referee, felt the need to declare Thomson’s hit “clean,” and it was right and proper that no penalty had been called. (Mosienko’s injury, Campbell added, was “a tragedy.”)
Mosienko departed the Gardens (above) gamely, with a grin, on his way to be treated at Wellesley Hospital.
So I was obliged to wear the Maple Leafs sweater. When I arrived on the rink, all the Maurice Richards in red, white, and blue came up, one by one, to take a look. When the referee blew his whistle I went to take my usual position. The captain came and warned me I’d be better to stay on the forward line. A few minutes later the second line was called; I jumped onto the ice. The Maple Leafs sweater weighed on my shoulders like a mountain. The captain came and told me to wait; he’d need me later, on defence. By the third period I still hadn’t played; one of the defencemen was hit in the nose with a stick and it was bleeding. I jumped on the ice; my moment had come! The referee blew his whistle; he gave me a penalty. He claimed I’d jumped on the ice when there were already five players. That was too much! It was unfair! It was persecution! It was because of my blue sweater! I struck my stick against the ice so hard it broke.
• from Roch Carrier’s “The Hockey Sweater,” The Hockey Sweater and Other Stories (1979)
(Images: The Hockey Sweater sculpture (c. 1989) by Jean Matras, from the collection of Library and Archives Canada, was part of the Canadian Museum of History’s 2017exhibition “Hockey in Canada: More Than Just a Game.”)
On Bob Gainey’s birthday — Peterborough, Ontario’s own five-time-Stanley-Cup-winning former-Habs-captaining Hall-of-Famer turns 64 today — a few fond fêteful notes.
A cornerstone, Stu Hackel dubbed him when, earlier this year, Gainey was named to the NHL’s pantheon of 100 Greatest Players. Hackel’s citation quoted a Montreal teammate from those dominant Canadiens teams of the 1970s, Serge Savard: “I can’t think of anyone on our team,” Savard said, “who means more to us than Gainey.”
The NHL didn’t, of course, get into ranking its superlatives, but if you’re looking for something in that line, I refer you to a book published earlier this fall by the hockey cognoscenti at Le Journal de Montreal. Not so surprisingly, Les 100 meilleurs joueurs du Canadien goes with a top three of Maurice Richard, Jean Béliveau, and Guy Lafleur. Gainey gets in at number 22 — three slots back of Carey Price, but just ahead of Andrei Markov, Toe Blake, and Georges Vézina. If that fails to satisfy, you may be better to settle down with Red Fisher’s 2005 Canadiens top ten, whereon Gainey is lodged at number eight. (Béliveau, just for the record, comes ahead of Richard in Fisher’s thinking, with Lafleur holding at third.)
“That No. 23 for the Montreal team, Mr. Gainey, is the best player in the world in the technical skills of the game.” That was Soviet maestro Viktor Tikhonov rating Gainey during the 1979 Stanley Cup finals, which Gainey dominated. You’ll see it sliced up, this opinion, edited down to leave out the final phrase and make it absolute. Not necessary — it’s high enough praise in the original translation. Still, you can understand how, especially in Montreal in those glory days, the temptation to upgrade. “May be one of the most technically perfect hockey players who ever lived,” Gazette columnist Tim Burke was writing the morning after Canadiens beat the Rangers to hoist the Stanley Cup.
Gainey won the Conn Smythe Trophy that spring as playoff MVP. To go with the NHL silverware, Sport magazine gave him a 1980 Silver Anniversary Jeep CJ5, too. That’s maybe worth a mention.
Would we consider here, too, just how much of the literature detailing Gainey’s hockey brilliance finds a way, even if only gently, to scuff at his reputation? That sounds a little defensive, probably, but then what could be more appropriate while we’re talking about the man who won the first four Frank J. Selke trophies?
“A down-to-earth product” of Peterborough, a New York columnist by the name of Elliot Denman called him after those ’79 finals in a column that actually quoted Gainey as saying “Aw, shucks.” On behalf of those of us who, like Gainey, are born-and-bred Peterbruvians, I’m going to turn the other cheek for all of us on Denman’s drive-by dis of our little city, which happens to have been (not making this up) the first municipality in Canada to install streetlights. Gainey, Denman supposed, “much prefers the 75-watt lighting of his hometown to the bright neons of Montreal and New York.”
Then again, Gainey did say himself that if he were a GM (as he later would be, once his playing days were ended), he’d get rid of himself. “I’d trade myself for a Larry Robinson or a Ken Dryden. Defencemen and goalies are crucial.”
Still, it’s not as if the archives lack for Gainey acclaim. Back to that.
Ken Dryden goes on Gaineying for pages in The Game (1983). To his “basic, unalterable qualities — dependability, discipline, hard work, courage,” Gainey added an “insistent passion, an enormous will to win, and a powerful, punishing playing style, secure and manly, without the strut of machismo.”
“If I could be a forward,” wrote Dryden, “I would want to be Bob Gainey.”
Heading out of the tempestuous ’70s into a whole new hockey decade, Gazette sports editor Al Strachan saw him as a symbol and standard-bearer for entire continents and generations to come.
“Nobody in the world,” Strachan wrote, “better exemplifies the true North American style of hockey than Gainey.”
He is a superb skater and an excellent defensive player. But unlike the European players, he also plays a rugged, bone-crunching game. He pounds the opponents into the boards, blasts them off the puck, and makes them pay the price for dipsy-doodling in their own zone.
Yet no one plays a cleaner game than Gainey. … Nothing could be better for hockey than to have the junior ranks start emulating the Bob Gaineys of this world than the Dave Hutchisons.
Rick Salutin writing about Gainey is worth your while, finally. “Gainey works,” he wrote in a 1980 magazine profile of our hero. “Hard.”
He tears up the ice, his legs pumping and thrusting, his face contorted with effort and determination. He is the very opposite of his teammate Guy Lafleur. Lafleur skates lightly, with a Gallic flair that appears effortless: he whirls and corners like one of those toy tightrope walkers you can’t knock off balance. Gainey is what you would expect to get if you turned Lafleur inside out. In fact, Ken Dryden calls Gainey “the Guy Lafleur of defensive forwards.” Lafleur fulfils our every stereotype of French-Canadian finesse, while Gainey does the same for our notions of the earnest, achieving English-Canadian.
It gets better. “What is the Gainey style?” Salutin goes on to wonder.
In a stage play I wrote several years ago called Les Canadiens, a defensive forward steps onto the ice/stage to try to contain a rampaging goal scorer in the Morenz-Richard-Lafleur tradition. The character says, to his teammates or the audience:
It’s okay. I got ’im. Good thing I backcheck. It’s not the glamour job, but somebody’s gotta do it. Maybe it’s because Mom always said the other kids were pretty or smart but I was so “responsible.” I’m there when there’s hard slugging to do …
This speech was inspired by Gainey’s play, but it is really too stodgy for Gainey. For, despite his defensive role, he is an exciting player.”
Later in the profile, Salutin adds a perfect parenthetic coda:
(Gainey saw Les Canadiens, by the way, and pronounced it “luke,” as in lukewarm; two nights later, at a performance of his own at the Forum, he had one of his two-goal nights in a kind of rebuttal to the onstage caricature.)
I don’t know how many tirades, total, Don Cherry launched last night on Hockey Night in Canada, I just caught the one, after the early games had come to an end. Vancouver had baned Toronto, barely, 2-1, while in Montreal, Canadiens scourged Detroit 10-1. Winger Paul Byron scored his first NHL hattrick in the latter, and all his goals were speedy. Highlights ensued as Cherry and Ron MacLean admired his fleety feet.
Cherry: Look at how he outskates guys. I mean, this guy can really … skate … dangle, as they say. I’m, a, now watch …
MacLean: Now, let’s be clear, when you say dangle, you mean he can wheel.
Cherry: [Irked-more-than-usual] I’m saying he can … Everybody knows that played the game for a long time, dangle means … And [thumbing at MacLean, about to refer to incident that nobody else has knowledge of] you remember John Muckler comin’ in, sayin’, what are you, nuts, skates fast. The guys that are in the game now, they really don’t know the game, I’m not getting’ into that …
Anybody that says dangle and it’s “stickhandling” doesn’t know the game. I just thought I’d throw that in.
So. Interesting discussion. To recap: Don Cherry is ready to go to vocabulary war with anyone who doesn’t agree that there’s only one true hockey definition for a fairly common word, and it’s not the one that most people think it is, which proves how ignorant they are, i.e. very.
Cherry’s correct on this count, at least: dangle has long been a word in hockey referring to the speed with which a player skates. Here, for instance, is the venerable Vern DeGeer, Globe and Mail sports editor, writing in 1942:
Sid Abel, the talented left-winger for Detroit Red Wings, watched Saturday’s Bruins-Leafs game from the Gardens press box … Sid did not attempt to conceal his open admiration for Syl Apps, the long-striding speed merchant of the Leafs … “I think most players are pretty well agreed that Apps can dangle faster than any skater in the league,” said the observing Sid …
And from Bill Westwick of The Ottawa Journal in 1945, talking to Billy Boucher whether Maurice Richard was as rapid as Howie Morenz:
He takes nothing away from Richard. “He can dangle, breaks very fast, and is a top-line hockey player. But they can’t tell me he moves as fast as Howie. I’ve yet to see anyone who could.”
On the other side — what we might call the anti-Cherry end of things — most recent dangles you’ll come across, in print or on broadcasts, involve a player’s ability to manipulate a puck. If you want to go to the books, Andrew Podnieks’ Complete Hockey Dictionary (2007) mentions skillful stickhandling in its dangle definition, and The Hockey Phrase Book (1991) concurs.
As does Vancouver captain Henrik Sedin. “You know what,” he was saying in 2015, talking about then-Canuck Zack Kassian. “He can dangle and make plays.” A year earlier, Detroit defenceman Brendan Smith had a slight variation as he hymned the praises of teammate Gustav Nyquist: “He’s a hell of a skater, he’s a great puck-mover, he makes great plays, he’s got great skill, he can dangle you, he’s hard to hit, he’s wormy or snakey, whatever you want to call it.”
Can we agree, then, even if Don Cherry might not, that dangle has more than one hockey application? Is that a compromise we can get behind without further hoary accusations regarding who and who doesn’t know the game.
The dictionaries, it’s true, need to make room for Cherry’s definition alongside theirs.
On the other side, it’s not as though Cherry’s sense of the word is the original or even elder one. In fact, as far back as 1940 you can find The Ottawa Journal using dangle to mean stickhandling. And here’s Andy Lytle from The Toronto Daily Star jawing with Conn Smythe that same year about some of his Leaf assets:
He waxed lyrical over [Billy] Taylor whom he calls “a player with a magnificent brain” and [Sweeney] Schriner whom he says emphatically and with gestures is the best left winger in the game today.
“Schriner,” he enthused, “ is the maestro, the playmaker deluxe who is so good he can distribute his qualities amongst [Murph] Chamberlain and [Pep] Kelly until they too play over their heads.”
“He can dangle a puck.”
“Dangle it,” exclaimed Conny, now thoroughly stirred, “I tell you I’ve never seen anything comparable to his play for us in Detroit last Sunday night. It was a revelation in puck-carrying. He was the picture player. He isn’t like Apps going through a team because Schriner does it with deliberate skill and stick trickery. He provokes the enemy, fascinates the unprejudiced observers. Apps is spectacular, thrilling because of his superlative speed. Schriner is the same only he does his stuff in slow motion so everyone can enjoy him.”
In other words, Apps may have been able to dangle, but Schriner could dangle.
A rough night in Montreal last night: Canadiens lost 3-0 to the visiting Minnesota Wild. An optimist might point out that the home team was missing three of its best players in Jonathan Drouin (the club will only say he’s ailing in his upper body) along with Shea Weber and Carey Price (both damaged somewhere lower down). And, hey — woo + hoo — going into last night’s loss, the underperforming Habs had won three in a row.
Fans with a darker cast of mind might already be writing off the season. Balancing out their misery, is there an equal and opposite measure of schadenfreude — emanating, maybe, from Boston? Or Halifax?
Not to rub it (or anything) in, but it’s in times like these that I recall that the Nova Scotian capital was once, if just briefly, a centre of Canadiens antipathy insofar as Art McDonald lived there.
Maybe you know McDonald’s angry opus: the 1988 Montreal Canadiens Haters Calendar only ever appeared that one year, but its 26 packed pages make up a catalogue of bile and bitterroot that’s sure to sour the heart of even the biggest Habs backer. “366 Dismal Days in Canadiens’ History,” the cover promises, as well as “47 Lists Canadiens Haters Will Love.” The latter enumerate “Canadiens’ Three Worst Playoff Defeats” and “Five Canadiens Booed Regularly By Montreal Fans.” From January through December, there’s a grim Habs fact for every day — no loss or embarrassment or missed opportunity is too minor to escape McDonald’s derision. For example:
• March 5: Toronto defeats Canadiens 10-3 at the Montreal Forum. (1934)
• June 3: Bob Berry appointed coach of Canadiens. His teams would never win a playoff series. (1981)
• September 9: In a terrible deal, Canadiens send four regulars, including Rod Langway, to Washington. (1982)
• October 2: Robin Sadler, the Canadiens’ first draft choice, quits hockey to become a fireman. (1975)
• November 10: Gordie Howe breaks ex-Canadien Rocket Richard’s record for career goals scored. (1963)
Back in ’88, McDonald self-identified as a 34-year accountant, tax-consultant, and Habs-despiser-from-way-back. Here’s my theory: he wasn’t gloating so much as bleeding from the heart. He loved the Habs and this was his funny self-harming way of showing it. The Calendar was a one-off, with no follow-up editions. With Montreal’s season going the way it’s going, is it time for an update?
(Top Image: “The Canadiens and Beer,” Aislin, alias Terry Mosher, 1985. Felt pen, ink on paper + photograph. © McCord Museum)
Seventy-four years ago tonight, Maurice Richard had a terrible night.
That’s not the anniversary that tends to be observed, of course. Seems like people prefer to recall that it was on a night like this in 1943 that Montreal coach Dick Irvin debuted a brand new first line, one featuring wingers Toe Blake (left) and Maurice Richard (right) centred by Elmer Lach, that would soon come to be known, then and for all time, as the Punch Line.
October 30 was a Saturday in 1943, and it was opening night for four of the NHL’s six teams. Montreal was home to the Boston Bruins. After an injury-plague start in the Canadiens’ system, Richard, 22, was healthy. Having played just 16 games in 1942-43, he was ready to start the season as a regular. The Canadiens had lost some scoring over the summer: Gordie Drillon was gone and so was Joe Benoit, both gone to the war. The latter had scored 30 goals in ’42-43, leading the Canadiens in that department as the right winger for Lach and Blake. That line was already, pre-Richard, called Punch, with Elmer Ferguson of The Montreal Herald claiming that he’d been the one to name it.
Richard didn’t recall this, exactly. In autobiography Stan Fischler ghosted for him in The Flying Frenchmen (1971), Richard erred in saying that he took Charlie Sands’ place on the Punch Line rather than Benoit’s.
Roch Carrier added a flourish to the story in Our Life With The Rocket (2001), a poetic one even if it’s not entirely accurate.
Richard’s wife Lucille did (it’s true) give birth to a baby girl, Huguette, towards the end of October of 1943, just as Montreal’s training camp was wrapping up in Verdun. True, too: around the same time, Richard asked coach Irvin whether he could switch the number on his sweater. Charlie Sands wasn’t a Punch Liner, but he was traded during that final week of pre-season: along with Dutch Hiller, Montreal sent him to the New York Rangers in exchange for Phil Watson. Richard had been wearing 15; could he take on Sands’ old 9? “He’d like that,” Carrier has him explaining to Irvin, “because his little girl weighs nine pounds.”
“Somewhat surprised by this sentimental outburst, Dick Irvin agrees.”
Here’s where Carrier strays. To celebrate Huguette’s arrival, he writes, Richard promised to score a pair of goals in the Canadiens’ season-opening game: one for mother, one for daughter. “The Canadiens defeat the Bruins,” Carrier fairytales, “three to two. Maurice has scored twice. And that is how, urged on by a little nine-pound girl, the Punch Line takes off.”
Huguette’s birthday was October 23, a Saturday. The following Wednesday, Richard did burn bright in the Canadiens’ final exhibition game, which they played in Cornwall, Ontario, against the local Flyers from the Quebec Senior Hockey League. Maybe that’s when he made his fatherly promise, adding an extra goal for himself? Either way, the Canadian Press singled him out for praise in Montreal’s 7-3 victory: “Maurice Richard, apparently headed for a big year in the big time, paced Dick Irvin’s team with three goals in a sparkling effort.”
That Saturday, October 30, 1943, the home team could only manage to tie the visiting Bruins 2-2. Montreal had several rookies in the line-up, including goaltender Bill Durnan, who was making his NHL debut. Likewise Canadiens centre Fern Majeau, who opened the scoring. Herb Cain and Chuck Scherza replied for Boston before Toe Blake scored the game’s final tally. The Boston Daily Globe called that one “a picture goal” that same Blake skate by the entire Boston team. “The ice was covered with paper and hats after the red light flashed.”
That was the good news, such as it was. Leave it Montreal’s Gazette to outline what didn’t go so well. “Four Bruins Are Casualties,” announced a sidebar headline alongside the paper’s main Forum dispatch, “Maurice Richard Has Bad Night.” Details followed: