the thurso kid

Le Démon Blond: “The class of hockey,” winger Wayne Cashman of the Boston Bruins called Montreal’s Guy Lafleur in the late 1970s, when the two teams weren’t exactly kindred spirits. “Guy Lafleur is Guy Lafleur,” added Bruins’ coach Don Cherry, around that same time: “the greatest hockey player in the world today, bar none.” Anything to add, other Bruins’ winger John Wensink? “Guy Lafleur better have eyes in the back of his head, because I’m going to cut his ears off,” Wensink offered after a particularly spiteful encounter between the two teams in the playoffs for the 1977 Stanley Cup. Lafleur was supposed to have aimed a slapshot at the Bruins’ Mike Milbury and … but no. Whatever he did or didn’t do back then, on Lafleur’s birthday, let’s stick with the superlatives. “Quick, decisive, confident,” is what teammate Ken Dryden wrote of Thurso, Quebec’s own Flower, who turns now 67; “ever threatening, his jersey rippling, his hair streaming back the way no one else’s hair did.” That’s Lafleur’s statue above, photographed one November evening out where it guards the approaches to Montreal’s Bell Centre, on  permanent duty with his fellow tricolore titans, Howie Morenz, Maurice Richard, and Jean Béliveau.

(Image: Stephen Smith)

road revel

Won Way: As the Washington Capitals gird themselves for today’s Stanley Cup parade, here’s Henri Richard in May of 1971 on his way through an adoring Montreal throng. His team had beaten the Chicago Black Hawks in seven games to win — well, it was their first championship since ’69, their fifth since 1965. The Cup itself led the way in the parade that year, sitting on a pedestal, riding a big green float alongside the entire marching band of the College Secondaire St. Stanislas. Canadiens captain Jean Béliveau came next in an open car. A local paper described his progress along the route: “Coatless and squinting in the bright sunlight he waved, smiled, shook hands and was totally Jean Béliveau.” The rest of the team followed him, two to a car, signing autographs as they went. The loudest cheers went to rookie goaltender Ken Dryden, “bread and butter man in the playoffs,” and Henri Richard (above), who’d scored two goals in the decisive 3-2 victory over the Chicago. (Image: Archives de la Ville de Montreal, VM94-Ed041-098)

rivalrousers: when habs and bruins meet

Boston’s surging Bruins play in Montreal tonight, where (in case you hadn’t heard) their old rivals the Canadiens continue their season of struggles. The two teams meet again next Wednesday before returning to Montreal to complete their mini-series a week from tonight.

The two teams have played 34 playoff series against one another since 1929, with Montreal having prevailed in 25 of those. Tonight’s game is the 739th regular-season meeting. Canadiens are ahead by (almost) a century on that count, with a won-lost-lost in overtime record 360-267-8 and 103 ties.

The first time the teams clashed was December 8, 1924, a Monday night, in Boston. That was the first year there were Bruins, of course, and in just the third game of their history, Canadiens spoiled the evening by beating them 4-3. The ice was a little soft at the Boston Arena; the crowd numbered 5,000. Aurèle Joliat notched a hattrick for the defending Stanley Cup champions from Montreal, with Howie Morenz adding a goal of his own. Scoring for Boston was Bobby Rowe and Carson Cooper, with a pair.

Is it fair to say that Tex Coulter caught the spirit of the rivalry in his 1959 painting of a couple of belligerents ignoring the referee? That’s one question. Another: who were his models? Fern Flaman and Leo Boivin were up atop the pile of leading Bruin penalty-takers that season, but Coulter’s Bostonian doesn’t look like either of them, to me. The haircut kind of suggests Jack Bionda. The Hab in question is numbered 2, which would make him Doug Harvey. I don’t see that, though, either. Could be 20, I guess, which was Phil Goyette. Ian Cushenan was 21 and Don Marshall 22 and … I don’t know. Safe to say it’s not Jean Béliveau. Let’s just leave it there. Game’s on.

 

bob gainey: what you get if you turn guy lafleur inside out

On Bob Gainey’s birthday — Peterborough, Ontario’s own five-time-Stanley-Cup-winning former-Habs-captaining Hall-of-Famer turns 64 today — a few fond fêteful notes.

A cornerstone, Stu Hackel dubbed him when, earlier this year, Gainey was named to the NHL’s pantheon of 100 Greatest Players. Hackel’s citation quoted a Montreal teammate from those dominant Canadiens teams of the 1970s, Serge Savard: “I can’t think of anyone on our team,” Savard said, “who means more to us than Gainey.”

The NHL didn’t, of course, get into ranking its superlatives, but if you’re looking for something in that line, I refer you to a book published earlier this fall by the hockey cognoscenti at Le Journal de Montreal. Not so surprisingly, Les 100 meilleurs joueurs du Canadien goes with a top three of Maurice Richard, Jean Béliveau, and Guy Lafleur. Gainey gets in at number 22 — three slots back of Carey Price, but just ahead of Andrei Markov, Toe Blake, and Georges Vézina. If that fails to satisfy, you may be better to settle down with Red Fisher’s 2005 Canadiens top ten, whereon Gainey is lodged at number eight. (Béliveau, just for the record, comes ahead of Richard in Fisher’s thinking, with Lafleur holding at third.)

“That No. 23 for the Montreal team, Mr. Gainey, is the best player in the world in the technical skills of the game.” That was Soviet maestro Viktor Tikhonov rating Gainey during the 1979 Stanley Cup finals, which Gainey dominated. You’ll see it sliced up, this opinion, edited down to leave out the final phrase and make it absolute. Not necessary — it’s high enough praise in the original translation. Still, you can understand how, especially in Montreal in those glory days, the temptation to upgrade. “May be one of the most technically perfect hockey players who ever lived,” Gazette columnist Tim Burke was writing the morning after Canadiens beat the Rangers to hoist the Stanley Cup.

Gainey won the Conn Smythe Trophy that spring as playoff MVP. To go with the NHL silverware, Sport magazine gave him a 1980 Silver Anniversary Jeep CJ5, too. That’s maybe worth a mention.

Would we consider here, too, just how much of the literature detailing Gainey’s hockey brilliance finds a way, even if only gently, to scuff at his reputation? That sounds a little defensive, probably, but then what could be more appropriate while we’re talking about the man who won the first four Frank J. Selke trophies?

“A down-to-earth product” of Peterborough, a New York columnist by the name of Elliot Denman called him after those ’79 finals in a column that actually quoted Gainey as saying “Aw, shucks.” On behalf of those of us who, like Gainey, are born-and-bred Peterbruvians, I’m going to turn the other cheek for all of us on Denman’s drive-by dis of our little city, which happens to have been (not making this up) the first municipality in Canada to install streetlights. Gainey, Denman supposed, “much prefers the 75-watt lighting of his hometown to the bright neons of Montreal and New York.”

Then again, Gainey did say himself that if he were a GM (as he later would be, once his playing days were ended), he’d get rid of himself. “I’d trade myself for a Larry Robinson or a Ken Dryden. Defencemen and goalies are crucial.”

Still, it’s not as if the archives lack for Gainey acclaim. Back to that.

Ken Dryden goes on Gaineying for pages in The Game (1983). To his “basic, unalterable qualities — dependability, discipline, hard work, courage,” Gainey added an “insistent passion, an enormous will to win, and a powerful, punishing playing style, secure and manly, without the strut of machismo.”

“If I could be a forward,” wrote Dryden, “I would want to be Bob Gainey.”

Heading out of the tempestuous ’70s into a whole new hockey decade, Gazette sports editor Al Strachan saw him as a symbol and standard-bearer for entire continents and generations to come.

“Nobody in the world,” Strachan wrote, “better exemplifies the true North American style of hockey than Gainey.”

He is a superb skater and an excellent defensive player. But unlike the European players, he also plays a rugged, bone-crunching game. He pounds the opponents into the boards, blasts them off the puck, and makes them pay the price for dipsy-doodling in their own zone.

Yet no one plays a cleaner game than Gainey. … Nothing could be better for hockey than to have the junior ranks start emulating the Bob Gaineys of this world than the Dave Hutchisons.

Rick Salutin writing about Gainey is worth your while, finally. “Gainey works,” he wrote in a 1980 magazine profile of our hero. “Hard.”

He tears up the ice, his legs pumping and thrusting, his face contorted with effort and determination. He is the very opposite of his teammate Guy Lafleur. Lafleur skates lightly, with a Gallic flair that appears effortless: he whirls and corners like one of those toy tightrope walkers you can’t knock off balance. Gainey is what you would expect to get if you turned Lafleur inside out. In fact, Ken Dryden calls Gainey “the Guy Lafleur of defensive forwards.” Lafleur fulfils our every stereotype of French-Canadian finesse, while Gainey does the same for our notions of the earnest, achieving English-Canadian.

It gets better. “What is the Gainey style?” Salutin goes on to wonder.

In a stage play I wrote several years ago called Les Canadiens, a defensive forward steps onto the ice/stage to try to contain a rampaging goal scorer in the Morenz-Richard-Lafleur tradition. The character says, to his teammates or the audience:

It’s okay. I got ’im. Good thing I backcheck. It’s not the glamour job, but somebody’s gotta do it. Maybe it’s because Mom always said the other kids were pretty or smart but I was so “responsible.” I’m there when there’s hard slugging to do

This speech was inspired by Gainey’s play, but it is really too stodgy for Gainey. For, despite his defensive role, he is an exciting player.”

Later in the profile, Salutin adds a perfect parenthetic coda:

(Gainey saw Les Canadiens, by the way, and pronounced it “luke,” as in lukewarm; two nights later, at a performance of his own at the Forum, he had one of his two-goal nights in a kind of rebuttal to the onstage caricature.)

(Painting by Timothy Wilson Hoey, whose work you’re advised to investigate further, at  www.facebook.com/ocanadaart and ocanadaart.com)

my first hockey game: keith olbermann

Fort Eddie: New York Rangers’ goaltender (and Olbermann favourite) Ed Giacomin, photographed in the fall of 1967. (Image: Franck Prazak/Library and Archives Canada, 2000815187)

Long before Keith Olbermann took up as a full-time Donald Trump excoriator, he was a hockey fan and reporter, an analyst and student of the game — a hockey maven, even, as he’s said himself. Like Ken Dryden (and Gary Bettman), he’s a Cornell graduate. Olbermann, who’s 58, was at the 1980 Lake Placid Winter Olympics where he saw Herb Brooks’ young, implausible United States team overthrow Viktor Tikhonov’s heavily favoured squad from the Soviet Union. If you haven’t seen Olbermann in full hockey flight, paying tribute to Jean Béliveau, or decrying the foolishness and bad history perpetrated by those who celebrate the NHL’s Original Six, then go and see that now — we’ll wait.

Olbermann’s broadcast career includes, of course, his years with ESPN’s SportsCenter in the 1990s. Since then, he’s talked baseball and football and everything else on CNN and Fox Sports Net. From 2003 through 2011, he hosted Countdown on MSNBC. In 2016, he launched a new political show, The Closer with Keith Olbermann, on GQ.com. It got a new name (and vehemence) after Donald Trump won the 2016 U.S. election: The Resistance. Olbermann’s books include The Worst Person in the World (2006) and Pitchforks and Torches (2010). His latest, published earlier this fall, is Trump is F*cking Crazy (This is Not a Joke).

Today, as part of Puckstruck’s original ongoing series, Olbermann recalls the first hockey game he saw in the flesh as a 10-year-old fan growing up in New York. It was early in the season, and the Toronto Maple Leafs were in town …

My first game — memory, and Hockey Reference tell me — was October 19, 1969. Vic Hadfield had a phantom goal waved off in the first and then seconds later scored on a power play and despite 43 other Ranger shots, that was it. Eddie Giacomin became my eternal hero, and neither he nor Bruce Gamble wore a mask. It was only the second home game of only the second full season of the Rangers in what us old-timers still call “the new Garden,” and the subway trip there cost 20 cents.

This was part two of quite a dad/kid week for me. Four days earlier my father had gotten two tickets to Game Four of the 1969 World Series and in addition to the thrill each game represented, it occurs to me only now that these may have been the first two sporting events I ever attended in which the buildings were full. There was something just as awe inspiring about the 17,000 packing the Garden as the 57,000 at Shea.

I had been a Rangers’ fan for about a year to this point, but only on TV and radio. It amazes me that my main conduit was Marv Albert and he was in his radio gondola that night, and I visited with him at MSG the last game I saw during the playoffs last spring! I would soon get the whole back story of my mother and her Uncle Willie going to one of the games of the Cup Finals of 1940, and before that, New York Americans games. And I would shortly understand the disappointment built into being a Ranger fan.

My second game was early the next month against the Blues and I couldn’t wait to get there because I knew I was going to be able to say I saw either Glenn Hall or Jacques Plante play for St. Louis. And who did they start in goal? Ernie Wakely.

 

tijuana brash

Jean Béliveau, thoroughbreding through centre!

Frank Mahovlich, moosing down the wing past the Montreal blueline!

I don’t what it is about Blades and Brass, but it makes sense. If you’ve screened William Canning’s short film from back in bygone 1967, maybe you know this already. The old technicoloured hockey is fascinating in its own, though without the soundtrack, it just wouldn’t be the classic it is. Don Douglas wrote that, and Ken Campbell orchestrated it. Just what kind of sense the pairing of the hockey and the music makes, the how, and the why of it — that’s a whole other parcel of questions that might be better off left to itself, over there, in the shade, where maybe is it best if we just leave it unopened? The National Film Board’s catalogue copy has an understated charm that  surprises even as it fails to convey the near-perfect oddity of what you’re about to watch. “This short documentary showcases the best of the 1967 National Hockey League season, set to music in the Tijuana Brass style.”

Well, why not?

Jacques Laperriere!

Bobby Hull!

John Ferguson!

Forgive all the exclaiming, but I’m not sure there’s any other way to translate the footage to the page.

Terry Sawchuk! Eddie Giacomin! Gump Worsley in full flop!

Toronto’s Bob Pulford looking downcast! Béliveau wailing on Reggie Fleming of the New York Rangers! Phil Goyette, not seeing the shot that hits him amidships and drops him to the ice in painful anguish that causes you to shift in your seat, especially if you happen to be male! J.C. Tremblay carried off on a stretcher! One lonesome overshoe on the ice! The rink crew scraping up bloody slush! Toe Blake in a porkpie hat, chewing his chaw! Béliveau pressing a towel to a cut! Great goal, Claude Provost!

Blades And Brass is a masterpiece. Is there any doubting this? Watch it, the whole thing. It’s not long. Me, now — watching these 50-year-old scenes, I’m just not sure how I’m going to be able to endure the plain old modern non-mariachi NHL.