(Image: S.J. Hayward Studio, ca. 1920)
Sticks On The Ice: The University of Toronto’s Varsity Ladies’ Hockey Team lines up in the winter of 1910 on the rink at Annesley Hall, near the intersection of Charles Street West and Queen’s Park. Not recorded is the name of the man in the hat — a coach, no doubt. The original captioning identifies the players as (from left to right) Miss McDonald, Miss Barry, Miss Hunter, Miss Bonnar, Miss Sutherland, Miss Fairburn, and Miss Murphy. Minnie Louise Barry we can more fully name — the photograph belongs to an album of hers dating to her undergraduate years as an arts student at the U of T’s University College. Some further quarrying tells us that Barry played point, one of the two defensive positions in the old seven-player system, alongside Miss Fairburn at cover-point. This team picture from that same winter shows the full line-up — along with the man in the hat, lurking in back, with a hatted friend or relation …or co-coach?
(Top Image: University of Toronto Archives Image Bank)
Winnipeg artist Diana Thorneycroft’s work edifies and unsettles by warping iconic northern scenes to her purposes, and the results are gorgeous. This, from 2007, is “March Storm, Georgian Bay,” one piece from the series “Group of Seven Awkward Moments.” Of her intentions therein, Thorneycroft has written this:
My strategy for these photographs was to use paraphernalia that is quintessentially Canadian: landscapes obtained from calendars and tourism posters (e.g.. panoramic vistas of the Rockies or the wheat fields of Saskatchewan), Canadian “icons” like Anne of Green Gables, the RCMP, hockey players and Bob and Doug MacKenzie, and animals associated with the north, such as polar bears, elk, moose, beavers and howling wolves.
The photographs still depict spectacles of violence; martyrs continue to die, and the audience, both animal and human, still bear witness to the crimes being committed, but the narratives, now absurdly “Canadiana,” are more ambiguous and layered than previous work. The content no longer refers to specific Christian martyrs but to tourism, national identity, Canadian culture and industry.
To follow her beautiful, blackly edged vision, go to dianathorneycroft.com.