a message from you, rudy

Not sure exactly how it happened that a photographer came across Chicago Black Hawks coach Rudy Pilous writing out Valentine’s Day cards in February of 1962 to send home to his family in St. Catharines, Ontario, but he does appear to be working hard on coming up with just the right message. The Black Hawks were the reigning Stanley Cup champions at the time, and on February 14 they were holding firm in third place in the six-team NHL standings, behind Toronto and Montreal. They hosted the New York Rangers on this night 57 years ago, and beat them 4-3. A few further Rudy Pilous notes from that month:

• Asked about Chicago’s recent surge in the standings, Pilous said, “I like to get my clubs in shape gradually. We like to feel around during the first half of the season and start our move in January.”

• “We’re playing the same kind of hockey that won us the Stanley Cup,” Pilous told Tom Fitzgerald of the Boston Globe this month.

• Dink Carroll of the Montreal Gazette asked him who was the hardest player to check in the NHL. “Our guy,” he said, without a pause, “Bobby Hull.” Also in February, Pilous was adamant that Hull should be the left wing named to the NHL’s All-Star first team that season ahead of Toronto’s Frank Mahovlich. The Hawks’ Stan Mikita was another clear choice. “Mikita is the best centre in the league on any basis you care to compare him,” Pilous insisted.

• Mid-month, Pilous, who was 47, talked a challenge he’d received from one of his defencemen, the unspeedy Moose Vasko, to a two-lap race of the ice at Chicago Stadium. I don’t know how it turned out — at this point in his preparation, Pilous admitted that he’d only managed a lap-and-a-half.

• Pilous lodged a complaint with NHL referee-in-chief Carl Voss regarding the liberties he felt opposing forwards were taking with Chicago goaltender Glenn Hall. “Glenn hasn’t protested,” he said, “but I’ve seen the bruises. Officials should watch closely around Hall’s net. I don’t mind if Hall gets some stick butts, or a few elbows, but I don’t want ’em climbing on his back.”

• Spoiler alert: Chicago did beat Montreal in the playoffs, but come the finals in April, up against Toronto, they fell in six games. Stan Mikita and Bobby Hull were named to the 1stAll-Star team, and Glenn Hall to the 2nd.

jacques plante, 1970: no dizzy spells, no headaches, I don’t see double

Face First: In 1970, 11 years after he first wore a mask in an NHL game, Jacques Plante poses with a young goaltending colleague to show off the junior version of his new Fibrosport mask.

Fans in St. Louis sang “Happy Birthday” on this day in 1970 as Blues goaltender Jacques Plante celebrated his 41stwith a 20-stop 3-1 victory over the Los Angeles Kings. Playing in his 16thNHL season, Plante had been named earlier that same week to the roster of the Western team for the NHL’s upcoming 23rdannual All-Star game. While that was a match-up that his team would lose, 4-1, to the East, Plante’s performance was immaculate: in relief of Bernie Parent of the Philadelphia Flyers, he stopped 26 shots in the 30 minutes, allowing no goals.

Plante would leave St. Louis that summer, signing for the Toronto Maple Leafs, but not before he’d steered the Blues to their third successive Stanley Cup finals. The man who’d introduced the goaltender’s mask to regular NHL duty in 1959 only played a part in the first of the four games the Boston Bruins used in 1970 to sweep to the championship: a shot of Fred Stanfield’s hit Plante square in the mask, which broke. He was down and out and — soon enough — on his way to hospital, leaving Ernie Wakely and Glenn Hall to finish the series in the St. Louis nets.

“I feel great,” Plante said in June, up and at ’em and strolling around at the NHL’s annual summer meetings in Montreal. “I’ve had no dizzy spells, no headaches, I don’t see double.”

“But the doctor in St. Louis told me not to be afraid to tell everybody that if it wasn’t for the mask, I wouldn’t be here now.”

Even so, Plante had a new mask in hand, one that he’d been developing with the help of — well, as The Windsor Star had it in 1969, “moon workers” from the U.S. National Aeronautics and Space Administration.

Plante been involved in the mask-building business for as long as masks had been mitigating the impact of the pucks that were finding his face in the NHL. Mostly he’d worked with Bill Burchmore, the young Montreal sales manager from Fibreglas Canada who’d designed Plante’s original mask.

Now Plante was launching a company of his own, Fibrosport, to develop and market face-protection for goaltenders of all sizes and skill-levels. That’s one of the junior models pictured above: they retailed for about C$12–$15 (about $75—$100 in 2018 money). Come the new season, the president of the company would be sporting the revolutionary professional model himself. One of those would set you back about C$22.50 ($150ish).

At the league’s June meetings in Montreal, Plante was ready to do some selling. While previously he’d been talking about NASA scientists — “They are experimenting with some new, lightweight material that can be poured right over your face,” he said in ’69 — the word now was that this new model had been developed in cooperation with the engineering department at the University of Sherbrooke. It weighed just nine ounces, he said, and fit the face better than any previous model known to goaliekind. Most important, it was superstrong. The secret? Resin and woven fibres. That was as much as Plante was revealing in public, anyway.

“We’ve been making tests with it,” he told reporters, “to see how much it can take and it didn’t even budge with shots at 135 miles per hour. That’s pretty good when you consider the hardest shot in the NHL is Bobby Hull’s. He shoots 118 miles an hour.”

The mask he’d been wearing when he was felled in St. Louis had resisted shots up to 108 mph, he said. The helmets astronauts wore, Plante happened to know, could withstand up to nine Gs of force. “After that, they can go unconscious. When I got hit with that puck, it was something like 12 or 14 Gs. That’s why I was knocked out.”

To prove the point (and sell the product), Plante arranged an exhibition of the new mask’s superiority. He’d brought along what the papers variously described as “a short-range cannon,” “an air-powered cannon,” and “a machine that fires pucks at 140 mph.” Set up in a conference room at a distance approximating Phil Esposito in the slot, it fired away at Plante’s newest (uninhabited) facade, which was firmly fixed to a stout backboard.

The Futuramic Pro was what Plante was calling the mask that Leaf fans would get to know over the next few years. (He’d don it, too, for subsequent short stints with Boston and WHA Edmonton.) It didn’t disappoint in Montreal that June, withstanding the hotel bombardment no problem at all.

Not so the pucks fired in the demo: in the press photos from that week, they appear misshapen and more than just a little ashamed.

Man of the Futuramic: During his final stop in the pros (with the WHA’s 1975-76 Edmonton Oilers), Plante wore a version of the mask he’d introduced at the NHL’s summer meetings in 1970.

 

bee-stung

For the cover for the 1960 Official National Hockey Annual, artist (and former NFL lineman) Tex Coulter painted Montreal’s Bill Hicke scoring on Chicago’s Glenn Hall, and while you can’t really see the expression on either man’s face, the sense of their mutual surprise is strong, as though the last thing either man expected to see was that puck find the back of the net. I wrote in my 2014 book about the journalist and pro tem goaltender George Plimpton and his suspicion that his failure as a netminder was largely a problem of acquaintance: he’d never really gotten to know the puck. “One would appear with the abruptness of a bee over a picnic basket,” he wrote in Open Net (1985), “and then hum away, all so quickly that rather than corporeal it could well have been an apparition of some sort. A swarm of them would collect in the back of the net during the shooting drills without my being sure how they got there.”

From the veterans of the crease Plimpton apprenticed with during his stint with the Boston Bruins he learned that you never bother with a puck that ends up behind you in the net. A bee no more, that puck has become your mess and your shame — “like dogshit on a carpet.”

 

upended

It was the final weekend of the NHL’s 1959-60 season, towards the end of March. On the eve of the playoffs, the Toronto Maple Leafs had a couple of games to go before they got down to the business of chasing the Stanley Cup. Sunday they played their final regular-season game in Detroit, forging a 3-2 win in which goaltender Johnny Bower was the acknowledged star. Bower hadn’t done badly the night before either, back home at Maple Leaf Gardens, outduelling Chicago’s Glenn Hall in a 1-0 win that saw Frank Mahovlich set up Red Kelly’s winning goal. Writing it up for the hometown Globe and Mail, Rex MacLeod recognized that “Pierre Pilote, most underrated defenceman in the league was a standout for the Hawks in a game that had occasional flurries of high-speed action, excellent goalkeeping, fine defensive work plus solid bodychecking.” A photographer from the Turofsky’s Alexandra Studio’s caught some of that here. Reproduced in 100: A Century of NHL Memories (2017), an anthology of photographs drawn from the vasty vaults of the Hockey Hall of Fame in Toronto, this image shows Pilote upending Leafs’ right winger Gerry James while Hall secures the puck in his crease. The other Hawks shown are (back left, wearing number 8) winger Murray Balfour alongside defenceman Moose Vasko. Obscured, mostly, by James and Pilote, that’s Bobby Hull in back. He didn’t make the cut at all when football star and artist Tex Coulter came to translate the scene to canvas. Then again, Glenn Hall didn’t fare a whole lot better in the painted version, here below, that would adorn the cover of the NHL’s 1961 Official Annual, snatching away Hall’s real-save save to pose him looking back, too late, at the goal he couldn’t foil.

(Top image: Imperial Oil/Turofsky Collection, from 100 : A Century of NHL Memories, Natural Treasure Series, 2017)

 

 

 

 

 

fall fashion

Detroit Red Wings coach Jimmy Skinner (right) gears up in the fall of 1957 with his boss, manager Jack Adams. A son of Selkirk, Manitoba, Skinner succeeded Tommy Ivan on the Wings’ bench in 1954, guiding the team to a second consecutive Stanley Cup championship in the spring of ’55. The summer of 1957 was a tumultuous one in Detroit. In July, Ted Lindsay departed the team, traded to Chicago after 13 seasons and 700 points for the crime of heading up the NHL’s incipient player’s association. Lindsay had said he’d rather retire than leave Detroit, but he’d finally agreed to the trade. At a press conference, Lindsay described “the personal resentment of the Detroit general manager toward me.” Adams denied that there was any feud: he said that shipping out 31-year-old Lindsay, the fourth highest goalscorer in NHL history, and All-Star goaltender Glenn Hall, 25, for four players and cash was all about renewing the Red Wings. With Terry Sawchuk back in the net that year, Detroit did end up in third place in the final NHL standings, though they fell to the unstoppable Montreal Canadiens in the opening round of the playoffs. Skinner was gone by then, having resigned as coach in January on a doctor’s advice about the migraines he couldn’t quell. Sid Abel was the man who replaced him, and he kept the job for the next ten years. His old linemate Ted Lindsay would return to Detroit for a final season in 1964-65 during that time. As for Stanley Cups, Abel’s Wings came close, losing in the Finals four times during his tenure. The team would go without a championship until 1997, with Scotty Bowman in command.

stories that get told and stories that don’t: tracing hockey’s indigenous histories

(A version of this post appeared on page SP4 of The New York Times on July 1, 2018, under the headline “Writing the Twisting History of Indigenous Players.”)

At some point during Fred Sasakamoose’s first visit to New York in the fall of 1953, he found himself in a radio station studio. At 19, Sasakamoose was a junior hockey star from Saskatchewan. Speedy and ambidextrous, he was about to make his NHL debut at center for the Chicago Black Hawks. He was also a novelty: one of the first Indigenous players in the league.

He remembers the gifts he was given at the studio, cigars and a transistor radio. And he remembers being asked, for broadcast, to say something in Cree.

“They wanted me to talk Indian,” he said.

He obliged, thanking the interviewer and saying he had never been to New York before.

It was just a few simple sentences, but Sasakamoose struggled, on air, to summon his own language. Home, then and now, was Ahtahkakoop First Nation, in Saskatchewan, but in 1953 it had been years since he had lived there.

Hockey had planted him in Moose Jaw, and before that he’d spent a decade 60 miles from home at St. Michael’s in Duck Lake. one of Canada’s notorious residential schools where the mandate was to erase Indigenous language and culture.

“They don’t allow you to talk your language,” Sasakamoose, now 84, recalled earlier this year from Ahtahkakoop. “Either you talk French or English — and then you go to church, and you’ve got to talk Latin.”

In May, Governor-General Julie Payette inducted Sasakamoose as a Member of the Order of Canada, the nation’s highest civilian honor. Revered as a hockey trailblazer, he has worked tirelessly over the years with youth in his community and across the country. Sasakamoose said he was humbled by the honor.

“There’s so much pride,” he added. “It’s just marvelous.”

Proud as the moment is, it is impossible to consider Sasakamoose’s life and career without reflecting on the historical scarcity of Indigenous players at the top levels of the game that Canadians so fervently claim as their own. First Nations peoples, Métis and Inuit make up 4.9 percent of Canada’s population. But of the more than 7,600 players, some 5,100 from Canada, to have skated in the NHL in the 100 years of its history, only about 80 have been of Indigenous heritage.

Canada’s reckoning with its history with Indigenous peoples has been underway for years, reaching not just into the justice system and the resource sector, but across society.

Within hockey, this has been both a season for celebrating the achievements of Indigenous players and one filled with reminders of the ongoing struggles they face — against racism, and for opportunity and recognition.

Recent NHL success stories include Ethan Bear, 20, from Saskatchewan’s Ochapowace Cree Nation, who made his debut with the Edmonton Oilers in March. At the Winter Olympics in February in Pyeongchang, South Korea, Canada’s women’s hockey team featured two Indigenous players, Jocelyne Larocque, who’s Métis from Manitoba, and Brigette Lacquette, a member of the Cote Saulteaux First Nation in Saskatchewan.

The game is thriving in Indigenous communities across the country, at the pond and pick-up level and through organized events like the annual National Aboriginal Hockey Championships for elite teenage players. In March, about 3,000 Indigenous youth players took part in the Little Native Hockey League in Mississauga, Ontario.

“I think we as First Nations people are probably some of the biggest supporters of hockey across Canada,” said Reggie Leach, the NHL’s first Indigenous superstar who continues to work with young players on hockey and life skills. Leach, who is Ojibwe, spent 13 seasons in the NHL, mostly with the Philadelphia Flyers, winning a Stanley Cup in 1975.

Still, the story of Indigenous hockey in Canada is one that has been shaped by familiar themes of geographical isolation and social marginalization. It also continues to be poisoned by racism. In May, a team of 13- and 14-year-old First Nations boys faced racial slurs at a tournament in Quebec City.

“Reading this story made me sad,” Jody Wilson-Raybould, Canada’s Minister of Justice and a member of the We Wai Kai Nation in British Columbia, wrote on Twitter. “Be proud of who you are and always remember where you come from!”

Residential schools are knotted into the history, too. For more than a century through to 1996, the Canadian government made a policy of separating some 150,000 children from their families with the express purpose of indoctrinating them into a culture not their own — taking “the Indian out of the child,” in one early insidious formulation of what the schools were all about.

The government has apologized and compensated survivors. Between 2008 and 2015, a Truth and Reconciliation Commission crossed Canada to hear their stories and investigate abuses. Among the findings in the commission’s final 2015 report is ample evidence of how sports, including hockey, could be a refuge for many children. But the report also explains how, especially in early years, some in authority looked to sports as an instrument of forced assimilation, just another means of “civilizing” students.

The comfort and freedom that hockey offered only went so far. That’s a story told in Indian Horse, Richard Wagamese’s powerful 2012 novel of hockey and residential-school abuse that director Stephen Campanelli and executive producer Clint Eastwood brought to movie screens in the spring of 2018. The pain and the rage deriving from what the central character, Saul, calls the “scorched earth” of his residential-school boyhood — “it corroded everything, even the game.”

•••

Tracing the history of hockey’s Indigenous players, you can’t help but reflect on the ways in which narratives form, shift and settle, and on the stories that get told or don’t. While Indigenous players are scarcely seen in the annals of early hockey history, it’s also true that those in the business of recording the sport’s history have simply neglected or overlooked some of those who did make it to hockey’s highest levels.

Henry Maracle is one of those whose story has been erased, one way and another. While Fred Sasakamoose is still often described as having been the NHL’s first Indigenous player — including by the league itself and in his Order-of-Canada citation — the evidence seems to increasingly contradict that distinction.

Hockey teams in Canada started vying for the Stanley Cup in 1893, well before the NHL came into being in 1917. In 1901 and again in 1902, the Winnipeg Victorias won the Cup with a roster featuring three Métis stars, Tony Gingras and the brothers Rod and Magnus Flett.

Toronto’s NHL lineup in 1918-19 may have included a Mohawk defenseman, Paul Jacobs. While league records show him playing a game in the league’s second season, it’s unclear whether he actually made it onto the ice. Taffy Abel, who had Chippewa background, was a member of the 1924 United States Olympic team and one of the earliest Americans to flourish in the N.H.L. Could he be counted as the league’s first Indigenous player?

New York got its first N.H.L. team in 1925, the Americans, a year before the Rangers hit the ice. With an idea of adding an exotic accent to the Americans’ lineup, manager Tommy Gorman briefly pretended that a non-Indigenous Montreal-born center, Rene Boileau, was a Mohawk star by the name of Rainy Drinkwater.

Tidings of Maracle’s 1931 call-up to the NHL caught the eye of newspaper editors across North America.

While the N.H.L. seems strangely loath to acknowledge him, Maracle is slowly gaining wider recognition as the first Indigenous player in the league. Maracle, who died in 1958, was honoured this past June at a community ceremony in Ayr, Ontario, the small town where he was born.

Midway through the 1930-31 season, the Rangers summoned Maracle, a 27-year-old Mohawk left winger, from their affiliate in Springfield, Mass. That the Springfield team was nicknamed the Indians was not lost on headline writers and reporters narrating the scoring exploits of the “Springfield Injun” and “Redskin Icer.”

Maracle, who went by Buddy, was often, inevitably, called “Chief.” His NHL career lasted 15 games, yielding a goal and three assists. While he would thrive as a minor leaguer for years to come, that was all for Maracle in the NHL.

In 1944, the Rangers called up an Indigenous defenseman, Jim Jamieson, whose background was Cayuga, from Six Nations First Nation in southwestern Ontario. He played a single game.

Maracle and Jamieson were already forgotten when Sasakamoose made his NHL debut in 1953. “Chief Running Deer,” the papers dubbed him; when he first skated out at Chicago Stadium, organist Al Melgard broke into “Indian Love Call.” Sasakamoose played 11 games that season and looked like he was in the league to stay. Until he decided he wasn’t.

Years later, Sasakamoose recalls, Hall-of-Fame goaltender and fellow Chicago alumnus Glenn Hall told him he should write a book. “He said, ‘You know what you call it?’ I said, ‘What?’ He said: ‘I Want To Go Home.’”

He laughs now, but the memory of homesickness remains raw. “For me,” Sasakamoose said, “I wanted to come home all the time.

“Because, 10 years of residential school. Ten years when you’re small. And you live in that place, in that big huge building, and you don’t see mom and dad. You don’t know them anymore.”

Sasakamoose has spoken over the years about the physical abuse he suffered at Duck Lake, and he testified before the Truth and Reconciliation Commission. Of his school years, the commission report noted, “He left as soon as he could.”

At the same time, Sasakamoose’s memory of those distant school years in the 1940s can still brighten as he describes learning to stickhandle, or recalls the team with which he won a provincial championship.

Also: Saturday nights in wintertime. One of the presiding priests at Duck Lake would rig up a speaker in time for the weekly broadcast ofHockey Night in Canada from Toronto, 1,300 miles away. “We’d sit there, about 30 or 40 of us, and we’d listen to the Foster Hewitt. Everybody wanted to be a Charlie Conacher.”

For many Canadians, Hewitt, the broadcaster whose signature phrase was a strident “He shoots, he scores!,” remains the original and eternal voice of hockey.

In 1953, when Sasakamoose played his first game at Toronto’s Maple Leafs Gardens, Hewitt descended from his broadcast booth: he wanted to meet the Chicago rookie — and to find out how to pronounce his name.

“I said, ‘Foster, my name is Sa-SA-ka-moose.’”

He laughs now. When the time came to call the action, Hewitt never quite got it right.

“That was okay,” Sasakamoose said. “I was there. I wanted to get there and I did get there.”

 

willie o’ree, 1961: scored that one for the whole town of fredericton

Like Bronco Advised: With Montreal defenceman Jean-Guy-Talbot looking on, Willie O’Ree scores his first NHL goal, a game-winner, on Charlie Hodge, January 1, 1961.

Sixty years ago today, Montreal was minus-nine and snowed under, cloudy overhead, with light flurries expected and a risk of freezing drizzle. Normal, then, for a Saturday in January. Marlon Brando’s new movie, Sayonara, was playing at Loew’s downtown. In Ottawa, Prime Minister John Diefenbaker was feeling better. Having spent the week confined to his bed with a strained back, he was up and out for a short walk. All was well in the local hockey cosmos: the Montreal Canadiens, Stanley Cup champions for two years running, were once again a top the NHL standings. Coming off a 5-2 Thursday-night win over the Toronto Maple Leafs, the Habs were preparing to host the Boston Bruins and their newly promoted winger, 22-year-old Fredericton, New Brunswick-born Willie O’Ree.

This week, the NHL is remembering that 1958 night, the first to see a black player play in the league. O’Ree, who’s 82 now, was honoured last night and roundly cheered at Boston’s TD Garden when the modern-day Canadiens played (and lost to) the Bruins. Earlier in the day, Boston Mayor Marty Walsh had proclaimed today Willie O’Ree Day across the city. That was at a press conference dedicating a new street hockey rink in O’Ree’s honour.

Called up in a manpower emergency, O’Ree played only a pair of games during his first NHL stay. It would be three more years before he returned to score his first goal.

Back in ’58, the Bruins and Canadiens were spending all weekend together. Following Saturday’s game, they’d meet again Sunday in Boston. The then-dominant Canadiens were, as mentioned, cruising atop the six-team NHL, 18 points ahead of second-place Detroit, 24 clear of the languishing fifth-place Bruins.

With Leo Labine out with the flu, Boston GM Lynn Patrick summoned 22-year-old O’Ree from the Quebec Aces of the minor-league QHL. In 32 games there, he’d scored 7 goals and 18 points.

“It is believed that O’Ree is the first Negro to ever perform in the National Hockey League,” Montreal’s Gazette ventured, with nods to other black hockey talents, including Herb and Ossie Carnegie and Manny McIntyre, star Aces of the early 1950s, as well as to O’Ree’s teammate in Quebec, centre Stan Maxwell.

Elsewhere, across North America, the headlines were bolder. “Young Negro Star Makes NHL History,” a California paper headlined a United Press story in its pages, noting “the lowering of the last color line among major sports” while also deferring to “most hockey observers” who were said to agree that the only reason there had been such a line was “the fact that there hasn’t been a Negro player qualified to make” the NHL.

O’Ree wore number 25 playing the left wing on Boston’s third line alongside Don McKenney and Jerry Toppazzini.

“His debut was undistinguished as Boston coach Milt Schmidt played him only half a turn at a time,” The Boston Globe recounted, “alternating him with veteran Johnny Pierson.” The thinking there? GM Patrick explained that Schmidt wanted to “ease the pressure” on O’Ree and “reduce the margin of errors for the youngster.”

Dink Carroll of Montreal’s Gazette paid most of his attention on the night to Boston’s new signing, the veteran Harry Lumley, “chubby goalkeeper who looks like a chipmunk with a nut in each cheek.” O’Ree he recognized as “a fleet skater” who had one good scoring chance in the third period in combination with Toppazzini. “He lost it when he was hooked from behind by Tom Johnson.”

Lumley’s revenge was registered in a 3-0 Bruins’ win. “I was really nervous in the first period,” O’Ree said, “but it was much better as the game went on.”

“It’s a day I’ll never forget as long as I live. It’s the greatest thrill of my life.”

Also making an NHL debut at the Forum that night: Prince Souvanna Phouma, the prime minister of Laos, was on hand to see the hockey sights at the end of a North American visit.

Sunday night at the Garden, O’Ree got one opening, early on, when Don McKenney fed him a leading pass. This time, O’Ree shot into Jacques Plante’s pads. With Canadiens re-asserting themselves as league-leaders with a 6-2 win, O’Ree didn’t play much in the game’s latter stages.

So that was that. Afterwards, O’Ree was reported to be grinning, sitting amid a stack of telegrams from well-wishers back home. He described himself as a “little shaky.” “I’m just happy to get a chance up here, that’s about all I can say.” Leo Labine was back at practice next day, along with another forward who’d been injured, Real Chevrefils, so after another practice or two, O’Ree returned to Quebec.

As a Hull-Ottawa Canadian, 1960.

It was three years before he got back the NHL and scored his first goal. Canadiens figured prominently again, starting in the summer of 1960, when the Bruins agreed to loan the winger to Montreal. O’Ree was duly assigned to the Hull-Ottawa edition of the Canadiens, in the Eastern Professional Hockey League, where Glen Skov was the coach. The team had a good autumn, but as happens with farm teams, they paid the price in having their best talents stripped away. In November, Canadiens called up Bobby Rousseau and Gilles Tremblay while Boston beckoned O’Ree, now 25, back to the fold. The Bruins were still down at the wrong end of the standings, just a point out of last place, while also suffering adjectivally in the papers where, if they weren’t “listless” they were “punchless.”

Starting off his second stint as a Bruin, he was numbered 22, assigned to a line with Charlie Burns and Gerry Ouellette. As in 1958, newspapers (like Pittsburgh’s Courier) took due note that the “fast, aggressive forward” was “the first of his race to play in the National Hockey League.”

“The Speedy O’Ree” The New York Times annotated him when he made his Garden debut; in Chicago, the Tribune’s Ted Damata was particularly attentive. “The first Negro” was “on the ice four times, three times as a left winger and once as a right winger. He touched the puck twice, losing it each time, once on a hefty body check by Jack Evans of the Hawks.” Continue reading